"I am not one who was born in the custody of wisdom. I am one who is fond of olden times and intense in quest of the sacred knowing of the ancients." Gustave Courbet

28 June 2026

Happy Birthday, Jean-Jacques Rousseau

Ramsay, Rousseau, 1766


Fresh air affects children’s constitutions, particularly in early years. It enters every pore of a soft and tender skin, it has a powerful effect on their young bodies. Its effects can never be destroyed. So I should not agree with those who take a country woman from her village and shut her up in one room in a town and her nursling with her. I would rather send him to breathe the fresh air of the country than the foul air of the town. He will take his new mother’s position, will live in her cottage, where his tutor will follow him. The reader will bear in mind that this tutor is not a paid servant, but the father’s friend. But if this friend cannot be found, if this transfer is not easy, if none of my advice can be followed, you will say to me, “What shall I do instead?” I have told you already—“Do what you are doing;” no advice is needed there.

Men are not made to be crowded together in ant-hills, but scattered over the earth to till it. The more they are massed together, the more corrupt they become. Disease and vice are the sure results of over-crowded cities. Of all creatures man is least fitted to live in herds. Huddled together like sheep, men would very soon die. Man’s breath is fatal to his fellows. This is literally as well as figuratively true.

Men are devoured by our towns. In a few generations the race dies out or becomes degenerate; it needs renewal, and it is always renewed from the country. Send your children to renew themselves, so to speak, send them to regain in the open fields the strength lost in the foul air of our crowded cities. Women hurry home that their children may be born in the town; they ought to do just the opposite, especially those who mean to nurse their own children. They would lose less than they think, and in more natural surroundings the pleasures associated by nature with maternal duties would soon destroy the taste for other delights.

Jean-Jacques Rousseau, born on this day in 1712, from Emile

Follow.

Sully, Life Study of The Marquis de Lafayette, 1825


I read, I study, I examine, I listen, I reflect, and out of all of this I try to form an idea into which I put as much common sense as I can. I shall not speak much for fear of saying foolish things; I will risk still less for fear of doing them, for I am not disposed to abuse the confidence which they have deigned to show me. Such is the conduct which until now I have followed and will follow.

Gilbert du Motier, the Marquis de Lafayette, from a letter to his father-in-law on December 4, 1776

Research shows that Lafayette and James Madison met on several occasions.  As the two traveled together from September to October 1784, Madison wrote to his father about the meeting ...
I fell in with the Marquis & had his company thus far.  He presses me much to fall into his plan, and I am not sure that I shall decline it. It will carry me farther than I had proposed, but I shall be rewarded by the pleasure of his company and the further opportunity of gratifying my curiosity.

Kurt points to the fact that both men understood and practiced the fact that the health of the republic depended on the moral and intellectual qualities of the people who sustained it. 

To be a bird among these men.

Whither leadership?

Keep.


Keep a notebook. Travel with it, eat with it, sleep with it. Slap into it every stray thought that flutters up in your brain. Cheap paper is less perishable than gray matter, and lead pencil markings endure longer than memory.

Jack London

Face.



We are so concerned to flatter the majority that we lose sight of how very often it is necessary, in order to preserve freedom for the minority, let alone for the individual, to face that majority down.

William F. Buckley Jr., from The Jeweler's Eye

Billings, "Chester"

When men know not what to do, John, they ought not to do they know not what.


How extraordinary fortunate we were to have such human beings found this country.
What grateful Off’ring shall we bring?
What shall we render to the Lord?
Loud Halleluiahs let us Sing,
And praise his name on ev’ry Chord.

Every.

Now, you try every night ...

Happy Birthday, Peter Paul Rubens

Rubens, Venus, Cupid, Bacchus and Ceres, 1613


Peter Paul Rubens was born on this day in 1577.

Quiet.


Arthur Brooks: In a world of noisy narcissism, escape the cacophony ...
The increase in loud egos has coincided with declines in well-being. The rate of depression in the United States has risen to its highest level on record. Behavioral science offers a compelling thesis that may explain what we’re seeing, as a result of what has been termed the “self-reflection paradox.” An intense focus on self is an evolved trait, scientists suggest, because it confers competitive advantages in mating and survival. But research has also shown that to be so focused on self can be a primary source of unhappiness and maladjustment. So what appears to be happening is that we have developed culture and technology that together supercharge this primal drive of self-reflection—to such an unhealthy and unnatural extent that it has the paradoxical effect of ruining our lives.

Where this grim trend will take our society I have no idea, but I do know that there are measures you can take to protect your well-being—short of checking out and moving to a Himalayan monastery. Unless that is actually what you want to do, then the secret to staying happy amid a culture of loud ego is to adopt for yourself the opposite strategy: cultivate a quiet ego.

Forward.

FORWARD!

27 June 2026

Excellent.

An excellent album ...


... to prioritize victory over, rather than coexistence with, the communist threat.

BÖC, "Cities on Flame with Rock and Roll'

Why.

Why not mashed potatoes on the other side?

Use.


CREDO

I would rather be ashes than dust!
I would rather that my spark should burn out
in a brilliant blaze than it should be stifled by dry-rot.
I would rather be a superb meteor, every atom
of me in magnificent glow, than a sleepy and permanent planet.
The function of man is to live, not to exist.
I shall not waste my days trying to prolong them.
I shall use my time.

Jack London

Context.


Ari Weinzweig on having a clear point-of-view ...
As marketer and author Seth Godin reminds us, humility is key: “Having a point of view is different from always being correct. No one is always correct.” What I’m talking about here is a focused worldview—a cooked-down, concentrated version of your philosophy—not a catchy slogan. A point of view, to my point of view, is a deeply held, strongly believed-in perspective—a well-thought-out and well-articulated sense of what it is you do so differently from nearly any other business.

How do you know it’s working? One way is that your organization is hitting its bottom lines. Another is that you refer to it—along with mission, vision, and guiding principles—when you make decisions. Tad Hargrave says, “One of the surest ways to know your point of view is solid is when people you share it with are visibly relieved. They were lost but now are found. They were blind but now can see.”

A few weeks ago, I referenced the British painter Rose Wylie—now going on 92—who says clearly and directly, “Contrast gives life.” Contrast also offers context. And as Hargrave notes, “The world is drowning in content. What your clients crave is context.” What does he mean? Pick your industry—there’s no end to the examples. Every supermarket has olive oil now! And yet, below, I write about a newly arrived oil at the Deli. Does the world need it? No. Do I need it? No. But it’s REALLY good, and if I did my writing work reasonably well, you’ll understand why it’s so special and worth at least swinging by the Deli to taste. Having clarity on a point of view makes it infinitely easier to communicate what you care about—and why it matters to anyone other than your mother.  

Future.


The trouble with our times is that the future is not what it used to be.

Rudyard Kipling, from Captains Courageous

26 June 2026

Thanks.


ODE on INTIMATIONS of IMMORTALITY from RECOLLECTIONS of EARLY CHILDHOOD

There was a time when meadow, grove, and stream,
The earth, and every common sight
                 To me did seem
            Apparelled in celestial light,
The glory and the freshness of a dream.
It is not now as it hath been of yore;—
             Turn wheresoe’er I may,
              By night or day,
The things which I have seen I now can see no more.

            The rainbow comes and goes,
            And lovely is the rose;
            The moon doth with delight
     Look round her when the heavens are bare;
            Waters on a starry night
            Are beautiful and fair;
     The sunshine is a glorious birth;
     But yet I know, where’er I go,
That there hath past away a glory from the earth.

Now, while the birds thus sing a joyous song,
     And while the young lambs bound
            As to the tabor’s sound,
To me alone there came a thought of grief:
A timely utterance gave that thought relief,
            And I again am strong.
The cataracts blow their trumpets from the steep,—
No more shall grief of mine the season wrong:
I hear the echoes through the mountains throng.
The winds come to me from the fields of sleep,
            And all the earth is gay;
                Land and sea
     Give themselves up to jollity,
            And with the heart of May
     Doth every beast keep holiday;—
                Thou child of joy,
Shout round me, let me hear thy shouts, thou happy
        Shepherd-boy!
                 Ye blesséd Creatures, I have heard the call 
     Ye to each other make; I see
The heavens laugh with you in your jubilee;
     My heart is at your festival,
       My head hath its coronal,
The fulness of your bliss, I feel—I feel it all.
         O evil day! if I were sullen
         While Earth herself is adorning
              This sweet May-morning;
         And the children are culling
              On every side
         In a thousand valleys far and wide
         Fresh flowers; while the sun shines warm,
And the babe leaps up on his mother’s arm:—
         I hear, I hear, with joy I hear!
         —But there’s a tree, of many, one,
A single field which I have look’d upon,
Both of them speak of something that is gone:
              The pansy at my feet
              Doth the same tale repeat:
Whither is fled the visionary gleam?
Where is it now, the glory and the dream?

Our birth is but a sleep and a forgetting;
The Soul that rises with us, our life’s Star,
          Hath had elsewhere its setting
               And cometh from afar;
          Not in entire forgetfulness,
          And not in utter nakedness,
But trailing clouds of glory do we come 
               From God, who is our home:
Heaven lies about us in our infancy!
Shades of the prison-house begin to close
               Upon the growing Boy,
But he beholds the light, and whence it flows,
               He sees it in his joy;
The Youth, who daily farther from the east
     Must travel, still is Nature’s priest,
          And by the vision splendid
          Is on his way attended;
At length the Man perceives it die away,
And fade into the light of common day.

Earth fills her lap with pleasures of her own;
Yearnings she hath in her own natural kind,
And, even with something of a mother’s mind,
               And no unworthy aim,
          The homely nurse doth all she can
To make her foster-child, her inmate, Man,
               Forget the glories he hath known,
And that imperial palace whence he came.

Behold the Child among his new-born blisses,
A six years’ darling of a pigmy size!
See, where ’mid work of his own hand he lies,
Fretted by sallies of his mother’s kisses,
With light upon him from his father’s eyes!
See, at his feet, some little plan or chart,
Some fragment from his dream of human life,
Shaped by himself with newly-learned art;
          A wedding or a festival,
          A mourning or a funeral;
               And this hath now his heart,
          And unto this he frames his song:
               Then will he fit his tongue
To dialogues of business, love, or strife;
          But it will not be long
          Ere this be thrown aside,
          And with new joy and pride
The little actor cons another part;
Filling from time to time his ‘humorous stage’
With all the Persons, down to palsied Age,
That life brings with her in her equipage;
          As if his whole vocation
          Were endless imitation.

Thou, whose exterior semblance doth belie
          Thy soul’s immensity;
Thou best philosopher, who yet dost keep
Thy heritage, thou eye among the blind,
That, deaf and silent, read’st the eternal deep,
Haunted for ever by the eternal Mind,—
          Mighty Prophet! Seer blest!
          On whom those truths rest
Which we are toiling all our lives to find,
In darkness lost, the darkness of the grave;
Thou, over whom thy Immortality
Broods like the day, a master o’er a slave,
A Presence which is not to be put by;
          To whom the grave
Is but a lonely bed, without the sense of sight
Of day or the warm light,
A place of thoughts where we in waiting lie;
Thou little child, yet glorious in the might
Of heaven-born freedom on thy being’s height,
Why with such earnest pains dost thou provoke
The years to bring the inevitable yoke,
Thus blindly with thy blessedness at strife?
Full soon thy soul shall have her earthly freight,
And custom lie upon thee with a weight
Heavy as frost, and deep almost as life!
          O joy! that in our embers
          Is something that doth live,
          That Nature yet remembers
          What was so fugitive!
The thought of our past years in me doth breed
Perpetual benediction: not indeed
For that which is most worthy to be blest,
Delight and liberty, the simple creed
Of Childhood, whether busy or at rest,
With new-fledged hope still fluttering in his breast:—
          —Not for these I raise
          The song of thanks and praise;
     But for those obstinate questionings
     Of sense and outward things,
     Fallings from us, vanishings,
     Blank misgivings of a creature
Moving about in worlds not realized, 
High instincts, before which our mortal nature 
Did tremble like a guilty thing surprised:
     But for those first affections,
     Those shadowy recollections,
          Which, be they what they may,
Are yet the fountain-light of all our day,
Are yet a master-light of all our seeing;
     Uphold us—cherish—and have power to make
Our noisy years seem moments in the being 
Of the eternal Silence: truths that wake,
               To perish never;
Which neither listlessness, nor mad endeavour,
               Nor man nor boy,
Nor all that is at enmity with joy,
Can utterly abolish or destroy!
   Hence, in a season of calm weather
          Though inland far we be,
Our souls have sight of that immortal sea
               Which brought us hither;
          Can in a moment travel thither—
And see the children sport upon the shore,
And hear the mighty waters rolling evermore.

Then, sing, ye birds, sing, sing a joyous song!
          And let the young lambs bound
          As to the tabor’s sound!
     We, in thought, will join your throng,
          Ye that pipe and ye that play,
          Ye that through your hearts to-day
          Feel the gladness of the May!
What though the radiance which was once so bright
Be now for ever taken from my sight,
     Though nothing can bring back the hour
Of splendour in the grass, of glory in the flower;
          We will grieve not, rather find
          Strength in what remains behind;
          In the primal sympathy
          Which having been must ever be;
          In the soothing thoughts that spring
          Out of human suffering;
          In the faith that looks through death,
In years that bring the philosophic mind.

And O, ye Fountains, Meadows, Hills, and Groves,
Forebode not any severing of our loves!
Yet in my heart of hearts I feel your might;
I only have relinquish’d one delight
To live beneath your more habitual sway;
I love the brooks which down their channels fret
Even more than when I tripp’d lightly as they;
The innocent brightness of a new-born day
               Is lovely yet;
The clouds that gather round the setting sun
Do take a sober colouring from an eye
That hath kept watch o’er man’s mortality;
Another race hath been, and other palms are won.
   Thanks to the human heart by which we live,
   Thanks to its tenderness, its joys, and fears,
   To me the meanest flower that blows can give
   Thoughts that do often lie too deep for tears.

William Wordsworth

Excellent.

An excellent album ...

Process.


All my life I have had an awareness of other times and places. I have been aware of other persons in me. Oh, and trust me, so have you, my reader that is to be. Read back into your childhood, and this sense of awareness I speak of will be remembered as an experience of childhood. You were then not fixed, not crystallized. You were plastic, a soul in flux, a consciousness and an identity in the process of forming--ay, of forming and forgetting.

Jack London, from The Jacket

Introduced.


The world was introduced to Bad Company on this day in 1974.

Side One, Track One ...

25 June 2026

Hungry.

You've got to feed 'em when they're hungry ...


Kes is one of the best movies I've ever seen.

Goodbye.


GOODBYE to TOLERANCE

Genial poets, pink-faced   
earnest wits—
you have given the world   
some choice morsels,
gobbets of language presented
as one presents T-bone steak
and Cherries Jubilee.   

Goodbye, goodbye,
                            I don’t care
if I never taste your fine food again,   
neutral fellows, seers of every side.   

Tolerance, what crimes
are committed in your name.

Denise Levertov

Happy Birthday, Robert Henri

Henri, In the Woods, 1890


The object isn't to make art, it's to be in that wonderful state which makes art inevitable.

Robert Henri, born on this day in 1865

24 June 2026

Exceed.

Scott, Pixies Dancing in a Ring by the Firelight, 1885


The National Trust has the traditions of Midsummer ...
A time when the normal laws of nature or divinity could be suspended, when spirits and fairies could contact humans, when humans could exceed the usual limitations of their world.

Alive.

A new documentary on Geogia O'Keeffe has been released ...
... the forces that keep us alive.

Excellent.

An excellent album ...

Mendelssohn, A Midsummer Night's Dream

Kurt Masur and the Gewandhaus Orchestra Leipzig perform the Overture ...

Lulled.


I know a bank where the wild thyme blows,
Where oxlips and the nodding violet grows,
Quite over-canopied with luscious woodbine,
With sweet musk-roses and with eglantine:
There sleeps Titania sometime of the night, 
Lulled in these flowers with dances and delight.

Oberon, from A Midsummer Nght's Dream, Act 2 Scene 1

22 June 2026

Happy Birthday, Kris Kristofferson


A true artist, a lyrical genius, and a faithful man of principle, Kris Kristofferson, was born on this day in 1936.

"The Best of All Possible Worlds," featuring the pedal-steel gun-slinging of Robby Turner ...

Robert Plant, "Carry Fire"

Dustsceawung.


There is a word in Old English which belongs wholly to that civilization - "dustsceawung," meaning contemplation of dust. It is a true image of the Anglo-Saxon mind, or at least an echo of that consciousness which considered transcience and loss to be part of the human estate; it was a world in which life was uncertain and the principal diety was fate or destiny or "wyrd."

Peter Ackroyd

Nothing.

There is nothing to replace the set of skills involved in painting and there will always be a thirst for good materials ...

21 June 2026

Paul Weller, "Andromeda"

Happy Father's Day, Pop


Happy Father's Day to my Pop and blessings to all dads and their families on this very special day.

As a kid, I remember this poem tacked above my Dad's workbench ...
The Little Chap Who Follows Me

A careful man I want to be;
A little fellow follows me.
I do not dare to go astray
For fear he'll go the self same way.

I cannot once escape his eyes,
Whate'er he sees me do, he tries.
Like me he says he's going to be;
The little chap who follows me.

He thinks that I'm so very fine,
Believes in every word of mine.
The base in me he must not see;
The little chap who follows me.

I must remember as I go
Through summer's sun and winter's snow,
I'm building for the years to be;
The little chap who follows me.

I believe that what we become depends on what our fathers teach us at odd moments, when they aren't trying to teach us. We are formed by little scraps of wisdom.

Umberto Eco

Overnight.


I'm in ...
Night owls and stargazers, this is for you: The S.S. Badger is offering overnight sailings across Lake Michigan.

Summer.


As Summer is beginning right about ... now, here's the introduction to Dandelion Wine, by Ray Bradbury ...
JUST THIS SIDE OF BYZANTIUM: an introduction

This book, like most of my books and stories, was a surprise. I began to learn the nature of such surprises, thank God, when I was fairly young as a writer. Before that, like every beginner, I thought you could beat, pummel, and thrash an idea into existence. Under such treatment, of course, any decent idea folds up its paws, turns on its back, fixes its eyes on eternity, and dies.

It was with great relief, then, that in my early twenties I floundered into a word-association process in which I simply got out of bed each morning, walked to my desk, and put down any word or series of words that happened along in my head.

I would then take arms against the word, or for it, and bring on an assortment of characters to weigh the word and show me its meaning in my own life. An hour or two hours later, to my amazement, a new story would be finished and done. The surprise was total and lovely. I soon found that I would have to work this way for the rest of my life.

First I rummaged my mind for words that could describe my personal nightmares, fears of night and time from my childhood, and shaped stories from these.

Then I took a long look at the green apple trees and the old house I was born in and the house next door where lived my grandparents, and all the lawns of the summers I grew up in, and I began to try words for all that.

What you have here in this book then is a gathering of dandelions from all those years. The wine metaphor which appears again and again in these pages is wonderfully apt. I was gathering images all of my life, storing them away, and forgetting them. Somehow I had to send myself back, with words as catalysts, to open the memories out and see what they had to offer.

So from the age of twenty-four to thirty-six hardly a day passed when I didn’t stroll myself across a recollection of my grandparents’ northern Illinois grass, hoping to come across some old half-burnt firecracker, a rusted toy, or a fragment of letter written to myself in some young year hoping to contact the older person I became to remind him of his past, his life, his people, his joys, and his drenching sorrows.

It became a game that I took to with immense gusto: to see how much I could remember about dandelions themselves, or picking wild grapes with my father and brother, rediscovering the mosquito-breeding ground rain barrel by the side bay window, or searching out the smell of the gold-fuzzed bees that hung around our back porch grape arbor. Bees do have a smell, you know, and if they don’t they should, for their feet are dusted with spices from a million flowers.

An then I wanted to call back what the ravine was like, especially on those nights when walking home late across town, after seeing Lon Chaney’s delicious fright The Phantom of the Opera, my brother Skip would run ahead and hide under the ravine-creek bridge like the Lonely One and leap out and grab me, shrieking, so I ran, fell, and ran again, gibbering all the way home. That was great stuff.

Along the way I came upon and collided, through word-association, with old and true friendships. I borrowed my friend John Huff from my childhood in Arizona and shipped him East to Green Town so that I could say good-bye to him properly.

Along the way I sat me down to breakfasts, lunches, and dinners with the long dead and much loved. For I was a boy who did indeed love his parents and grandparents and his brother, even when that brother “ditched” him.

Along the way, I found myself in the basement working the wine-press for my father, or on the front porch Independence night helping my Uncle Bion load and fire his home-made brass cannon.

Thus I fell into surprise. No one told me to surprise myself, I might add. I came on the old and best ways of writing through ignorance and experiment and was startled when truths leaped out of bushes like quail before gunshot. I blunwas somehow true.

So I turned myself into a boy running to bring a dipper of clear rainwater out of that barrel by the side of the house. And, of course, the more water you dip out the more flows in. The flow has never ceased. Once I learned to keep going back and back again to those times, I had plenty of memories and sense impressions to play with, not work with, no, play with. Dandelion Wine is nothing if it is not the boy-hid-in-the-man playing in the fields of the Lord on the green grass of other Augusts in the midst of starting to grow up, grow old, and sense darkness waiting under the trees to seed the blood.

I was amused and somewhat astonished at a critic a few years back who wrote an article analyzing Dandelion Wine plus the more realistic work of Sinclair Lewis, wondering how I could have been born and raised in Waukegan, which I renamed Green Town for my novel, and not noticed how ugly the harbor was and how depressing the coal docks and railyards down below the town.

But, of course, I had noticed them and, genetic enchanter that I was, was fascinated by their beauty. Trains and boxcars and the smell of coal and fire are not ugly to children. Ugliness is a concept that we happen on later and become self-conscious about. Counting boxcars is a prime activity of boys. Their elders fret and fume and jeer at the train that holds them up, but boys happily count and cry the names of the cars as they pass from far places.

And again, that supposedly ugly railyard was where carnivals and circuses arrived with elephants who washed the brick pavements with mighty streaming acid waters at five in the dark morning.

As for the coal from the docks, I went down in my basement every autumn to await the arrival of the truck and its metal chute, which clanged down and released a ton of beauteous meteors that fell out of far space into my cellar and threatened to bury me beneath dark treasures.

In other words, if your boy is a poet, horse manure can only mean flowers to him; which is, of course, what horse manure has always been about.

Perhaps a new poem of mine will explain more than this introduction about the germination of all the summers of my life into one book.

Here’s the start of the poem:
Byzantium, I come not from,
But from another time and place
Whose race was simple, tried and true;
As boy
I dropped me forth in Illinois.
A name with neither love nor grace
Was Waukegan, there I came from
And not, good friends, Byzantium.
The poem continues, describing my lifelong relationship to my birthplace:
And yet in looking back I see
From topmost part of farthest tree
A land as bright, beloved and blue
As any Yeats found to be true.
Waukegan, visited by me often since, is neither homelier nor more beautiful than any other small Midwestern town. Much of it is green. The trees do touch in the middle of streets. The street in front of my old home is still paved with red bricks. In what way then was the town special? Why, I was born there. It was my life. I had to write of it as I saw fit:
So we grew up with mythic dead
To spoon upon midwestern bread
And spread old gods’ bright marmalade
To slake in peanut-butter shade,
Pretending there beneath our sky
That it was Aphrodite’s thigh…
While by the porch-rail calm and bold
His words pure wisdom, stare pure gold
My grandfather, a myth indeed,
Did all of Plato supercede
While Grandmama in rockingchair
Sewed up the raveled sleeve of care
Crocheted cool snowflakes rare and bright
To winter us on summer night.
And uncles, gathered with their smokes
Emitted wisdoms masked as jokes,
And aunts as wise as Delphic maids
Dispensed prophetic lemonades
To boys knelt there as acolytes
To Grecian porch on summer nights;
Then went to bed, there to repent
The evils of the innocent;
The gnat-sins sizzling in their ears
Said, through the nights and through the years
Not Illinois nor Waukegan
But blither sky and blither sun.
Though mediocre all our Fates
And Mayor not as bright as Yeats
Yet still we knew ourselves. The sum?
Byzantium.
Byzantuim.
Waukegan/ Green Town/ Byzantium.
Green Town did exist, then?
Yes, and again, yes.

Was there a real boy named John Huff? There was. And that was truly his name. But he didn’t go away from me, I went away from him. But, happy ending, he is still alive, forty-two years later, and remembers our love.

Was there a Lonely One? There was, and that was his name. And he moved around at night in my home town when I was six years old and he frightened everyone and was never captured.

Most importantly, did the big house itself, with Grandpa and Grandma and the boarders and uncles and aunts in it exist? I have answered that.

Is the ravine real and deep and dark at night? It was, it is. I took my daughters there a few years back, fearful that the ravine might have gone shallow with time. I am relieved and happy to report that the ravine is deeper, darker, and more mysterious than ever. I would not, even now, go home through there after seeing The Phantom of the Opera.

So there you have it. Waukegan was Green Town was Byzantium, with all the happiness that that means, with all the sadness that these names imply. The people there were gods and midgets and knew themselves mortal and so the midgets walked tall so as not to embarrass the gods and the gods crouched so as to make the small ones feel at home. And, after all, isn’t that what life is all about, the ability to go around back and come up inside other people’s heads to look out at the damned fool miracle and say: oh, so that’s how you see it!? Well, now, I must remember that.

Here is my celebration, then, of death as well as life, dark as well as light, old as well as young, smart and dumb combined, sheer joy as well as complete terror written by a boy who once hung upside down in trees, dressed in his bat costume with candy fangs in his mouth, who finally fell out of the trees when he was twelve and went and found a toy-dial typewriter and wrote his first “novel.”

A final memory.

Fire balloons.

You rarely see them these days, though in some countries, I hear, they are still filled with warm breath from a small straw fire hung beneath.

But in 1925 Illinois, we still had them, and one of the last memories I have of my grandfather is the last hour of a Fourth of July night forty-eight years ago when Grandpa and I walked out on the lawn and lit a small fire and filled the pear-shaped red-white-and-blue-striped paper balloon with hot air, and held the flickering bright-angel presence in our hands a final moment in front of a porch lined with uncles and aunts and cousins and mothers and fathers, and then, very softly, let the thing that was life and light and mystery go out of our fingers up on the summer night air and away over the beginning-to-sleep houses, among the stars, as fragile, as wondrous, as vulnerable, as lovely as life itself.

I see my grandfather there looking up at that strange drifting light, thinking his own still thoughts. I see me, my eyes filled with tears, because it was all over, the night was done, I knew there would never be another night like this.

No one said anything. We all just looked up at the sky and we breathed out and in and we all thought the same things, but nobody said. Someone finally had to say, though, didn’t they? And that one is me.

The wine still waits in the cellars below.

My beloved family still sits on the porch in the dark.

The fire balloon still drifts and burns in the night sky of an as yet unburied summer.

Why and how?

Because I say it is so.


Ray Bradbury
Summer, 1974
Your hymnal is here.

Fire balloons afloft in Thailand ...



Basic fire balloon how-to is here.

20 June 2026

Genius.

Searching.


If I cease searching, then, woe is me, I am lost. That is how I look at it - keep going, keep going, come what may.

Vincent van Gogh, from a letter to his brother, Theo, July, 1880

Simple.

August 10, 1930, Obi Tyler, a Massachusetts hermit explained his philosophy on health, longevity, and simple living ...

Harmony.


If we understood the world, we would realise that there is a logic of harmony underlying its manifold apparent dissonances.

Jean Sibelius

Seal.

Thomson, The Great Seal of the United States, 1782


On this day in 1782, Congress approved the Great Seal of the United States and the eagle as its symbol.

Happy Birthday, Jacques Offenbach


Jacques Offenbach was born on this day in 1819.

Elīna Garanča and Anna Netrebko perform the "Belle nuit, ô nuit d'amour" from The Tales from Hoffmann.  Emmanuel Villaume conducts the Prague Philharmonia ...

19 June 2026

Furs, "Highwire Days"

Happy Birthday, Ann Wilson



Ann Wilson was born on this day in 1950.

"Kick It Out"...

Sea Power, "Machineries of Joy"

Happy Birthday, Blaise Pascal

Quesnel, Pascal, 1691


All men's miseries derive from not being able to sit quietly in a room alone.

Blaise Pascal, born on this day in 1623

Beauty.


Glory be to God for dappled things—
For skies of couple-color as a brinded cow;
For rose-moles all in stipple upon trout that swim;
Fresh-firecoal chestnut-falls; finches' wings;
Landscape plotted and pieced—fold, fallow, and plow;
And all trades, their gear and tackle and trim.

All things counter, original, spare, strange;
Whatever is fickle, freckled (who knows how?)
With swift, slow; sweet, sour; adazzle, dim;
He fathers-forth whose beauty is past change:
Praise Him.

Gerard Manley Hopkins