"I am not one who was born in the custody of wisdom. I am one who is fond of olden times and intense in quest of the sacred knowing of the ancients." Gustave Courbet

01 March 2026

Shadows.


The quality that we call beauty must always grow from the realities of life, and our ancestors, forced to live in dark rooms, presently came to discover beauty in shadows, ultimately to guide shadows towards beauty’s ends ...

In the mansion called literature I would have the eaves deep and the walls dark, I would push back into the shadows the things that come forward too clearly, I would strip away the useless decoration. I do not ask that this be done everywhere, but perhaps we may be allowed at least one mansion where we can turn off the electric lights and see what it is like without them ...

We do not dislike everything that shines, but we do prefer a pensive lustre to a shallow brilliance, a murky light that, whether in a stone or an artifact, bespeaks a sheen of antiquity.  We do love things that bear the marks of grime, soot, and weather, and we love the colours and the sheen that call to mind the past that made them.

Jun'ichirō Tanizaki, from In Praise of Shadows

Tom T. Hall. "Old Dogs, Children, and Watermelon Wine"

I was sittin' in Miami pourin' blended whiskey down
When this old gray black gentleman was cleanin' up the lounge
There wasn't anyone around, 'cept this old man and me
The guy who ran the bar was watchin' Ironsides on TV
Uninvited, he sat down and opened up his mind
On old dogs and children and watermelon wine ...


It's sandwich time.

Protection.


On this day in 1872, President Ulysses S. Grant signed the Yellowstone National Park Protection Act into law, making it the world's first national park ...

Wild.

Spenser, The Shepherd's Calendar: March, 1898


THE SHEPHERD'S CALENDAR: MARCH

March month of 'many weathers' wildly comes
In hail and snow and rain and threatning hums
And floods: while often at his cottage door
The shepherd stands to hear the distant roar
Loosd from the rushing mills and river locks
Wi thundering sound and over powering shocks
And headlong hurry thro the meadow brigs
Brushing the leaning sallows fingering twigs
In feathery foam and eddy hissing chase
Rolling a storm oertaken travellers pace
From bank to bank along the meadow leas
Spreading and shining like to little seas
While in the pale sunlight a watery brood
Of swopping white birds flock about the flood
Yet winter seems half weary of its toil
And round the ploughman on the elting soil
Will thread a minutes sunshine wild and warm
Thro the raggd places of the swimming storm
And oft the shepherd in his path will spye
The little daisey in the wet grass lye
That to the peeping sun enlivens gay
Like Labour smiling on an holiday
And where the stunt bank fronts the southern sky
By lanes or brooks where sunbeams love to lye
A cowslip peep will open faintly coy
Soon seen and gatherd by a wandering boy
A tale of spring around the distant haze
Seems muttering pleasures wi the lengthening days
Morn wakens mottld oft wi may day stains
And shower drops hang the grassy sprouting plains
And on the naked thorns of brassy hue
Drip glistning like a summer dream of dew
While from the hill side freshing forest drops
As one might walk upon their thickening tops
And buds wi young hopes promise seemly swells
Where woodman that in wild seclusion dwells
Wi chopping toil the coming spring decieves
Of many dancing shadows flowers and leaves
And in his pathway down the mossy wood
Crushes wi hasty feet full many a bud
Of early primrose yet if timely spied
Shelterd some old half rotten stump beside
The sight will cheer his solitery hour
And urge his feet to stride and save the flower
Muffld in baffles leathern coat and gloves
The hedger toils oft scaring rustling doves
From out the hedgrows who in hunger browze
The chockolate berrys on the ivy boughs
And flocking field fares speckld like the thrush
Picking the red awe from the sweeing bush
That come and go on winters chilling wing
And seem to share no sympathy wi spring
The stooping ditcher in the water stands
Letting the furrowd lakes from off the lands
Or splashing cleans the pasture brooks of mud
Where many a wild weed freshens into bud
And sprouting from the bottom purply green
The water cresses neath the wave is seen
Which the old woman gladly drags to land
Wi reaching long rake in her tottering hand
The ploughman mawls along the doughy sloughs
And often stop their songs to clean their ploughs
From teazing twitch that in the spongy soil
Clings round the colter terryfying toil
The sower striding oer his dirty way
Sinks anckle deep in pudgy sloughs and clay
And oer his heavy hopper stoutly leans
Strewing wi swinging arms the pattering beans
Which soon as aprils milder weather gleams
Will shoot up green between the furroed seams
The driving boy glad when his steps can trace
The swelling edding as a resting place
Slings from his clotted shoes the dirt around
And feign woud rest him on the solid ground
And sings when he can meet the parting green
Of rushy balks that bend the lands between
While close behind em struts the nauntling crow
And daws whose heads seem powderd oer wi snow
To seek the worms-and rooks a noisey guest
That on the wind rockd elms prepares her nest
On the fresh furrow often drops to pull
The twitching roots and gathering sticks and wool
Neath trees whose dead twigs litter to the wind
And gaps where stray sheep left their coats behind
While ground larks on a sweeing clump of rushes
Or on the top twigs of the oddling bushes
Chirp their 'cree creeing' note that sounds of spring
And sky larks meet the sun wi flittering wing
Soon as the morning opes its brightning eye
Large clouds of sturnels blacken thro the sky
From oizer holts about the rushy fen
And reedshaw borders by the river Nen
And wild geese regiments now agen repair
To the wet bosom of broad marshes there
In marching coloms and attention all
Listning and following their ringleaders call
The shepherd boy that hastens now and then
From hail and snow beneath his sheltering den
Of flags or file leavd sedges tyd in sheaves
Or stubble shocks oft as his eye percieves
Sun threads struck out wi momentery smiles
Wi fancy thoughts his lonliness beguiles
Thinking the struggling winter hourly bye
As down the edges of the distant sky
The hailstorm sweeps-and while he stops to strip
The stooping hedgbriar of its lingering hip
He hears the wild geese gabble oer his head
And pleasd wi fancys in his musings bred
He marks the figurd forms in which they flye
And pausing follows wi a wandering eye
Likening their curious march in curves or rows
To every letter which his memory knows
While far above the solitary crane
Swings lonly to unfrozen dykes again
Cranking a jarring mellancholy cry
Thro the wild journey of the cheerless sky
Full oft at early seasons mild and fair
March bids farewell wi garlands in her hair
Of hazzel tassles woodbines hairy sprout
And sloe and wild plumb blossoms peeping out
In thickset knotts of flowers preparing gay
For aprils reign a mockery of may
That soon will glisten on the earnest eye
Like snow white cloaths hung in the sun to drye
The old dame often stills her burring wheel
When the bright sun will thro the window steal
And gleam upon her face and dancing fall
In diamond shadows on the picturd wall
While the white butterflye as in amaze
Will settle on the glossy glass to gaze
And oddling bee oft patting passing bye
As if they care to tell her spring was nigh
And smiling glad to see such things once more
Up she will get and potter to the door
And look upon the trees beneath the eves
Sweet briar and ladslove swelling into leaves
And damsin trees thick notting into bloom
And goosberry blossoms on the bushes come
And stooping down oft views her garden beds
To see the spring flowers pricking out their heads
And from her apron strings she'll often pull
Her sissars out an early bunch to cull
For flower pots on the window board to stand
Where the old hour glass spins its thread of sand
And maids will often mark wi laughing eye
In elder where they hang their cloaths to drye
The sharp eyd robin hop from grain to grain
Singing its little summer notes again
As a sweet pledge of Spring the little lambs
Bleat in the varied weather round their dams
Or hugh molehill or roman mound behind
Like spots of snow lye shelterd from the wind
While the old yoes bold wi paternal cares
Looses their fears and every danger dares
Who if the shepherds dog but turns his eye
And stops behind a moment passing bye
Will stamp draw back and then their threats repeat
Urging defiance wi their stamping feet
And stung wi cares hopes cannot recconsile
They stamp and follow till he leaps a stile
Or skulking from their threats betakes to flight
And wi the master lessens out of sight
Clowns mark the threatning rage of march pass bye
And clouds wear thin and ragged in the sky
While wi less sudden and more lasting smiles
The growing sun their hopes of spring beguiles
Who often at its end remark wi pride
Days lengthen in their visits a 'cocks stride'
Dames clean their candlesticks and set them bye
Glad of the makeshift light that eves supply
The boy returning home at night from toil
Down lane and close oer footbrig gate and style1
Oft trembles into fear and stands to hark
The waking fox renew his short gruff bark
While badgers eccho their dread evening shrieks
And to his thrilling thoughts in terror speaks
And shepherds that wi in their hulks remain
Night after night upon the chilly plain
To watch the dropping lambs that at all hours
Come in the quaking blast like early flowers
Demanding all the shepherds care who find
Warm hedge side spots and take them from the wind
And round their necks in wary caution tyes
Long shreds of rags in red or purple dyes
Thats meant in danger as a safty spell
Like the old yoe that wears a tinkling bell
The sneaking foxes from his thefts to fright
That often seizes the young lambs at night
These when they in their nightly watchings hear
The badgers shrieks can hardly stifle fear
They list the noise from woodlands dark recess
Like helpless shrieking woman in distress
And oft as such fears fancying mystery
Believes the dismal yelling sounds to be
For superstition hath its thousand tales
To people all his midnight woods and vales
And the dread spot from whence the dismal noise
Mars the night musings of their dark employs
Owns its sad tale to realize their fear
At which their hearts in boyhood achd to hear
A maid at night by treacherous love decoyd
Was in that shrieking wood years past destroyd
She went twas said to meet the waiting swain
And home and friends ne'er saw her face again
Mid brakes and thorns that crowded round the dell
And matting weeds that had no tongues to tell
He murderd her alone at dead midnight
While the pale moon threw round her sickly light
And loud shrieks left the thickets slumbers deep
That only scard the little birds from sleep
When the pale murderers terror frowning eye
Told its dread errand that the maid shoud dye
Mid thick black thorns her secret grave was made
And there ere night the murderd girl was laid
When no one saw the deed but god and he
And moonlight sparkling thro the sleeping tree
Around-the red breast might at morning steel
There for the worm to meet his morning meal
In fresh turnd moulds that first beheld the sun
Nor knew the deed that dismal night had done
Such is the tale that superstition gives
And in her midnight memory ever lives
That makes the boy run by wi wild affright
And shepherds startle on their rounds at night

Now love teazd maidens from their droning wheel
At the red hour of sunset sliving steals
From scolding dames to meet their swains agen
Tho water checks their visits oer the plain
They slive where no one sees some wall behind
Or orchard apple trees that stops the wind
To talk about springs pleasures hoveing nigh
And happy rambles when the roads get dry
The insect world now sunbeams higher climb
Oft dream of spring and wake before their time
Blue flyes from straw stacks crawling scarce alive
And bees peep out on slabs before the hive
Stroaking their little legs across their wings
And venturing short flight where the snow drop hings
Its silver bell-and winter aconite
Wi buttercup like flowers that shut at night
And green leaf frilling round their cups of gold
Like tender maiden muffld from the cold
They sip and find their honey dreams are vain
And feebly hasten to their hives again
And butterflys by eager hopes undone
Glad as a child come out to greet the sun
Lost neath the shadow of a sudden shower
Nor left to see tomorrows April flower.

John Clare

Happy Birthday, Frédéric Chopin


When one does a thing, it appears good, otherwise one would not write it. Only later comes reflection, and one discards or accepts the thing. Time is the best censor, and patience a most excellent teacher.

Frédéric Chopin, born on this day in 1810

In 1978, Vladimir Horowitz performed a program of music at The White House (yes, The White House) that included Chopin's Waltz in C-Sharp Minor, Op. 64 ...

Sharper.


A man may say on one side, that to give the people the reins to entertain every man his own opinion, is to scatter and sow division, and, as it were, to lend a hand to augment it, there being no legal impediment or restraint to stop or hinder their career; but, on the other side, a man may also say, that to give the people the reins to entertain every man his own opinion, is to mollify and appease them by facility and toleration, and to dull the point which is whetted and made sharper by singularity, novelty, and difficulty.

Michel de Montaigne, from "On Freedom of Conscience"

Leveler.


I haven't got any special religion this morning. My God is the God of Walkers. If you walk hard enough, you probably don't need any other god. Sluggish and sedentary peoples, such as the Ancient Egyptians, with their concept of an afterlife journey through the Field of Reeds, project onto the next world the journeys they failed to make in this one. As a general rule of biology, migratory species are less aggressive than sedentary ones. 

There is one obvious reason why this should be so. The migration itself, like the pilgrimage, is the hard journey: a "leveler" on which the "fit" survive and stragglers fall by the wayside. The journey thus pre-empts the need for hierarchies and shows of dominance. The "dictators" of the animal kingdom are those who live in an ambience of plenty. The anarchists, as always, are the "gentlemen of the road." 

Bruce Chatwin, from The Songlines

28 February 2026

Crazy Horse, "Country Home"

Jimmy Buffett, "Cowboy in the Jungle"

There’s a cowboy in the jungle
And he looks so out of place
With his shrimp skin boots and his cheap cheroots
And his skin as white as paste

Headin’ south to Paraguay
Where the gauchos sing and shout
Now he’s stuck in Portobelo
Since his money all ran out

So he hangs out with the sailors
Night and day they’re raisin’ hell
And his original destination’s just another
Story that he loves to tell

With no plans for the future
He still seems in control
From a bronco ride to a ten foot tide
He just had to learn to roll

Roll with the punches
Play all of his hunches
Made the best of whatever came his way
What he lacked in ambition
He made up with intuition
Plowing straight ahead come what may ...

Fizzing.

Utrillo, Landscape, Pierrefitte, 1907


It is a spring sun, intoxicating as young wine. I sit and dream. My thoughts escape from my head like the foam from a bottle of beer. They are light, and their fizzing amuses me. 

Anatole France, from Le crime de Sylvestre Bonnard

Oswald, "Polwart on the Green"

Le Cigale performs ...

Overthrow.


Steve points to reports of struggling movie-goers.

Remember what Cactus Ed taught us years and years ago ...
How to Overthrow the System: Brew your own beer; Kick in your TV. Kill your own beef, Build your own cabin and piss off the front porch whenever you bloody well feel like it.

This reminds me of a conversation I had with Kurt

Happy Birthday, Michel de Montaigne



If we call prodigies or miracles whatever our reason cannot reach, how many of these appear continually before our eyes! Let us consider through what clouds and how gropingly we are led to the knowledge of most of the things that are right in our hands; assuredly we shall find that it is rather familiarity than knowledge that takes away their strangeness.  Miracles arise from our ignorance of nature, not from nature itself.

Michel de Montaigne, born on this day in 1533, from Essays, Book 1, chapter 23 

Les chapeaux, c'est important, les enfants.

27 February 2026

Excellent.

An excellent album ...

Cloud.


The mist of a woody, grape-musty cloud on the tongue.

Excellent.

An excellent album ...

Robin Guthrie, "Monument"

Happy Birthday, Henry Wadsworth Longfellow

Cameron, Henry Wadsworth Longfellow, 1868


I stood upon the hills, when heaven's wide arch
Was glorious with the sun's returning march,
And woods were brightened, and soft gales
Went forth to kiss the sun-clad vales.
The clouds were far beneath me; bathed in light,
They gathered mid-way round the wooded height,
And, in their fading glory, shone
Like hosts in battle overthrown.
As many a pinnacle, with shifting glance.
Through the gray mist thrust up its shattered lance,
And rocking on the cliff was left
The dark pine blasted, bare, and cleft.
The veil of cloud was lifted, and below
Glowed the rich valley, and the river's flow
Was darkened by the forest's shade,
Or glistened in the white cascade;
Where upward, in the mellow blush of day,
The noisy bittern wheeled his spiral way.

Henry Wadworth Longfellow, born on this day in 1807, from Sunrise on the Hills

25 February 2026

Happy Birthday, Pierre-Auguste Renoir



They tell you that a tree is only a combination of chemical elements. I prefer to believe that God created it, and that it is inhabited by a nymph. 

Pierre-Auguste Renoir was born on this date in 1841

Excellent.

An excellent album ...

24 February 2026

Released.



Led Zeppelin released their best album, Physical Graffiti, on this day in 1975.

"The Rover/Sick Again" ...

Please.


TO THE HESITATING PURCHASER

 If sailor tales to sailor tunes,
 Storm and adventure, heat and cold,
 If schooners, islands, and maroons,
 And buccaneers, and buried gold,
 And all the old romance, retold
 Exactly in the ancient way,
 Can please, as me they pleased of old,
 The wiser youngsters of today:

 --So be it, and fall on! If not,
 If studious youth no longer crave,
 His ancient appetites forgot,
 Kingston, or Ballantyne the brave,
 Or Cooper of the wood and wave:
 So be it, also! And may I
 And all my pirates share the grave
 Where these and their creations lie!

Robert Louis Stevenson, from Treasure Island

Caerphilly.


Deep summer.

Finishing the last of dinner's accompanying glass of milk, then run as fast as possible through the neighborhood to get into the pick-up baseball game.

That flavor of milk that's still on the tongue ... that's Caerphilly.

Treasures.


On the following morning, the sun darted his beams from over the hills through the low lattice window. I rose at an early hour, and looked out between the branches of eglantine which overhung the casement. To my surprise Scott was already up and forth, seated on a fragment of stone, and chatting with the workmen employed on the new building. I had supposed, after the time he had wasted upon me yesterday, he would be closely occupied this morning, but he appeared like a man of leisure, who had nothing to do but bask in the sunshine and amuse himself.

I soon dressed myself and joined him. He talked about his proposed plans of Abbotsford; happy would it have been for him could he have contented himself with his delightful little vine-covered cottage, and the simple, yet hearty and hospitable style, in which he lived at the time of my visit. The great pile of Abbotsford, with the huge expense it entailed upon him, of servants, retainers, guests, and baronial style, was a drain upon his purse, a tax upon his exertions, and a weight upon his mind, that finally crushed him.

As yet, however, all was in embryo and perspective, and Scott pleased himself with picturing out his future residence, as he would one of the fanciful creations of his own romances. "It was one of his air castles," he said, "which he was reducing to solid stone and mortar." About the place were strewed various morsels from the ruins of Melrose Abbey, which were to be incorporated in his mansion. He had already constructed out of similar materials a kind of Gothic shrine over a spring, and had surmounted it by a small stone cross.

Among the relics from the Abbey which lay scattered before us, was a most quaint and antique little lion, either of red stone, or painted red, which hit my fancy. I forgot whose cognizance it was; but I shall never forget the delightful observations concerning old Melrose to which it accidentally gave rise. The Abbey was evidently a pile that called up all Scott's poetic and romantic feelings; and one to which he was enthusiastically attached by the most fanciful and delightful of his early associations. He spoke of it, I may say, with affection. "There is no telling," said he, "what treasures are hid in that glorious old pile. It is a famous place for antiquarian plunder; there are such rich bits of old time sculpture for the architect, and old time story for the poet. There is as rare picking in it as a Stilton cheese, and in the same taste—the mouldier the better."

Washington Irving, from "Abbotsford and Newstead Abbey"

Thanks to Walker's Arms for the image.

Happy Birthday, Winslow Homer

Homer, Adirondack Lake, 1892


A painter who begins and finishes indoors, that which is outdoors, misses a hundred little facts, a hundred little accidental effects of sunshine and shadow that can be reproduced only in the immediate presence of Nature. This making of studies and then taking them home is only half right. You get composition, but you lose freshness; you miss the subtle and, to the artist, the finer characteristics of the scene itself.

Winslow Homer, born on this day in 1836

23 February 2026

Jimmy Buffett, "Quietly Making Noise"

Oscar Wilde died in bed 
Several floors above my head 
Living well beyond his means 
In that crazy Paris scene 

Rain falls down in sheets so clear 
No one ever calls me here 
Traveling by my self these days 
I'm into jazz and felt berets 

Far from the that old eastern shore 
Searching for strange metaphors ...

Happy Birthday, George Frideric Handel

Denner, Handel, 1727


George Frideric Handel was born on this day in 1685.

Leo Duarte performs the first Allegro from the Oboe Concerto No. 3 in G minor (HWV 287) with members of The Academy of Ancient Music ...

Wrath.

The wrath of nature is real.

Mouton, La Malassise

Klaudyna Żołnierek performs the Sarabande ...

Excellent.

An excellent album ...

Ever.

Happy Birthday, Edna St. Vincent Millay

Rinhart, Edna St. Vincent Millay, 1922


Edna St. Vincent Millay was born on this date in 1892.

AFTERNOON on a HILL

I will be the gladdest thing
    Under the sun!
I will touch a hundred flowers
    And not pick one.

I will look at cliffs and clouds
    With quiet eyes,
Watch the wind bow down the grass,
    And the grass rise.

And when lights begin to show
    Up from the town,
I will mark which must be mine,
    And then start down!

Edna St. Vincent Millay

22 February 2026

America.

A kid with a runny nose and milk money danced up to the tiger and spit in his eye.


Looking for sports heroes?  Teach your kids about Jack O'Callahan: blue-collar, unsung leader.

Miracles.

A bunch of college boys beat the Ruskies on this day in 1980.
Do you believe in miracles?

21 February 2026

Released.


Bad Co. released Run With The Pack on this day in 1973.

The title track ...

Revelations.


Revelations, love when they happen
Wizards and lizards, I choose and I pick ...

Mukwa.


Bear (Mukwa) medicine ...

Introspective.
Intuitive.
Dreaming.
Still.
Meditative.
Seeking.
Loving.
Connecting.

... and eating.

Happy Birthday, Nicolaus Copernicus

Anonymous, Nicolaus Copernicus, The "Toruń Portrait", 1580


Nicolaus Copernicus was born this week in 1473 and his thoughts provided our Creative Writing class with some of the year's best discussion so far ...
To be intelligent is to be able to see the hidden connections between things.  To know that we know what we know, and to know that we do not know what we do not know, that is true knowledge ... I am not so enamoured of my own opinions that I disregard what others may think of them.

Eli, The Insightful, said, "Mr. Firchau, he said this a long time ago and people still haven't figured it out." 

A conversation about the importance of putting your name on your paper was had based on the painting's attribution.

Copernicus and His World ...

Empty.

Wyeth, Distant Thunder, 1961


The modern age knows nothing about isolation and nothing about silence. In our quietest and loneliest hour the automatic ice-maker in the refrigerator will cluck and drop an ice cube, the automatic dishwasher will sigh through its changes, a plane will drone over, the nearest freeway will vibrate the air. Red and white lights will pass in the sky, lights will shine along highways and glance off windows. There is always a radio that can be turned to some all-night station, or a television set to turn artificial moonlight into the flickering images of the late show. We can put on a turntable whatever consolation we most respond to, Mozart or Copland or the Grateful Dead.

Wallace Stegner, from The Angle of Repose

Answer? Harrison reminds us of the ancient and sacred rite of log-sitting ...

Marvel.

Wyeth, Crescent Moon, 1979


MOON SONG

A child saw in the morning skies
The dissipated-looking moon,
And opened wide her big blue eyes,
And cried: "Look, look, my lost balloon!"
And clapped her rosy hands with glee:
"Quick, mother! Bring it back to me."

A poet in a lilied pond
Espied the moon's reflected charms,
And ravished by that beauty blonde,
Leapt out to clasp her in his arms.
And as he'd never learnt to swim,
Poor fool! that was the end of him.

A rustic glimpsed amid the trees
The bluff moon caught as in a snare.
"They say it do be made of cheese,"
Said Giles, "and that a chap bides there. . . .
That Blue Boar ale be strong, I vow --
The lad's a-winkin' at me now."

Two lovers watched the new moon hold
The old moon in her bright embrace.
Said she: "There's mother, pale and old,
And drawing near her resting place."
Said he: "Be mine, and with me wed,"
Moon-high she stared . . . she shook her head.

A soldier saw with dying eyes
The bleared moon like a ball of blood,
And thought of how in other skies,
So pearly bright on leaf and bud
Like peace its soft white beams had lain;
Like Peace! . . . He closed his eyes again.

Child, lover, poet, soldier, clown,
Ah yes, old Moon, what things you've seen!
I marvel now, as you look down,
How can your face be so serene?
And tranquil still you'll make your round,
Old Moon, when we are underground.

Robert Service

Unfrequent.


We must not conclude merely upon a man’s haranguing upon liberty, and using the charming sound, that he is fit to be trusted with the liberties of his country. It is not unfrequent to hear men declaim loudly upon liberty, who, if we may judge by the whole tenor of their actions, mean nothing else by it but their own liberty, — to oppress without control or the restraint of laws all who are poorer or weaker than themselves. It is not, I say, unfrequent to see such instances, though at the same time I esteem it a justice due to my country to say that it is not without shining examples of the contrary kind.

Samuel Adams

Haydn, String Quartet in D Major Op. 20 no. 4

Castalian String Quartet performing ...

Penetrate.


"Our only remaining hope and salvation,” Bacon wrote, “is to begin the whole labor of the mind again, not leaving it to itself but directing it perpetually from the very first.” A century later, William Herschel agreed. Herschel, the first man to understand that telescopes penetrate time as well as space, spent the long daylight hours polishing his lenses, listening to his sister read from Don Quixote and the Thousand and One Nights. When darkness fell, his lenses clear, he discovered a heretofore unknown planet.

Peter Turchi, from Maps of the Imagination: The Writer as Cartographer

Non-Conformist.

Homer, The Woodsman, 1889


There is a time in every man's education when he arrives at the conviction that envy is ignorance; that imitation is suicide; that he must take himself for better, for worse, as his portion; that though the wide universe is full of good, no kernel of nourishing corn can come to him but through his toil bestowed on that plot of ground which is given to him to till. The power which resides in him is new in nature, and none but he knows what that is which he can do, nor does he know until he has tried. Not for nothing one face, one character, one fact, makes much impression on him, and another none. It is not without pre-established harmony, this sculpture in the memory.

The eye was placed where one ray should fall, that it might testify of that particular ray. Bravely let him speak the utmost syllable of his confession. We but half express ourselves, and are ashamed of that divine idea which each of us represents. It may be safely trusted as proportionate and of good issues, so it be faithfully imparted, but God will not have his work made manifest by cowards.

It needs a divine man to exhibit anything divine. A man is relieved and gay when he has put his heart into his work and done his best; but what he has said or done otherwise shall give him no peace. It is a deliverance which does not deliver. In the attempt his genius deserts him; no muse befriends; no invention, no hope.

Trust thyself: every heart vibrates to that iron string. Accept the place the divine providence has found for you, the society of your contemporaries, the connection of events. Great men have always done so, and confided themselves childlike to the genius of their age, betraying their perception that the Eternal was stirring at their heart, working through their hands, predominating in all their being. And we are now men, and must accept in the highest mind the same transcendent destiny.

Whoso would be a man, must be a non-conformist. He who would gather immortal palms must not be hindered by the name of goodness, but must explore if it be goodness. Nothing is at last sacred but the integrity of your own mind. Absolve you to yourself, and you shall have the suffrage of the world.

A foolish consistency is the hobgoblin of little minds, adored by little statesmen and philosophers and divines. With consistency a great soul has simply nothing to do. He may as well concern himself with his shadow on the wall!

Ah, then, exclaim the aged ladies, you shall be sure to be misunderstood! Misunderstood! It is a right fool's word. Is it so bad then to be misunderstood? Pythagoras was misunderstood, and Socrates and Jesus, and Luther, and Copernicus, and Galileo, and Newton, and every pure and wise spirit that ever took flesh. To be great is to be misunderstood.

Ralph Waldo Emerson, from Self-Reliance

20 February 2026

Golden

Put the golden biscuit in the basket ...

Happy Birthday, Ansel Adams

Adams, Clearing Winter Storm, Yosemite Valley National Park, 1937


We all move on the fringes of eternity and are sometimes granted vistas through fabric of illusion. Many refuse to admit it: I feel a mystery exists. There are certain times, when, as on the whisper of the wind, there comes a clear and quiet realization that there is indeed a presence in the world, a nonhuman entity that is not necessarily inhuman.

How high your awareness level is determines how much meaning you get from your world.  Art is both the taking and giving of beauty; the turning out to the light the inner folds of the awareness of the spirit.  Simply look with perceptive eyes at the world about you, and trust to your own reactions and convictions. Ask yourself: "Does this subject move me to feel, think and dream?"

Ansel Adams, born on this day in 1902

19 February 2026

Anchovy.


Bagna càuda, which translates to "hot bath" in Italian, is a warm omaggio (thanks, Anna) originating in the Piedmont of Italy, where it was a peasant meal among wine farmers and vineyard workers. It was often prepared and consumed outdoors during cold harvests or to celebrate the production of new vintages.

Its origins are tied to the salt trade routes from Provence through the Alps. In the Middle Ages, salt was heavily taxed, so traders reportedly hid it in barrels under layers of anchovies to evade duties.

Ingredients
  • 3 heads fresh garlic, peeled and thinly sliced
  • 1 jar Ortiz anchovy fillets in olive oil, drained, and chopped 
  • ¾ cup high-quality extra-virgin olive oil
  • 6 tablespoons unsalted butter, cut into small cubes
  • a shot of bold, dry red wine
  • 3-finger pinch inch of red pepper flakes 
  • black pepper to taste
  • chunks of crusty sourdough, salami, pecorino, raw cabbage
Instructions
  1. Combine the olive oil and garlic in a cold saucepan or skillet. Turn the heat to the lowest setting possible.
  2. Cook gently for 10–12 minutes. The garlic should soften and become fragrant but must not brown or fry, which would make the sauce bitter.
  3. Add the chopped anchovies. Using a wooden spoon, stir gently for 2-3 minutes until they completely melt into a paste.
  4. Emulsify the butter one piece at a time until melted and the sauce looks creamy.
  5. Transfer immediately to a warming dish to keep the sauce from congealing. 
  6. Dunk bread, salami, cheese, veggies (raw cabbage is delicious) into the mélange and repeat as needed
Bagna càuda also does well tossed with spaghetti (look for Martelli in the bright yellow bag) finished with a heavy hand of Pecorino Romano (there is no substitute for the famous Locatelli brand).

Happy Birthday, Luigi Boccherini

Unknown, Luigi Boccherini, 1767


Luigi Boccherini was born on this day in 1743.

The Ritirata performs the Trio in C-Major, Op. 35, No. 5 (G 105) ...

18 February 2026

Happy Birthday, Wallace Stegner


Something will have gone out of us as a people if we ever let the remaining wilderness be destroyed.  We simply need that wild country available to us, even if we never do more than drive to its edge and look in.

Wallace Stegner, born on this day in 1909, from The Sound of Mountain Water