"I am not one who was born in the custody of wisdom. I am one who is fond of olden times and intense in quest of the sacred knowing of the ancients." Gustave Courbet
Showing posts with label Spring. Show all posts
Showing posts with label Spring. Show all posts

01 May 2026

Whistles.



THE SHEPHERD'S CALENDAR: MAY

Come queen of months in company
Wi all thy merry minstrelsy
The restless cuckoo absent long
And twittering swallows chimney song
And hedge row crickets notes that run
From every bank that fronts the sun
And swathy bees about the grass
That stops wi every bloom they pass
And every minute every hour
Keep teazing weeds that wear a flower
And toil and childhoods humming joys
For there is music in the noise
The village childern mad for sport
In school times leisure ever short
That crick and catch the bouncing ball
And run along the church yard wall
Capt wi rude figured slabs whose claims
In times bad memory hath no names
Oft racing round the nookey church
Or calling ecchos in the porch
And jilting oer the weather cock
Viewing wi jealous eyes the clock
Oft leaping grave stones leaning hights
Uncheckt wi mellancholy sights
The green grass swelld in many a heap
Where kin and friends and parents sleep
Unthinking in their jovial cry
That time shall come when they shall lye
As lowly and as still as they
While other boys above them play
Heedless as they do now to know
The unconcious dust that lies below
The shepherd goes wi happy stride
Wi moms long shadow by his side
Down the dryd lanes neath blooming may
That once was over shoes in clay
While martins twitter neath his eves
Which he at early morning leaves
The driving boy beside his team
Will oer the may month beauty dream
And cock his hat and turn his eye
On flower and tree and deepning skye
And oft bursts loud in fits of song
And whistles as he reels along
Crack[ing] his whip in starts of joy
A happy dirty driving boy
The youth who leaves his corner stool
Betimes for neighbouring village school
While as a mark to urge him right
The church spires all the way in sight
Wi cheerings from his parents given
Starts neath the joyous smiles of heaven
And sawns wi many an idle stand
Wi bookbag swinging in his hand
And gazes as he passes bye
On every thing that meets his eye
Young lambs seem tempting him to play
Dancing and bleating in his way
Wi trembling tails and pointed ears
They follow him and loose their fears
He smiles upon their sunny faces
And feign woud join their happy races
The birds that sing on bush and tree
Seem chirping for his company
And all in fancys idle whim
Seem keeping holiday but him
He lolls upon each resting stile
To see the fields so sweetly smile
To see the wheat grow green and long
And list the weeders toiling song
Or short not[e] of the changing thrush
Above him in the white thorn bush
That oer the leaning stile bends low
Loaded wi mockery of snow
Mozzld wi many a lushing thread
Of crab tree blossoms delicate red
He often bends wi many a wish
Oer the brig rail to view the fish
Go sturting by in sunny gleams
And chucks in the eye dazzld streams
Crumbs from his pocket oft to watch
The swarming struttle come to catch
Them where they to the bottom sile
Sighing in fancys joy the while
Hes cautiond not to stand so nigh
By rosey milkmaid tripping bye
Where he admires wi fond delight
And longs to be there mute till night
He often ventures thro the day
At truant now and then to play
Rambling about the field and plain
Seeking larks nests in the grain
And picking flowers and boughs of may
To hurd awhile and throw away
Lurking neath bushes from the sight
Of tell tale eyes till schools noon night
Listing each hour for church clocks hum
To know the hour to wander home
That parents may not think him long
Nor dream of his rude doing wrong
Dreading thro the night wi dreaming pain
To meet his masters wand again
Each hedge is loaded thick wi green
And where the hedger late hath been
Tender shoots begin to grow
From the mossy stumps below
While sheep and cow that teaze the grain
will nip them to the root again
They lay their bill and mittens bye
And on to other labours hie
While wood men still on spring intrudes
And thins the shadow solitudes
Wi sharpend axes felling down
The oak trees budding into brown
Where as they crash upon the ground
A crowd of labourers gather round
And mix among the shadows dark
To rip the crackling staining bark
From off the tree and lay when done
The rolls in lares to meet the sun
Depriving yearly where they come
The green wood pecker of its home
That early in the spring began
Far from the sight of troubling man
And bord their round holes in each tree
In fancys sweet security
Till startld wi the woodmans noise
It wakes from all its dreaming joys
The blue bells too that thickly bloom
Where man was never feared to come
And smell smocks that from view retires
Mong rustling leaves and bowing briars
And stooping lilys of the valley
That comes wi shades and dews to dally
White beady drops on slender threads
Wi broad hood leaves above their heads
Like white robd maids in summer hours
Neath umberellas shunning showers
These neath the barkmens crushing treads
Oft perish in their blooming beds
Thus stript of boughs and bark in white
Their trunks shine in the mellow light
Beneath the green surviving trees
That wave above them in the breeze
And waking whispers slowly bends
As if they mournd their fallen friends
Each morning now the weeders meet
To cut the thistle from the wheat
And ruin in the sunny hours
Full many wild weeds of their flowers
Corn poppys that in crimson dwell
Calld 'head achs' from their sickly smell
And carlock yellow as the sun
That oer the may fields thickly run
And 'iron weed' content to share
The meanest spot that spring can spare
Een roads where danger hourly comes
Is not wi out its purple blooms
And leaves wi points like thistles round
Thickset that have no strength to wound
That shrink to childhoods eager hold
Like hair-and with its eye of gold
And scarlet starry points of flowers
Pimpernel dreading nights and showers
Oft calld 'the shepherds weather glass'
That sleep till suns have dyd the grass
Then wakes and spreads its creeping bloom
Till clouds or threatning shadows come
Then close it shuts to sleep again
Which weeders see and talk of rain
And boys that mark them shut so soon
will call them 'John go bed at noon
And fumitory too a name
That superstition holds to fame
Whose red and purple mottled flowers
Are cropt by maids in weeding hours
To boil in water milk and way1
For washes on an holiday
To make their beauty fair and sleak
And scour the tan from summers cheek
And simple small forget me not
Eyd wi a pinshead yellow spot
I'th'2 middle of its tender blue
That gains from poets notice due
These flowers the toil by crowds destroys
And robs them of their lowly joys
That met the may wi hopes as sweet
As those her suns in gardens meet
And oft the dame will feel inclind
As childhoods memory comes to mind
To turn her hook away and spare
The blooms it lovd to gather there
My wild field catalogue of flowers
Grows in my ryhmes as thick as showers
Tedious and long as they may be
To some, they never weary me
The wood and mead and field of grain
I coud hunt oer and oer again
And talk to every blossom wild
Fond as a parent to a child
And cull them in my childish joy
By swarms and swarms and never cloy
When their lank shades oer morning pearls
Shrink from their lengths to little girls
And like the clock hand pointing one
Is turnd and tells the morning gone
They leave their toils for dinners hour
Beneath some hedges bramble bower
And season sweet their savory meals
Wi joke and tale and merry peals
Of ancient tunes from happy tongues
While linnets join their fitful songs
Perchd oer their heads in frolic play
Among the tufts of motling may
The young girls whisper things of love
And from the old dames hearing move
Oft making 'love knotts' in the shade
Of blue green oat or wheaten blade
And trying simple charms and spells
That rural superstition tells
They pull the little blossom threads
From out the knapweeds button heads
And put the husk wi many a smile
In their white bosoms for awhile
Who if they guess aright the swain
That loves sweet fancys trys to gain
Tis said that ere its lain an hour
Twill blossom wi a second flower
And from her white breasts hankerchief
Bloom as they ne'er had lost a leaf
When signs appear that token wet
As they are neath the bushes met
The girls are glad wi hopes of play
And harping of the holiday
A hugh blue bird will often swim
Along the wheat when skys grow dim
Wi clouds-slow as the gales of spring
In motion wi dark shadowd wing
Beneath the coming storm it sails
And lonly chirps the wheat hid quails
That came to live wi spring again
And start when summer browns the grain
They start the young girls joys afloat
Wi 'wet my foot' its yearly note
So fancy doth the sound explain
And proves it oft a sign of rain
About the moor 'mong sheep and cow
The boy or old man wanders now
Hunting all day wi hopful pace
Each thick sown rushy thistly place
For plover eggs while oer them flye
The fearful birds wi teazing cry
Trying to lead their steps astray
And coying him another way
And be the weather chill or warm
Wi brown hats truckd beneath his arm
Holding each prize their search has won
They plod bare headed to the sun
Now dames oft bustle from their wheels
Wi childern scampering at their heels
To watch the bees that hang and swive
In clumps about each thronging hive
And flit and thicken in the light
While the old dame enjoys the sight
And raps the while their warming pans
A spell that superstition plans
To coax them in the garden bounds
As if they lovd the tinkling sounds
And oft one hears the dinning noise
Which dames believe each swarm decoys
Around each village day by day
Mingling in the warmth of may
Sweet scented herbs her skill contrives
To rub the bramble platted hives
Fennels thread leaves and crimpld balm
To scent the new house of the swarm
The thresher dull as winter days
And lost to all that spring displays
Still mid his barn dust forcd to stand
Swings his frail round wi weary hand
While oer his head shades thickly creep
And hides the blinking owl asleep
And bats in cobweb corners bred
Sharing till night their murky bed
The sunshine trickles on the floor
Thro every crevice of the door
And makes his barn where shadows dwell
As irksome as a prisoners cell
And as he seeks his daily meal
As schoolboys from their tasks will steal
ile often stands in fond delay
To see the daisy in his way
And wild weeds flowering on the wall
That will his childish sports recall
Of all the joys that came wi spring
The twirling top the marble ring
The gingling halfpence hussld up
At pitch and toss the eager stoop
To pick up heads, the smuggeld plays
Neath hovels upon sabbath days
When parson he is safe from view
And clerk sings amen in his pew
The sitting down when school was oer
Upon the threshold by his door
Picking from mallows sport to please
Each crumpld seed he calld a cheese
And hunting from the stackyard sod
The stinking hen banes belted pod
By youths vain fancys sweetly fed
Christning them his loaves of bread
He sees while rocking down the street
Wi weary hands and crimpling feet
Young childern at the self same games
And hears the self same simple names
Still floating on each happy tongue
Touchd wi the simple scene so strong
Tears almost start and many a sigh
Regrets the happiness gone bye
And in sweet natures holiday
His heart is sad while all is gay
How lovly now are lanes and balks
For toils and lovers sunday walks
The daisey and the buttercup
For which the laughing childern stoop
A hundred times throughout the day
In their rude ramping summer play
So thickly now the pasture crowds
In gold and silver sheeted clouds
As if the drops in april showers
Had woo'd the sun and swoond to flowers
The brook resumes its summer dresses
Purling neath grass and water cresses
And mint and flag leaf swording high
Their blooms to the unheeding eye
And taper bowbent hanging rushes
And horse tail childerns bottle brushes
And summer tracks about its brink
Is fresh again where cattle drink
And on its sunny bank the swain
Stretches his idle length again
Soon as the sun forgets the day
The moon looks down on the lovly may
And the little star his friend and guide
Travelling together side by side
And the seven stars and charleses wain1
Hangs smiling oer green woods agen
The heaven rekindles all alive
Wi light the may bees round the hive
Swarm not so thick in mornings eye
As stars do in the evening skye
All all are nestling in their joys
The flowers and birds and pasture boys
The firetail, long a stranger, comes
To his last summer haunts and homes
To hollow tree and crevisd wall
And in the grass the rails odd call
That featherd spirit stops the swain
To listen to his note again
And school boy still in vain retraces
The secrets of his hiding places
In the black thorns crowded cops~e1
Thro its varied turns and stops
The nightingale its ditty weaves
Hid in a multitude of leaves
The boy stops short to hear the strain
And 'sweet jug jug' he mocks again
The yellow hammer builds its nest
By banks where sun beams earliest rest
That drys the dews from off the grass
Shading it from all that pass
Save the rude boy wi ferret gaze
That hunts thro evry secret maze
He finds its pencild eggs agen
All streakd wi lines as if a pen
By natures freakish hand was took
To scrawl them over like a book
And from these many mozzling marks
The school boy names them 'writing larks'
Bum barrels twit on bush and tree
Scarse bigger then a bumble bee
And in a white thorns leafy rest
It builds its curious pudding-nest
Wi hole beside as if a mouse
Had built the little barrel house
Toiling full many a lining feather
And bits of grey tree moss together
Amid the noisey rooky park
Beneath the firdales branches dark
The little golden crested wren
Hangs up his glowing nest agen
And sticks it to the furry leaves
As martins theirs beneath the eaves
The old hens leave the roost betimes
And oer the garden pailing climbs
To scrat the gardens fresh turnd soil
And if unwatchd his crops to spoil
Oft cackling from the prison yard
To peck about the houseclose sward
Catching at butterflys and things
Ere they have time to try their wings
The cattle feels the breath of may
And kick and toss their heads in play
The ass beneath his bags of sand
Oft jerks the string from leaders hand
And on the road will eager stoop
To pick the sprouting thistle up
Oft answering on his weary way
Some distant neighbours sobbing bray
Dining the ears of driving boy
As if he felt a fit of joy
Wi in its pinfold circle left
Of all its company bereft
Starvd stock no longer noising round
Lone in the nooks of foddering ground
Each skeleton of lingering stack
By winters tempests beaten black
Nodds upon props or bolt upright
Stands swarthy in the summer light
And oer the green grass seems to lower
Like stump of old time wasted tower
All that in winter lookd for hay
Spread from their batterd haunts away
To pick the grass or lye at lare
Beneath the mild hedge shadows there
Sweet month that gives a welcome call
To toil and nature and to all
Yet one day mid thy many joys
Is dead to all its sport and noise
Old may day where's thy glorys gone
All fled and left thee every one
Thou comst to thy old haunts and homes
Unnoticd as a stranger comes
No flowers are pluckt to hail the now
Nor cotter seeks a single bough
The maids no more on thy sweet morn
Awake their thresholds to adorn
Wi dewey flowers-May locks new come
And princifeathers cluttering bloom
And blue bells from the woodland moss
And cowslip cucking balls to toss
Above the garlands swinging hight
Hang in the soft eves sober light
These maid and child did yearly pull
By many a folded apron full
But all is past the merry song
Of maidens hurrying along
To crown at eve the earliest cow
Is gone and dead and silent now
The laugh raisd at the mocking thorn
Tyd to the cows tail last that morn
The kerchief at arms length displayd
Held up by pairs of swain and maid
While others bolted underneath
Bawling loud wi panting breath
'Duck under water' as they ran
Alls ended as they ne'er began
While the new thing that took thy place
Wears faded smiles upon its face
And where enclosure has its birth
It spreads a mildew oer her mirth
The herd no longer one by one
Goes plodding on her morning way
And garlands lost and sports nigh gone
Leaves her like thee a common day
Yet summer smiles upon thee still
Wi natures sweet unalterd will
And at thy births unworshipd hours
Fills her green lap wi swarms of flowers
To crown thee still as thou hast been
Of spring and summer months the queen.

John Clare

01 April 2026

Delightful.



APRIL SHOWERS

Delightful weather for all sorts of moods
& most for him – grey morn and swarthy eye
Found rambling up the little narrow lane
Where primrose banks amid the hazly woods
Peep most delightfully on passers bye
While Aprils little clouds about the sky
Mottle & freak unto fancy lie
Idling and ending travel for the day
Till darker clouds sail up with cumberous heave
South oer the woods & scares them all away
Then comes the rain pelting with pearly drops
The primrose crowds until they stoop & lie
All fragrance to his mind that musing stops
Beneath the hawthorn till the shower is bye

John Clare

Emboldened.

 Böcklin, Spring Evening, 1879


And now that the year wearily turns and stretches herself before the perfect waking, the god emboldened begins to blow a clearer note.

Kenneth Grahame, from "The Rural Pan (An April Essay)"

22 March 2026

Resonance.

Titian, Fête Champêtre, 1510


The Resonance of Spring: A Bacchanalia of Lute Tunes
In the Spring a fuller crimson comes upon the robin's breast;
In the Spring the wanton lapwing gets himself another crest;

In the Spring a livelier iris changes on the burnish'd dove;
In the Spring a young man's fancy lightly turns to thoughts of love.
Palestrina's Lute
Venere Lute Quartet


The Art of Resonance: Archlute & Theorbo Music Of The Italian Seicento
Luca Pianca


Del suono come perla: 17th-Century Italian Music for Theorbo
Laura La Vecchia


Scarlatti & Zamboni: Italian Lute Music
Toyohiko Satoh and Michiel Niessen


Nobilissimo Istromento: Virtuoso Lute Music of the Italian Renaissance
Luca Pianca


... in vece d'arco o di faretra, chi tien leuto, e chi viola o cetra: 16th Century Italian Lute Music
Roberto Gallina


Alla Venetiana: Early 16th Century Venetian Lute Music
Paul O'Dette


Vieux Gaultier: Pièces de Luth
Hopkinson Smith


Jacques de Gallot: Pièces de Luth 
Hopkinson Smith


François Dufaut: Pièces de Luth en Manuscrits
Hopkinson Smith


Robert de Visée: Theorbo Solos
Jakob Lindberg 


Nicolas Vallet: Le Secret des Muses
Nigel North


Alessandro Piccinini: Intavolatura di Liuto et di Chitarrone, Libro Primo, Bologna M.DC.XXIII
Nigel North 


Capricci: Castaldi & Pellegrini
Albane Imbs and Rolf Lislevand


Dolcissima et Amorosa: The Lute Music of "Il Divino," Francesco Canova da Milano, Vol. 1
Nigel North


A Decoration of Silence: The Lute Music of "Il Divino," Francesco Canova da Milano, Vol. 2
Nigel North

20 March 2026

Telemann, Violin Concerto in A, TWV 51:A4, “The Frogs”

Orchestre à Cordes de l'Uliège performs under the guidance of Loïc Duchêne with Émilie Herwats, violon ...

Now.

Shepard, Ratty's Picnic, 1908


Spring is upon us right about ... now.

EARLY SPRING

The Spring is come, and Spring flowers coming too,
    The crocus, patty kay, the rich hearts' ease;
The polyanthus peeps with blebs of dew,
    And daisy flowers; the buds swell on the trees;
    While oer the odd flowers swim grandfather bees
In the old homestead rests the cottage cow;
    The dogs sit on their haunches near the pail,
The least one to the stranger growls "bow wow,"
    Then hurries to the door and cocks his tail,
To knaw the unfinished bone; the placid cow
    Looks o’er the gate; the thresher's lumping flail
Is all the noise the spring encounters now.

John Clare

05 April 2025

Smile.


'Tis the season for Valençay.

Raw goat.

Lemony tang.

Crack a few Tellicherry peppercorns over it.

Put some Benny Goodman wax on the hi-fi and swig some ice-cold Ferrari-Carano Fumé Blanc straight from the bottle.

Smile at one of the best parts of Spring.

14 June 2024

Anything.

Biva, La Rivère, 1903


ANYTHING CAN HAPPEN

Anything can happen. You know how Jupiter
Will mostly wait for clouds to gather head
Before he hurls the lightning? Well, just now
He galloped his thunder cart and his horses

Across a clear blue sky. It shook the earth
And the clogged underearth, the River Styx,
The winding streams, the Atlantic shore itself.
Anything can happen, the tallest towers

Be overturned, those in high places daunted,
Those overlooked regarded. Stropped-beak Fortune
Swoops, making the air gasp, tearing the crest off one,
Setting it down bleeding on the next.

Ground gives. The heaven’s weight
Lifts up off Atlas like a kettle-lid.
Capstones shift, nothing resettles right.
Telluric ash and fire-spores boil away.

Seamus Heaney

18 May 2024

Lawk.

Gainsborough, Landscape in Suffolk, 1750


How beautiful May and its morning comes in!
The song of the maidens you hear them begin,
To sing the old ballads while cowslips they pull,
While the dew of the morning fills many pips full.
The closes are spangled with cowslips like gold,
Girls cram in their aprons what baskets can't hold;
And still gather on to the heat of the day,
Till force often throws the last handful away.

Then beneath an old hawthorn they sit one and all,
And make the May garlands and round cuck a ball
Of cowslips and blossoms so showy and sweet,
And laugh when they think of the swains they shall meet.
Then to finish the garland they trudge away home,
And beg from each garden the flowers then in bloom;
Then beneath the old eldern, beside the old wall,
They sit out to make it, maids, misses, and all.

The ribbons the ploughmen bought maids at the fair,
Are sure to be seen in a garland so fair;
And dolls from the children they dress up and take,
While children laugh loud at the show they will make.
Then they take round the garland to shew at each door,
With kerchief to hide the fine flowers cover'd o'er;
At cottages also, when willing to pay,
The maidens their much admired garland display.

Then at duck under water adown the long road,
They run with their dresses all flying abroad;
And ribbons all colours how sweet they appear!
May seems to begin the new life of the year.
Then the garland on ropes is hung high over all,
One end to a tree and one hooked to a wall;
Where they cuck the ball over till day is nigh gone,
And then tea and cakes and the dancing comes on.

And then, lawk! what dancing and laughing is there,
While the fiddler makes faces within the arm chair;
And then comes the cushion, the girls they all shriek
And fly to the door from the old fiddler's squeak;
But the doors they are fastened, so all must kneel down
And take the rude kiss from the unmannerly clown.
Thus the May games are ended, to their houses they roam,
With the sweetheart she chooses each maiden goes home.

John Clare

20 April 2024

Progression.


Hugh Aldersey-Williams explores the lifelong calendrical project of Robert Marsham and asks, "What can we learn from observing the progression of spring — a hawthorn’s first flowering, the return of birdsong on a particular day?"
Noticing signs of spring is not confined to the scientifically minded, of course. It is an idea with a long provenance. Buddhist monks in Japan were recording the arrival of the cherry blossom as far back as the ninth century. Some of Marsham’s “data points” (such as the swallow and the cuckoo) have long held a place in popular lore and folk songs. The old English saying “Ne’er cast a clout till May be out” — a warning not to remove outer clothes too soon in the year — is usually supposed to refer to the month of May. But English May weather is highly variable, and it is more likely that the saying refers to the May tree, or hawthorn, which generally flowers at some point during that month (long after it has come into leaf). Whether it does so early or late is determined chiefly by the weather conditions, making it a more reliable index for an appropriate choice of dress than a calendar date.

Robert Marsham’s project was handed down in the family and only came to a halt in 1958 when his great-great-great-granddaughter Mary died and her descendants were advised that their amateur contribution was no longer required, presumably judged to be no match for modern scientific methods. Despite its abrupt termination, it is the unbroken long run — 222 years — of Marsham’s “Indications of Spring” that gives it lasting scientific worth. There are a few patchy early records for places in the UK, but Marsham’s is the first truly systematic dataset, according to Tim Sparks, a professor of zoology and quantitative biology at the universities of Cambridge, Liverpool, and Poznań. “It is the longest such record for the UK and has been of immense value in determining the variability in spring and in its response to prevailing weather conditions. He inspired many others to do likewise.” Marsham’s record stretches back far enough that it can serve as a baseline for the investigation of changes that have already happened in the more recent past as well as for ongoing studies of the present situation.

One merit of Marsham’s idea is surely that it is so easily grasped. You do not need to be a scientist to understand his results — or to begin recording your own data. In the mid-nineteenth century, the observation of seasonal changes in nature acquired its own name — phenology — as the gentleman scientists of the Victorian age began to add their contributions. Today, Marsham’s pioneering work inspires successor projects around the world, many of them examples of “citizen science”, relying on the participation of members of the public.

01 April 2024

Persistence.



More and more I have come to admire resilience.  Not the simple resistance of a pillow, whose foam returns over and over to the same shape, but the sinuous tenacity of a tree: finding the light newly blocked on one side, it turns in another. A blind intelligence, true.  But out of such persistence arose turtles, rivers, mitochondria, figs—all this resinous, unretractable earth.

Jane Hirshfield 

19 March 2024

Anywhere.

Daubigny, Spring Landscape, 1862


SPRING MORNING

Where am I going? I don't quite know.
Down to the stream where the king-cups grow-
Up on the hill where the pine-trees blow-
Anywhere, anywhere. I don't know.

Where am I going? The clouds sail by,
Little ones, baby ones, over the sky.
Where am I going? The shadows pass,
Little ones, baby ones, over the grass.

If you were a cloud, and sailed up there,
You'd sail on water as blue as air,
And you'd see me here in the fields and say:
"Doesn't the sky look green today?"

Where am I going? The high rooks call:
"It's awful fun to be born at all."
Where am I going? The ring-doves coo:
"We do have beautiful things to do."

If you were a bird, and lived on high,
You'd lean on the wind when the wind came by,
You'd say to the wind when it took you away:
"That's where I wanted to go today!"

Where am I going? I don't quite know.
What does it matter where people go?
Down to the wood where the blue-bells grow-
Anywhere, anywhere. I don't know.

A.A. Milne

19 May 2023

Singing.



These, I, singing in spring, collect for lovers,
(For who but I should understand lovers, and all their sorrow and joy?
And who but I should be the poet of comrades?)
Collecting, I traverse the garden, the world—but soon I pass the gates,
Now along the pond-side—now wading in a little, fearing not the wet,
Now by the post-and-rail fences, where the old stones thrown there, pick’d from the fields, have accumulated,
(Wild-flowers and vines and weeds come up through the stones, and partly cover them—Beyond these I pass,)
Far, far in the forest, before I think where I go,
Solitary, smelling the earthy smell, stopping now and then in the silence,
Alone I had thought—yet soon a troop gathers around me,
Some walk by my side, and some behind, and some embrace my arms or neck,
They, the spirits of dear friends, dead or alive—thicker they come, a great crowd, and I in the middle,
Collecting, dispensing, singing in spring, there I wander with them,
Plucking something for tokens—tossing toward whoever is near me;
Here! lilac, with a branch of pine,
Here, out of my pocket, some moss which I pull’d off a live-oak in Florida, as it hung trailing down,
Here, some pinks and laurel leaves, and a handful of sage,
And here what I now draw from the water, wading in the pondside,
(O here I last saw him that tenderly loves me—and returns again, never to separate from me,
And this, O this shall henceforth be the token of comrades—this Calamus-root shall,
Interchange it, youths, with each other! Let none render it back!)
And twigs of maple, and a bunch of wild orange, and chestnut,
And stems of currants, and plum-blows, and the aromatic cedar:
These, I, compass’d around by a thick cloud of spirits,
Wandering, point to, or touch as I pass, or throw them loosely from me,
Indicating to each one what he shall have—giving something to each;
But what I drew from the water by the pond-side, that I reserve,
I will give of it—but only to them that love, as I myself am capable of loving.

Walt Whitman

01 May 2023

Jethro Tull, "Jack-in-the-Green"

Ran.


  'Twas the vintage-day of field and wood,
When magic wine for bards is brewed;
Every tree and stem and chink
Gushed with syrup to the brink.
The air stole into the streets of towns,
Refreshed the wise, reformed the clowns,
And betrayed the fund of joy
To the high-school and medalled boy:
On from hall to chamber ran,
From youth to maid, from boy to man,
To babes, and to old eyes as well.

Ralph Waldo Emerson, from "May-Day"

17 April 2023

Breathing.

Monet, Morning Landscape, Giverny, 1888


A SPRING MORNING

The Spring comes in with all her hues and smells,
In freshness breathing over hills and dells;
O’er woods where May her gorgeous drapery flings,
And meads washed fragrant by their laughing springs.
Fresh are new opened flowers, untouched and free
From the bold rifling of the amorous bee.
The happy time of singing birds is come,
And Love’s lone pilgrimage now finds a home;
Among the mossy oaks now coos the dove,
And the hoarse crow finds softer notes for love.
The foxes play around their dens, and bark
In joy’s excess, ’mid woodland shadows dark.
The flowers join lips below; the leaves above;
And every sound that meets the ear is Love.

John Clare

31 May 2022

Bird-Haunted.

The continued euphony of "bird-haunted branches" ...

Dvorák: Serenades for Strings and Winds
Wiener Philharmoniker and Myung Whun Chung


Respighi: The Birds
Chamber Orchestra of New York, Salvatore di Vittorio


Brahms: Waltzes Op. 39; Waltzes Op. 52; Variations on a Theme by Robert Schumann
Berlin Philharmonic, Karin Lechner


Erik Satie: 7 Gnossiennes
Olivia Belli


English Spring
Hallé, Sir Mark Elder


The original collection is here.