The Hammock Papers: Mingardo

Showing posts with label Mingardo. Show all posts

14 December 2023

Vivaldi, Gloria, RV 589

Sara Mingardo performs with Concerto Italiano, led by Rinaldo Alessandrini ...

06 August 2022

Vivaldi: Dixit Dominus, R. 807

Sara Mingardo performs the "De torrente in via bibet" with the Dresden Instrumental-Concert, directed by Peter Kopp ...

14 December 2021

Vivaldi, Gloria, RV 588/589

The most beautiful voice on the planet, Sara Mingardo, performs with Concerto Italiano, directed by Rinaldo Alessandrini ...

09 December 2021

05 September 2021

Vivaldi, Juditha Triumphans, RV 644

Sara Mingardo performs "Veni me seguere fida" with the Venice Baroque Orchestra ...

09 January 2021

Happy Birthday, Pergolesi

Vaccaro, Giovanni Battista Pergolesi, n/d

Giovanni Pergolesi was born this week in 1710.

Sara Mingardo performs the "Quando corpus morietur" from Pergolesi's Stabat Mater, with Barbara Frittoli with the Orchestra of the Academy of the Grand Theater of Liceu, Michael Hoffstetter, conducting ...

05 January 2021

Vivaldi, Gloria, RV 588

Sara Mingardo performs "Qui Sedes" with Rinaldo Alessandrini and Concerto Italiano ...

04 January 2021

Vivaldi, Nisi Dominus, RV608

Sara Mingardo performs the Cum dederit with Silvia Colli, Gian-Andrea Guerra, Valentina Soncini, Gioele Gusberti, and Vanni Moretto, with leader, Giovanni Paganelli ...

Goodnight.

Brahms, Alto Rhapsody, Op. 53

Sara Mingardo performs with the Orchestra and Chorus of the National Academy of St. Cecilia, directed by Daniele Gatti ...

15 March 2020

Vivaldi, Nisi Dominus, RV608

Sara Mingardo performs the Cum dederit ...

05 January 2020

Excellent.

An excellent album ...

08 December 2019

Vivaldi, Gloria, RV 589

Sara Mingardo performs with Concerto Italiano, directed by Rinaldo Alessandrini ...

16 August 2018

Handel, Serse, HWV 40

Sara Mingardo sings the "Ombra mai fu" with Il Accademia degli Astrusi

Federico Ferri, directing ...

29 January 2017

Vivaldi: Nisi Dominus, RV 608

Sara Mingardo performs the Cum dederit ...

01 December 2015

Vivaldi, Gloria, RV 589

Rinaldo Alessandrini leads Concerto Italiano, feating Sara Mingardo, mezzo-soprano ...

BARRY HINES

"That's why it makes me mad when I take her out and I'll hear somebody say, 'Look, there's Billy Casper there wi' his pet hawk. I could shout at 'em; it's not a pet, Sir, hawks are not pets. Or when folks stop me and say, 'Is it tame?' Is it heck tame, it's trained that's all. It's fierce, and it's wild, an' it's not bothered about anybody, not even about me, right. And that's why it's great.Look, there's Billy Casper there wi' his pet hawk.' I could shout at 'em. It's not a pet, Sir. Hawks are not pets. Or when folks stop me and say, 'Is it tame?' Is it heck tame, it's trained, that's all. It's fierce, and it's wild, an' it's not bothered about anybody, not even about me right. And that's why it's great." (A Kestrel for a Knave)

WOLFGANG AMADEUS MOZART

"When I am, as it were, completely myself, entirely alone and of good cheer – say travelling in a carriage or walking after a good meal, or during the night when I cannot sleep – it is on such occasions that my ideas flow best and most abundantly. Whence, and how, they come I know not ; nor can I force them. Those ideas that please me I retain in memory and am accustomed, as I have been told, to hum them to myself. If I continue in this way, it soon occurs to me how I may turn this dainty morsel to account, so as to make a good dish of it. That is to say, agreeable to the rules of counterpoint, to the peculiarities of various instruments etc. All this fires my soul, and, provided I am not disturbed, my subject enlarges itself, becomes methodised, and defined, and the whole, though it be long, stands almost complete and finished in my mind, so that I can survey it like a fine picture or a beautiful statue at a glance. Nor do I hear in my imagination the parts successively, but I hear them, as it were, all at once. What a delight this is, I cannot tell."

WALT WHITMAN

The spotted hawk swoops by and accuses me, he complains of my gab and my loitering. I too am not a bit tamed, I too am untranslatable, I sound my barbaric yawp over the roofs of the world. The last scud of day holds back for me, It flings my likeness after the rest and true as any on the shadow’d wilds, It coaxes me to the vapor and the dusk. I depart as air, I shake my white locks at the runaway sun, I effuse my flesh in eddies, and drift it in lacy jags. I bequeath myself to the dirt to grow from the grass I love, If you want me again look for me under your boot-soles. You will hardly know who I am or what I mean, But I shall be good health to you nevertheless, And filter and fibre your blood. Failing to fetch me at first keep encouraged, Missing me one place search another, I stop somewhere waiting for you.

MARCUS AURELIUS

"Is your cucumber bitter? Throw it away. Are there briars in your path? Turn aside. That is enough. Do not go on and say, 'Why were things of this sort ever brought into this world?' neither intolerable nor everlasting - if thou bearest in mind that it has its limits, and if thou addest nothing to it in imagination. Pain is either an evil to the body (then let the body say what it thinks of it!)-or to the soul. But it is in the power of the soul to maintain its own serenity and tranquility."

VINCENT van GOGH

"What am I in the eyes of most people? A nonentity or an oddity or a disagreeable person — someone who has and will have no position in society, in short a little lower than the lowest. Very well — assuming that everything is indeed like that, then through my work I’d like to show what there is in the heart of such an oddity, such a nobody. This is my ambition, which is based less on resentment than on love in spite of everything, based more on a feeling of serenity than on passion. Even though I’m often in a mess, inside me there’s still a calm, pure harmony and music. In the poorest little house, in the filthiest corner, I see paintings or drawings. And my mind turns in that direction as if with an irresistible urge. As time passes, other things are increasingly excluded, and the more they are the faster my eyes see the picturesque. Art demands persistent work, work in spite of everything, and unceasing observation."