Happy Birthday, William Morris

Morris, The Forest (detail), 1887

If a chap can't compose an epic poem while he's weaving tapestry, he had better shut up, he'll never do any good at all.

William Morris, from The Life of William Morris

Well-Risen.

The full moon, well-risen in a cloudless eastern sky, covered the high solitude with its light. We are not conscious of daylight as that which displaces darkness. Daylight, even when the sun is clear of clouds, seems to us simply the natural condition of the earth and air. When we think of the downs, we think of the downs in daylight, as with think of a rabbit with its fur on. Stubbs may have envisaged the skeleton inside the horse, but most of us do not: and we do not usually envisage the downs without daylight, even though the light is not a part of the down itself as the hide is part of the horse itself. We take daylight for granted. But moonlight is another matter. It is inconstant. The full moon wanes and returns again. Clouds may obscure it to an extent to which they cannot obscure daylight. Water is necessary to us, but a waterfall is not. Where it is to be found it is something extra, a beautiful ornament. We need daylight and to that extent it us utilitarian, but moonlight we do not need. When it comes, it serves no necessity. It transforms. It falls upon the banks and the grass, separating one long blade from another; turning a drift of brown, frosted leaves from a single heap to innumerable flashing fragments; or glimmering lengthways along wet twigs as though light itself were ductile. Its long beams pour, white and sharp, between the trunks of trees, their clarity fading as they recede into the powdery, misty distance of beech woods at night. In moonlight, two acres of coarse bent grass, undulant and ankle deep, tumbled and rough as a horse's mane, appear like a bay of waves, all shadowy troughs and hollows. The growth is so thick and matted that event the wind does not move it, but it is the moonlight that seems to confer stillness upon it. We do not take moonlight for granted. It is like snow, or like the dew on a July morning. It does not reveal but changes what it covers. And its low intensity---so much lower than that of daylight---makes us conscious that it is something added to the down, to give it, for only a little time, a singular and marvelous quality that we should admire while we can, for soon it will be gone again.

Richard Adams, from Watership Down

Good.

Hyde, The Four Voices of the Wind, n/d

SONG of NATURE

Mine are the night and morning,

The pits of air, the gulf of space,

The sportive sun, the gibbous moon,

The innumerable days.

I hid in the solar glory,

I am dumb in the pealing song,

I rest on the pitch of the torrent,

In slumber I am strong.

No numbers have counted my tallies,

No tribes my house can fill,

I sit by the shining Fount of Life,

And pour the deluge still;

And ever by delicate powers

Gathering along the centuries

From race on race the rarest flowers,

My wreath shall nothing miss.

And many a thousand summers

My apples ripened well,

And light from meliorating stars

With firmer glory fell.

I wrote the past in characters

Of rock and fire the scroll,

The building in the coral sea,

The planting of the coal.

And thefts from satellites and rings

And broken stars I drew,

And out of spent and aged things

I formed the world anew;

What time the gods kept carnival,

Tricked out in star and flower,

And in cramp elf and saurian forms

They swathed their too much power.

Time and Thought were my surveyors,

They laid their courses well,

They boiled the sea, and baked the layers

Or granite, marl, and shell.

But he, the man-child glorious,—

Where tarries he the while?

The rainbow shines his harbinger,

The sunset gleams his smile.

My boreal lights leap upward,

Forthright my planets roll,

And still the man-child is not born,

The summit of the whole.

Must time and tide forever run?

Will never my winds go sleep in the west?

Will never my wheels which whirl the sun

And satellites have rest?

Too much of donning and doffing,

Too slow the rainbow fades,

I weary of my robe of snow,

My leaves and my cascades;

I tire of globes and races,

Too long the game is played;

What without him is summer's pomp,

Or winter’s frozen shade?

I travail in pain for him,

My creatures travail and wait;

His couriers come by squadrons,

He comes not to the gate.

Twice I have moulded an image,

And thrice outstretched my hand,

Made one of day, and one of night,

And one of the salt sea-sand.

One in a Judaean manger,

And one by Avon stream,

One over against the mouths of Nile,

And one in the Academe.

I moulded kings and saviours,

And bards o’er kings to rule;—

But fell the starry influence short,

The cup was never full.

Yet whirl the glowing wheels once more,

And mix the bowl again;

Seethe, fate! the ancient elements,

Heat, cold, wet, dry, and peace, and pain.

Let war and trade and creeds and song

Blend, ripen race on race,

The sunburnt world a man shall breed

Of all the zones, and countless days.

No ray is dimmed, no atom worn,

My oldest force is good as new,

And the fresh rose on yonder thorn

Gives back the bending heavens in dew.

Ralph Waldo Emerson