"I am not one who was born in the custody of wisdom. I am one who is fond of olden times and intense in quest of the sacred knowing of the ancients." Gustave Courbet
Showing posts with label appreciation. Show all posts
Showing posts with label appreciation. Show all posts

30 July 2026

The Jam, "Going Underground"

What you see is what you get
You've made your bed, you better lie in it
You choose your leaders and place your trust
As their lies wash you down and their promises rust ...


Just as terror, even in its pre-total, merely tyrannical form ruins all relationships between men, so the self-compulsion of ideological thinking ruins all relationships with reality. The preparation has succeeded when people have lost contact with their fellow men as well as the reality around them; for together with these contacts, men lose the capacity of both experience and thought. The ideal subject of totalitarian rule is not the convinced Nazi or the convinced Communist, but people for whom the distinction between fact and fiction, the reality of experience, and the distinction between true and false, the standards of thought, no longer exist.

Himself.


It is easy to establish a society upon the foundation of rigid rules. It is easy to shape the kind of man who submits blindly and without protest to a master.  The real task is to succeed in setting man free by making him master of himself.

In place of affirming the rights of Man through individuals, we have begun to speak of the rights of the collectivity. This morality will explain clearly why the individual should sacrifice himself for the community. It will no longer explain, without verbal tricks, why a community should sacrifice itself for a single man.

 Antoine de Saint-Exupéry, from Flight to Arras

Curiosities.

Osbourne, Robert Louis Stevenson, 1885


Life is only a very dull and ill-directed theatre unless we have some interests in the piece; and to those who have neither art nor science, the world is a mere arrangement of colours, or a rough footway where they may very well break their shins.  It is in virtue of his own desires and curiosities that any man continues to exist with even patience, that he is charmed by the look of things and people, and that he wakens every morning with a renewed appetite for work and pleasure.

Refinement.

Maestro, indeed.  Wisdom every minute ...
Question, question, question. Taste, taste, taste. Think, think, think. That's what cooking is all about. Is that where you can take it? Because I'm a classicist. I'm not a fantasist. I believe in those great classic marriages. Basel and tomato, madeira and mushroom, red wine and shallots. Keep it simple. We live in a world of refinement, not invention. It's as simple as that. And never forget. If you want to stray and do bizarre and peculiar combinations, then good luck.

Think about why you do things.

Commendable.

Wren, Sheldonian Theatre, Oxford, 1668


In things to be seen at once, much variety makes confusion, another vice of beauty. In things that are not seen at once, and have no respect one to another, great variety is commendable, provided this variety transgress not the rules of optics and geometry. 

Christopher Wren

Mendelssohn, Piano Trio in D-Minor, Op. 11

The Aletheia Piano Trio performs the Finale ...

Conform.


A FOREST HYMN

The groves were God's first temples. Ere man learned
To hew the shaft, and lay the architrave,
And spread the roof above them,—-ere he framed
The lofty vault, to gather and roll back
The sound of anthems; in the darkling wood,
Amidst the cool and silence, he knelt down,
And offered to the Mightiest solemn thanks
And supplication. For his simple heart
Might not resist the sacred influences,
Which, from the stilly twilight of the place,
And from the gray old trunks that high in heaven
Mingled their mossy boughs, and from the sound
Of the invisible breath that swayed at once
All their green tops, stole over him, and bowed
His spirit with the thought of boundless power
And inaccessible majesty. Ah, why
Should we, in the world's riper years, neglect
God's ancient sanctuaries, and adore
Only among the crowd, and under roofs,
That our frail hands have raised? Let me, at least,
Here, in the shadow of this aged wood,
Offer one hymn—-thrice happy, if it find
Acceptance in His ear.
Father, thy hand
Hath reared these venerable columns, thou
Didst weave this verdant roof. Thou didst look down
Upon the naked earth, and, forthwith, rose
All these fair ranks of trees. They, in thy sun,
Budded, and shook their green leaves in the breeze,
And shot towards heaven. The century-living crow,
Whose birth was in their tops, grew old and died
Among their branches, till, at last, they stood,
As now they stand, massy, and tall, and dark,
Fit shrine for humble worshipper to hold
Communion with his Maker. These dim vaults,
These winding aisles, of human pomp and pride
Report not. No fantastic carvings show
The boast of our vain race to change the form
Of thy fair works. But thou art here—-thou fill'st
The solitude. Thou art in the soft winds
That run along the summit of these trees
In music; thou art in the cooler breath
That from the inmost darkness of the place
Comes, scarcely felt; the barky trunks, the ground,
The fresh moist ground, are all instinct with thee.
Here is continual worship;—-Nature, here,
In the tranquility that thou dost love,
Enjoys thy presence. Noiselessly, around,
From perch to perch, the solitary bird
Passes; and yon clear spring, that, midst its herbs,
Wells softly forth and wandering steeps the roots
Of half the mighty forest, tells no tale
Of all the good it does. Thou hast not left
Thyself without a witness, in these shades,
Of thy perfections. Grandeur, strength, and grace
Are here to speak of thee. This mighty oak—-
By whose immovable stem I stand and seem
Almost annihilated—-not a prince,
In all that proud old world beyond the deep,
E'er wore his crown as lofty as he
Wears the green coronal of leaves with which
Thy hand has graced him. Nestled at his root
Is beauty, such as blooms not in the glare
Of the broad sun. That delicate forest flower
With scented breath, and look so like a smile,
Seems, as it issues from the shapeless mould,
An emanation of the indwelling Life,
A visible token of the upholding Love,
That are the soul of this wide universe.

My heart is awed within me when I think
Of the great miracle that still goes on,
In silence, round me—-the perpetual work
Of thy creation, finished, yet renewed
Forever. Written on thy works I read
The lesson of thy own eternity.
Lo! all grow old and die—-but see again,
How on the faltering footsteps of decay
Youth presses——ever gay and beautiful youth
In all its beautiful forms. These lofty trees
Wave not less proudly that their ancestors
Moulder beneath them. Oh, there is not lost
One of earth's charms: upon her bosom yet,
After the flight of untold centuries,
The freshness of her far beginning lies
And yet shall lie. Life mocks the idle hate
Of his arch enemy Death—-yea, seats himself
Upon the tyrant's throne—-the sepulchre,
And of the triumphs of his ghastly foe
Makes his own nourishment. For he came forth
From thine own bosom, and shall have no end.

There have been holy men who hid themselves
Deep in the woody wilderness, and gave
Their lives to thought and prayer, till they outlived
The generation born with them, nor seemed
Less aged than the hoary trees and rocks
Around them;—-and there have been holy men
Who deemed it were not well to pass life thus.
But let me often to these solitudes
Retire, and in thy presence reassure
My feeble virtue. Here its enemies,
The passions, at thy plainer footsteps shrink
And tremble and are still. Oh, God! when thou
Dost scare the world with falling thunderbolts, or fill,
With all the waters of the firmament,
The swift dark whirlwind that uproots the woods
And drowns the village; when, at thy call,
Uprises the great deep and throws himself
Upon the continent, and overwhelms
Its cities—-who forgets not, at the sight
Of these tremendous tokens of thy power,
His pride, and lays his strifes and follies by?
Oh, from these sterner aspects of thy face
Spare me and mine, nor let us need the wrath
Of the mad unchained elements to teach
Who rules them. Be it ours to meditate,
In these calm shades, thy milder majesty,
And to the beautiful order of the works
Learn to conform the order of our lives.

William Cullen Bryant

Schumann, Waldszenen, Op. 82

Martin Helmchen performs the Vogel als Prophet ...

Opportunity.


The LANTERN and the WILDFLOWER 

If only I could give you
the gift of Adventure.
If only I could box her up
for you,
That big red bow on top,
glimmering.

But this cannot be.
Adventure is not
given or earned.
She is a breath that is prayed,
a force that is found,
found in the soul of everyone
and everything

But maybe, just maybe,
if I cannot box her up for you,
I can at least point you
in her direction.
Maybe, at least,
I can tell you where I saw her last,
what I prayed when I was alone,
waiting in a forest under the pine trees,
waiting for her to appear.
Maybe that will be
your Beginning.

You see, I didn’t learn for a long time.
For years, as soon as I began
searching,
hid behind fear,
all the while,
Adventure waiting for me
with a lantern and a wildflower.
All that time, I only wanted
pictures of her,
without knowing her presence,
her warmth,
her smell.

But when I met her,
I found myself.
When I prayed,
I found God.
If only I could teach you
not to be afraid.
If only I could tell you
that it’s okay if you don’t
have words left
to pray.

If only I could point you
towards that lantern
and that wildflower.
If only I could show you
the way to God.

But God cannot be given or earned.
No, God is found.
So, in that soul of yours,
there is the greatest opportunity.
You.
The world.
Breath and prayer embodied.
Everything sacred.
These things would never fit
into a box
with a big red bow on top,
glimmering.

Kaitlin Curtice

Schubert, Piano Quintet in A-Major, D. 667, "The Trout"

Members of the Vienna Philharmonic Chamber Orchestra perform the Variations movement ...

Conserving.

Conserving Alexander Calder's Red Lily Pads ...

Happy Birthday, Giorgio Vasari

Vasari, Self-Portrait, 1566


No one ever became excellent in any exercise whatsoever without beginning from his childhood to endure heat, cold, hunger, thirst, and other discomforts; wherefore those men are entirely deceived who think to be able, at their ease and with all the comforts of the world, to attain an honorable rank. It is not by sleeping but by waking and studying continually that progress is made.  It is greater vanity to pursue things more for their reputation than for what they really are, but these kinds of men can be found in any age, men who pay more attention to appearances than realities

Giorgio Vasari, born on this day in 1511, from Lives of the Artists

29 July 2026

Dinnertime.


INTERVIEWER: I made the remark, and I don't think it's unfair to say, that in a sense, what Einstein gave to science, in the dimension of time, you've given to art, in the dimension of motion. 

CALDER: I don't know about that, but what would Einstein say? 

INTERVIEWER: Well, that's a very interesting point.  Well, now, how do you know when you're finished?

CALDER:  Uh, when it's dinnertime.

Enormity.

Chatham, July, 1987


Choose your heroes carefully, identifying those who were truly great and whose sensibilities you can relate to. Be contemptuous of notions like the one which holds that a drunk who routinely peed his pants while splashing paint all over the floor 50 years ago is an old master. Go back as far as you can in your discipline, remembering that very nearly 100 percent of everything produced in the arts in your time is pure shit. Never compare yourself to your contemporaries, but do mercilessly critique them, if only to yourself. Beware of all labels and -isms, tonalism, for example. There are no great paintings done in bright colors in the conventional sense of that term. As Camille Pissarro noted, “All painting is a matter of grays.” If you doubt this, study Goya, Rembrandt, da Vinci, and Titian, to mention only four. To see the exception, study Vermeer, and even he practices restraint to the point of pathos.

Be a seeker of truth and beauty. Never be impressed by the price of anything. There are a few rich people who are smart and nice, but generally speaking, associate with the wealthy at your own risk. Read as much good, classic literature and poetry as you can. You need to be fluent in the world of verbal ideas and concepts to enhance and balance the essentially nonverbal ones you use in your work. Most writers, by the way, do not really believe in the specificity of the nonverbal language. You must. Along with literature, read biographies and autobiographies and don’t stick just to the visual arts. Include them all.  This is to learn how others handled their journey, bearing in mind you can’t emulate someone else’s. Travel serves to inform us of the enormity of the world, and lets us see and experience things we might never have known existed. This helps us have a sense of humility, which I believe is very important.

Happy Birthday, Geddy Lee


Geddy Lee was born on this day in 1953.

"Headlong Flight"...

Kelley & Holmes, Friend, 1888

Shared.


WELCOME JOY

There is joy
in all:
in the hair I brush each morning,
in the Cannon towel, newly washed,
that I rub my body with each morning,
in the chapel of eggs I cook
each morning,
in the outcry from the kettle
that heats my coffee
each morning,
in the spoon and the chair
that cry "hello there, Anne"
each morning,
in the godhead of the table
that I set my silver, plate, cup upon
each morning.

All this is God,
right here in my pea-green house
each morning
and I mean,
though often forget,
to give thanks,
to faint down by the kitchen table
in a prayer of rejoicing
as the holy birds at the kitchen window
peck into their marriage of seeds.

So while I think of it,
let me paint a thank-you on my palm
for this God, this laughter of the morning,
lest it go unspoken.

The Joy that isn't shared, I've heard,
dies young.

Anne Sexton

Excellent.

An excellent album ...

Excellent.

An excellent book ...
It seems to me this idea of going to school and then into business isn’t the natural way for a man to live, at least to my way of thinking. Don’t you see what most people are missing? Something which is fine and grand. Living like we do, I mean out in the open air. They’re getting farther and farther away from the natural life, nature and all that; they’re creating a world which is, oh, I don’t know, I can’t jaw properly, but you know what I mean.

B.B., from Brendon Chase

Brought.


Read anything I write for the pleasure of reading it. Whatever else you find will be the measure of what you brought to the reading.

Ernest Hemingway, from Conversations with Ernest Hemingway