The howling dog by the door of the house,
The bat that lies in bed at noon,
All love to be out by the light of the moon.
Robert Louis Stevenson
A forest of things.
But no human being can be trusted to keep his or her word when he or she has access to power—a power not available to opponents.
Dr. Frankl would remind us ...
Between stimulus and response there is a space. In that space is our power to choose our response. In our response lies our growth and freedom.
What power is truly eluding you?
A World War II fighter ace and Medal of Honor recipient, Col. "Pappy" Boyington (1912-1988) shot down a total of 28 Japanese aircraft during his wartime service. Initially in Army ROTC, he joined the Marine Corps in 1935. In August 1941, however, he resigned his Marine commission in order to join the Flying Tigers (1st American Volunteer Group), organized by Gen. Claire Chennault to assist the Chinese Air Force. Boyington rejoined the Marines in 1942 and commanded the "Black Sheep" squadron (Marine Fighting Squadron 214) in the South Pacific. On January 3, 1944, he was shot down, captured and then held in a Japanese prison camp for 20 months. Boyington's 1958 memoir, "Baa Baa Black Sheep," inspired the 1970s television series of the same name.Medal of Honor citation:"For extraordinary heroism and valiant devotion to duty as commanding officer of Marine Fighting Squadron 214 in action against enemy Japanese forces in the Central Solomons area from 12 September 1943 to 3 January 1944. Consistently outnumbered throughout successive hazardous flights over heavily defended hostile territory, Maj. Boyington struck at the enemy with daring and courageous persistence, leading his squadron into combat with devastating results to Japanese shipping, shore installations, and aerial forces. Resolute in his efforts to inflict crippling damage on the enemy, Maj. Boyington led a formation of 24 fighters over Kahili on 17 October and, persistently circling the airdrome where 60 hostile aircraft were grounded, boldly challenged the Japanese to send up planes. Under his brilliant command, our fighters shot down 20 enemy craft in the ensuing action without the loss of a single ship. A superb airman and determined fighter against overwhelming odds, Maj. Boyington personally destroyed 26 of the many Japanese planes shot down by his squadron and, by his forceful leadership, developed the combat readiness in his command which was a distinctive factor in the Allied aerial achievements in this vitally strategic area."
As a portraitist, the garrulous Stuart had perfected a technique to penetrate his subjects’ defenses. He would disarm them with a steady stream of personal anecdotes and irreverent wit, hoping that this glib patter would coax them into self-revelation. In the taciturn George Washington, a man of granite self-control and a stranger to spontaneity, Gilbert Stuart met his match. From boyhood, Washington had struggled to master and conceal his deep emotions. When the wife of the British ambassador later told him that his face showed pleasure at his forthcoming departure from the presidency, Washington grew indignant: “You are wrong. My countenance never yet betrayed my feelings!” He tried to govern his tongue as much as his face: “With me it has always been a maxim rather to let my designs appear from my works than by my expressions.”
When Washington swept into his first session with Stuart, the artist was awestruck by the tall, commanding president. Predictably, the more Stuart tried to pry open his secretive personality, the tighter the president clamped it shut. Stuart’s opening gambit backfired. “Now, sir,” Stuart instructed his sitter, “you must let me forget that you are General Washington and that I am Stuart, the painter.” To which Washington retorted drily that Mr. Stuart need not forget “who he is or who General Washington is.”
A master at sizing people up, Washington must have cringed at Stuart’s facile bonhomie, not to mention his drinking, snuff taking, and ceaseless chatter. With Washington, trust had to be earned slowly, and he balked at instant familiarity with people. Instead of opening up with Stuart, he retreated behind his stolid mask. The scourge of artists, Washington knew how to turn himself into an impenetrable monument long before an obelisk arose in his honor in the nation’s capital.
As Washington sought to maintain his defenses, Stuart made the brilliant decision to capture the subtle interplay between his outward calm and his intense hidden emotions, a tension that defined the man. He spied the extraordinary force of personality lurking behind an extremely restrained facade. The mouth might be compressed, the parchment skin drawn tight over ungainly dentures, but Washington’s eyes still blazed from his craggy face. In the enduring image that Stuart captured and that ended up on the one-dollar bill—a magnificent statement of Washington’s moral stature and sublime, visionary nature—he also recorded something hard and suspicious in the wary eyes with their penetrating gaze and hooded lids.
With the swift insight of artistic genius, Stuart grew convinced that Washington was not the placid and composed figure he presented to the world. In the words of a mutual acquaintance, Stuart had insisted that “there are features in [Washington’s] face totally different from what he ever observed in that of any other human being; the sockets of the eyes, for instance, are larger than he ever met with before, and the upper part of the nose broader. All his features, [Stuart] observed, were indicative of the strongest and most ungovernable passions, and had he been born in the forests, it was his opinion that [Washington] would have been the fiercest man among the savage tribes.” The acquaintance confirmed that Washington’s intimates thought him “by nature a man of fierce and irritable disposition, but that, like Socrates, his judgment and great self-command have always made him appear a man of a different cast in the eyes of the world.
I'm now 55 and I've been doing this for 50 years, in half a century, I've been going into the woods and the thickets since I was a little boy. After I hurt my eye, I was blinded in my left eye, I think I retreated from the world to the world of thickets. So I started sleeping outside a lot when was a little boy, usually with my dog, whatever dog, at the same time. I felt much happier sleeping out in the forest, especially in the summer, obviously. Perhaps someday I think I will even die splaying out by a fire under the stars, which is a much better way to live perhaps ...
I get to my desk (in a very small room at the top of the house) at about 10, and fiddle about with the height of the desk and the chair until I’m comfortable. I have a desk that I can raise or lower according to the state of my aching back. Sometimes I stand at it, and sometimes I have it high up to write at, and sometimes a bit lower to type.
The desk is covered by an ancient kilim, because it looks nice, but that’s not a good surface to write on, so I have one of those green safety cutting mats to support the paper I use, which is A4 narrow lined, with two holes. I love the shape of the A paper sizes. It’s the only one of Andrea Palladio’s recommended architectural shapes (the ratios of room length to width, and so on) that contains an irrational number, in this case the ratio of one to the square root of two. Very handy for illustrating Pythagoras’s famous theorem, in fact.
Nearby is a basket full of coloured pencils, including some of the best of all, the Berol Karisma range, now unfortunately discontinued. For each book I write, the paper is authorised for writing on by means of a coloured stripe along the top edge. I fan the sheets out and colour a stack at a time. The current book is a warm blend of Karisma Pumpkin Orange and Faber Castell Venetian Red. I sometimes think I should make it clear which key I’m writing a particular passage in – D minor, at the moment – but that would be silly, unlike colouring the pages, which makes perfect sense.
In front of me there’s a little aneroid barometer, a present from my son Tom, which also tells me the temperature and the humidity. Near that is a piece of equipment given to me by the scientists at the Rutherford Appleton Laboratory, which came out of an instrument that detects dark matter, or tries to. It’s a cylinder of glass in a copper casing, about the size of a small snowball but much heavier. I use it as a paperweight for my current manuscript, so it can go on detecting dark matter, or Dust, when I’m not around. I also keep some binoculars handy so I can watch any interesting birds through the window. The village heron lumbers past occasionally, and right now there’s a red kite circling over the church tower.
From the Bodleian Libraries' "Behind the Desk" series ...
Sometimes, of course, joy comes in these beautifully upbeat and innocent moments. But it’s of equal import when we’re struggling with a serious issue and unsure of how to move forward. Nearly a century ago, Tristan Tzara gave some advice that our whole country—me included, of course—could take to heart. “Let us try for once not to be right.” Instead, we can listen with open hearts and remember that joy is a part of living a good life, even in stressful situations. We can, in that context, skip the lectures and instead lean in and then learn some more. If we’re paying attention, the odds are pretty high that some joy will ensue. Choosing joy, even in the face of adversity, is one of the best ways we can lead positive change.
The tradition began in 1934, during the team’s first season in Detroit. Then-owner G.A. “Dick” Richards, who had recently moved the franchise from Portsmouth, Ohio, was struggling to draw fans. Despite fielding a competitive team, the Lions couldn’t lure attention away from baseball’s powerhouse Detroit Tigers.Richards, who also owned a radio station, decided to stage a bold publicity stunt: a Thanksgiving Day game. He convinced the NBC Radio Network to broadcast it nationally—an unprecedented move at the time. On November 29, 1934, the Lions hosted the defending champion Chicago Bears at University of Detroit Stadium.The result? A sellout crowd of 26,000 fans, with thousands more turned away at the gates. The Bears won 19–16, but Detroit’s holiday football experiment was a resounding success. A new tradition was born.