"I am not one who was born in the custody of wisdom. I am one who is fond of olden times and intense in quest of the sacred knowing of the ancients." Gustave Courbet

21 August 2018

Sweet.


HYMN to PAN

From the forests and highlands
        We come, we come;
From the river-girt islands,
        Where loud waves are dumb
            Listening to my sweet pipings.
The wind in the reeds and the rushes,
        The bees on the bells of thyme,
The birds on the myrtle bushes,
        The cicale above in the lime,
And the lizards below in the grass,
Were as silent as ever old Tmolus was,
            Listening to my sweet pipings.
Liquid Peneus was flowing,
        And all dark Tempe lay
In Pelion’s shadow, outgrowing
        The light of the dying day,
            Speeded by my sweet pipings.
The Sileni, and Sylvans, and Fauns,
        And the Nymphs of the woods and the waves,
To the edge of the moist river-lawns,
        And the brink of the dewy caves,
And all that did then attend and follow,
Were silent with love, as you now, Apollo,
            With envy of my sweet pipings.
I sang of the dancing stars,
        I sang of the daedal Earth,
And of Heaven, and the giant wars,
        And Love, and Death, and Birth—
            And then I chang’d my pipings,
Singing how down the vale of Maenalus
        I pursu’d a maiden and clasp’d a reed.
Gods and men, we are all deluded thus!
        It breaks in our bosom and then we bleed.
All wept, as I think both ye now would,
If envy or age had not frozen your blood,
            At the sorrow of my sweet pipings.

Percy Bysshe Shelley

Need.


1.

O goat-foot God of Arcady!
This modern world is grey and old,
And what remains to us of thee?

No more the shepherd lads in glee
Throw apples at thy wattled fold,
O goat-foot God of Arcady!

Nor through the laurels can one see
Thy soft brown limbs, thy beard of gold,
And what remains to us of thee?

And dull and dead our Thames would be,
For here the winds are chill and cold,
O goat-foot God of Arcady!

Then keep the tomb of Helice,
Thine olive-woods, thy vine-clad wold,
And what remains to us of thee?

Though many an unsung elegy
Sleeps in the reeds our rivers hold,
O goat-foot God of Arcady!
Ah, what remains to us of thee?

2.

Ah, leave the hills of Arcady,
Thy satyrs and their wanton play,
This modern world hath need of thee.

No nymph of Faun indeed have we,
For Faun and nymph are old and grey,
Ah, leave the hills of Arcady!

This is the land where liberty
Lit grave-browed Milton on his way,
This modern world hath need of thee!

A land of ancient chivalry
Where gentle Sidney saw the day,
Ah, leave the hills of Arcady.

This fierce sea-lion of the sea,
This England lacks some stronger lay,
This modern world hath need of thee!

Then blow some trumpet loud and free,
And give thine oaten pipe away,
Ah, leave the hills of Arcady!
This modern world hath need of thee!

Oscar Wilde

Keep.


We're supposed to write poetry to keep the gods alive.

Jim Harrison

Wander.


I am a wanderer
so let that be my name–
the first winter rain

Basho

20 August 2018

Happy birthday, Plant.


Robert Plant was born on this day in 1948.

"In the Evening"

An excellent album ...

Habitat.


Your only alternative as an artist is to create your own habitat for your soul.  I figured out that my main obsession is freedom, and if I didn't have the freed of close access to the natural world, I wasn't going to survive.

Jim Harrison

19 August 2018

Alone.

Chatham, Sunrise at Point Reyes, n/d


In my middle years I became fond of the Way
And made my home in the foothills of South Mountain.
When the spirit moves me I go off by myself
To see things I alone must see.
I follow the stream to its source,
And sitting there, watch for the moment
When clouds rise up. Or I may meet a woodsman;
We talk and laugh and forget about going home.

Wang Wei

Pieties.


Madeleine Kearns: In the preface to your own book you explain, “freedom is not a set of axioms but an evolving consensus.” As far as possible, can you please explain the conservative approach to freedom?

Roger Scruton: Judged in absolute terms, my freedom threatens your freedom. There has to be an emerging civility, which prevents people from abusing their freedom in order to disrupt the consensus on which the general exercise of freedom depends. The rude, raw, “let it all hang out” freedom of the Californian hippies was in fact the most censorious and oppressive of societies that I have encountered. Just by being civil you exposed yourself to contempt as a bourgeois apologist.
MK: What are the main differences between classical liberalism and conservatism?

SRS: Conservatives believe in unchosen obligations (pieties), whereas classical liberals think that the only source of obligation is choice.
MK: And yet they are, you observe, on the same side in today’s culture war. Why is that?

SRS: Because there are so many people who wish to control us, and in doing so to wipe away the image of the past.

Beethoven, Violin Sonata No. 3, Op. 12

Viktoria Mullova performs, with Charles Abramovic accompanies ...

Achieved.


To compose our character is our duty, not to compose books, and to win, not battles and provinces, but order and tranquility in our conduct. Our great and glorious masterpiece is to live appropriately.  Aesthetic value emanates from the struggle between texts: in the reader, in language, in the classroom, in arguments within a society. Aesthetic value rises out of memory, and so (as Nietzsche saw) out of pain, the pain of surrendering easier pleasures in favor of much more difficult ones. Successful literary works are achieved anxieties, not releases from anxieties.

Harold Bloom

Ghost.


I lack the World, for I move like a Ghost through it.

Peter Ackroyd

Valued.


Thank you, Wrath of Gnon.

Bach, "Spirit and Soul Become Confused," BWV 35

The J. S. Bach Foundation performs under the direction of Rudolf Lutz, with alto, Claude Eichenberger ...

16 August 2018

Smelt.

Aerosmith, "No More No More"

Baby, I'm a dreamer
Found my horse and carriage ...

Shadows.


For the beauty of the alcove is not the work of some clever device. The empty space is marked with plain wood and plain walls, so the light drawn into it forms dim shadows within emptiness. There is nothing more. And yet, when we gaze into the darkness of the crossbeam, beneath the shelves, though we know it is just shadow, we are overcome with the feeling that in this small corner of the atmosphere there reigns complete and utter silence; that here in the darkness immutable tranquility holds sway. And even as children would feel inexpressible chill as we peered into the depths of that alcove to which the sunlight had never penetrated. Where's the key to this mystery? Ultimately it is the magic of shadows. Were the shadows to be banished from its corners, the alcove would be in that instant revert to mere void.

Jun'ichirō Tanizaki

Minneapolis.

The Minneapolis Shoal Light ...



CONNECT

More HERE.

Memories.

Thomson, Pine Island, Georgian Bay, 1916


We comfort ourselves by reliving memories of protection. Something closed must retain our memories, while leaving them their original value as images. Memories of the outside world will never have the same tonality as those of home and, by recalling these memories, we add to our store of dreams; we are never real historians, but always near poets, and our emotion is perhaps nothing but an expression of a poetry that was lost.

Gaston Bachelard

Expertise.


I have no area of expertise in life except my imagination.

Jim Harrison

Escape.

Savrasov, Pond at Dusk, 1879


The DISCOVERY of DAILY EXPERIENCE


It is a whisper. You turn somewhere,
hall, street, some great even: the stars
or the lights hold; your next step waits you
and the firm world waits–but
there is a whisper. You always live so,
a being that receives, or partly receives, or
fails to receive each moment’s touch.

You see the people around you–the honors
they bear–a crutch, a cane, eye patch,
or the subtler ones, that fixed look, a turn
aside, or even the brave bearing: all declare
our kind, who serve on the human front and earn
whatever disguise will take them home. (I saw
Frank last week with his crutch de guerre.)

When the world is like this–and it is–
whispers, honors or penalties disguised–no wonder
art thrives like a pulse wherever civilized people,
or any people, live long enough in a place to
build, and remember, and anticipate; for we are
such beings as interact elaborately with what
surrounds us. The limited actual world we successively
overcome by fictions and by the mind’s inventions
that cannot be quite arbitrary (and hence do reflect
the actual), but can escape the actual (and hence
may become art).

William Stafford

Paradise.


I have always imagined that Paradise will be a kind of library.

Jorge Luis Borges

Handel, Serse, HWV 40

Sara Mingardo sings the "Ombra mai fu" with Il Accademia degli Astrusi

Federico Ferri, directing ...

Excellent.

An excellent album ...

14 August 2018

Hiawatha.

Wind-eye.


CONNECT

Believe.


But everything that may someday be possible for many people, the solitary man can now, already, prepare and build with his own hands, which make fewer mistakes. Therefore, dear Sir, love your solitude and try to sing out with the pain it causes you. For those who are near you are far away, you write, and this shows that the space around you is beginning to grow vast. And if what is near you is far away, then your vastness is already among the stars and is very great; be happy about your growth, in which of course you can't take anyone with you, and be gentle with those who stay behind; be confident and calm in front of them and don't torment them with your doubts and don't frighten them with your faith or joy, which they wouldn't be able to comprehend. Seek out some simple and true feeling of what you have in common with them, which doesn't necessarily have to alter when you yourself change again and again; when you see them, love life in a form that is not your own and be indulgent toward those who are growing old, who are afraid of the aloneness that you trust. Avoid providing material for the drama, that is always stretched tight between parent and children; it uses up much of the children's strength and wastes the love of the elders, which acts and warms even if it doesn't comprehend. Don't ask for any advice from them and don't expect any understanding; but believe in a love that is being stored up for you like an inheritance, and have faith that in this love there is a strength and a blessing so large that you can travel as far as you wish without having to step outside it.

Rainer Maria Rilke

David Francey, "All Lights Burning Bright"

The storm overtook us
It felt like the night
And the point and the island
They passed out of sight

But we sailed on rock steady
Set course through the storm
As the sky fell around us
And the wind drove us on

And I thought to myself
I’d be just like this ship
If I kept my light burning
On every trip

The watch it was ended
With the turn of the night
And I wrote in that log book
All lights burning bright

We had all lights burning bright
All lights burning bright



Homesick.

Napping.


AUGUST AFTERNOON: NAPPING in a CABIN near ENNIS, MONTANA

Seven different shades of green
well up and reach out
and wrap their slender arms
around my shoulders and thighs.
My friend Jim asks if I have a pencil.
I realize it’s only a dream,
and I’m not obliged to write it down.
I don’t want to wake up yet,
to leave the tendrils I’m loving.
A horse nickers in the deep summer grass,
and I’m willing to believe—
though he stamps his foot,
and I hear the swish of it through the window—
that he’s grazing in the green of my dream.
Now I hear someone trying to start
a rusty old pump-wheel,
but it turns out to be sandhill cranes
yodeling extravagantly
from the bog beyond the river willows.
“Do you have a pencil,” he asks.

Dan Gerber

Molsky's Mountain Drifters, "Fort Smith"


It's sandwich time.

Quality.


The SENSE of QUALITY

Unless we have the courage to fight for a revival of a wholesome reserve between man and man, all human values will be submerged in anarchy. The impudent contempt for such reserve is as much the mark of the rabble as interior uncertainty, as haggling and cringing for the favour of the insolent, as lowering oneself to the level of the rabble is the way to becoming no better than the rabble oneself. Where self-respect is abandoned, where the feeling for human quality and the power of reserve decay, chaos is at the door. Where impudence is tolerated for the sake of material comfort, self-respect is abandoned, the floodgates are opened, and chaos bursts the dams we were pledged to defend. That is a crime against humanity. In other ages it may have been the duty of Christians to champion the equality of all men. Our duty today, however, is passionately to defend the sense of reserve between man and man. We shall be accused of acting for our own interests, of being anti-social. Such cheap jibes must be placidly accepted. They are the invariable protests of the rabble against decency and order. To be pliant and uncertain is to fail to realize what is at stake, and no doubt it goes a good way to justify those jibes. We are witnessing the leveling down of all ranks of society, but at the same time we are watching the birth of a new sense of nobility, which is binding together a circle of men from all the previous classes of society. Nobility springs from and thrives on self-sacrifice and courage and an unfailing sense of duty to oneself and society. It expects due deference to itself, but shows an equally natural deference to others, whether they be of higher or of lower degree. From start to finish it demands a recovery of a lost sense of quality and of a social order based upon quality. Quality is the bitterest enemy of conceit in all its forms. Socially it implies the cessation of all place-hunting, of the cult of the 'star'. It requires an open eye both upwards and downwards, especially in the choice of one's closest friends. Culturally it means a return from the newspaper and the radio to the book, from feverish activity to unhurried leisure, from dissipation to recollection, from sensationalism to reflection, from virtuosity to art, from snobbery to modesty, from extravagance to moderation. Quantities are competitive, qualities complementary.

Dietrich Bonhoeffer