"I am not one who was born in the custody of wisdom. I am one who is fond of olden times and intense in quest of the sacred knowing of the ancients." Gustave Courbet

14 August 2018

Through.

Eggleston, Untitled, 1981


A SERVANT to SERVANTS

I didn't make you know how glad I was
To have you come and camp here on our land.
I promised myself to get down some day
And see the way you lived, but I don't know!
With a houseful of hungry men to feed
I guess you'd find.... It seems to me
I can't express my feelings any more
Than I can raise my voice or want to lift
My hand (oh, I can lift it when I have to).
Did ever you feel so? I hope you never.
It's got so I don't even know for sure
Whether I am glad, sorry, or anything.
There's nothing but a voice-like left inside
That seems to tell me how I ought to feel,
And would feel if I wasn't all gone wrong.
You take the lake. I look and look at it.
I see it's a fair, pretty sheet of water.
I stand and make myself repeat out loud
The advantages it has, so long and narrow,
Like a deep piece of some old running river
Cut short off at both ends. It lies five miles
Straight away through the mountain notch
From the sink window where I wash the plates,
And all our storms come up toward the house,
Drawing the slow waves whiter and whiter and whiter.
It took my mind off doughnuts and soda biscuit
To step outdoors and take the water dazzle
A sunny morning, or take the rising wind
About my face and body and through my wrapper,
When a storm threatened from the Dragon's Den,
And a cold chill shivered across the lake.
I see it's a fair, pretty sheet of water,
Our Willoughby! How did you hear of it?
I expect, though, everyone's heard of it.
In a book about ferns? Listen to that!
You let things more like feathers regulate
Your going and coming. And you like it here?
I can see how you might. But I don't know!
It would be different if more people came,
For then there would be business. As it is,
The cottages Len built, sometimes we rent them,
Sometimes we don't. We've a good piece of shore
That ought to be worth something, and may yet.
But I don't count on it as much as Len.
He looks on the bright side of everything,
Including me. He thinks I'll be all right
With doctoring. But it's not medicine--
Lowe is the only doctor's dared to say so--
It's rest I want--there, I have said it out--
From cooking meals for hungry hired men
And washing dishes after them--from doing
Things over and over that just won't stay done.
By good rights I ought not to have so much
Put on me, but there seems no other way.
Len says one steady pull more ought to do it.
He says the best way out is always through.
And I agree to that, or in so far
As that I can see no way out but through--
Leastways for me--and then they'll be convinced.
It's not that Len don't want the best for me.
It was his plan our moving over in
Beside the lake from where that day I showed you
We used to live--ten miles from anywhere.
We didn't change without some sacrifice,
But Len went at it to make up the loss.
His work's a man's, of course, from sun to sun,
But he works when he works as hard as I do--
Though there's small profit in comparisons.
(Women and men will make them all the same.)
But work ain't all. Len undertakes too much.
He's into everything in town. This year
It's highways, and he's got too many men
Around him to look after that make waste.
They take advantage of him shamefully,
And proud, too, of themselves for doing so.
We have four here to board, great good-for-nothings,
Sprawling about the kitchen with their talk
While I fry their bacon. Much they care!
No more put out in what they do or say
Than if I wasn't in the room at all.
Coming and going all the time, they are:
I don't learn what their names are, let alone
Their characters, or whether they are safe
To have inside the house with doors unlocked.
I'm not afraid of them, though, if they're not
Afraid of me. There's two can play at that.
I have my fancies: it runs in the family.
My father's brother wasn't right. They kept him
Locked up for years back there at the old farm.
I've been away once--yes, I've been away.
The State Asylum. I was prejudiced;
I wouldn't have sent anyone of mine there;
You know the old idea--the only asylum
Was the poorhouse, and those who could afford,
Rather than send their folks to such a place,
Kept them at home; and it does seem more human.
But it's not so: the place is the asylum.
There they have every means proper to do with,
And you aren't darkening other people's lives--
Worse than no good to them, and they no good
To you in your condition; you can't know
Affection or the want of it in that state.
I've heard too much of the old-fashioned way.
My father's brother, he went mad quite young.
Some thought he had been bitten by a dog,
Because his violence took on the form
Of carrying his pillow in his teeth;
But it's more likely he was crossed in love,
Or so the story goes. It was some girl.
Anyway all he talked about was love.
They soon saw he would do someone a mischief
If he wa'n't kept strict watch of, and it ended
In father's building him a sort of cage,
Or room within a room, of hickory poles,
Like stanchions in the barn, from floor to ceiling,--
A narrow passage all the way around.
Anything they put in for furniture
He'd tear to pieces, even a bed to lie on.
So they made the place comfortable with straw,
Like a beast's stall, to ease their consciences.
Of course they had to feed him without dishes.
They tried to keep him clothed, but he paraded
With his clothes on his arm--all of his clothes.
Cruel--it sounds. I 'spose they did the best
They knew. And just when he was at the height,
Father and mother married, and mother came,
A bride, to help take care of such a creature,
And accommodate her young life to his.
That was what marrying father meant to her.
She had to lie and hear love things made dreadful
By his shouts in the night. He'd shout and shout
Until the strength was shouted out of him,
And his voice died down slowly from exhaustion.
He'd pull his bars apart like bow and bow-string,
And let them go and make them twang until
His hands had worn them smooth as any ox-bow.
And then he'd crow as if he thought that child's play--
The only fun he had. I've heard them say, though,
They found a way to put a stop to it.
He was before my time--I never saw him;
But the pen stayed exactly as it was
There in the upper chamber in the ell,
A sort of catch-all full of attic clutter.
I often think of the smooth hickory bars.
It got so I would say--you know, half fooling--
"It's time I took my turn upstairs in jail"--
Just as you will till it becomes a habit.
No wonder I was glad to get away.
Mind you, I waited till Len said the word.
I didn't want the blame if things went wrong.
I was glad though, no end, when we moved out,
And I looked to be happy, and I was,
As I said, for a while--but I don't know!
Somehow the change wore out like a prescription.
And there's more to it than just window-views
And living by a lake. I'm past such help--
Unless Len took the notion, which he won't,
And I won't ask him--it's not sure enough.
I 'spose I've got to go the road I'm going:
Other folks have to, and why shouldn't I?
I almost think if I could do like you,
Drop everything and live out on the ground--
But it might be, come night, I shouldn't like it,
Or a long rain. I should soon get enough,
And be glad of a good roof overhead.
I've lain awake thinking of you, I'll warrant,
More than you have yourself, some of these nights.
The wonder was the tents weren't snatched away
From over you as you lay in your beds.
I haven't courage for a risk like that.
Bless you, of course, you're keeping me from work,
But the thing of it is, I need to be kept.
There's work enough to do--there's always that;
But behind's behind. The worst that you can do
Is set me back a little more behind.
I sha'n't catch up in this world, anyway,
I'd rather you'd not go unless you must.

Robert Frost

Now.

Tchaikovsky, Variations on a Rococo Theme

Yo-Yo Ma performs with the Leningrad Philharmonic, directed by Yuri Temirkanov ...

12 August 2018

Gods.

Dreaming.


NOW

As I grow older, more sodden, and wedded by time
to the earth,
I spend so much more of it dreaming
of spreading out these arms
and letting all the nothing I’ve lived through lift away
the nothing I’ve spent my breath becoming.

Dan Gerber

05 August 2018

Grasped.


A WALK

My eyes already touch the sunny hill.
going far beyond the road I have begun,
So we are grasped by what we cannot grasp;
it has an inner light, even from a distance-

and changes us, even if we do not reach it,
into something else, which, hardly sensing it,
we already are; a gesture waves us on
answering our own wave …
but what we feel is the wind in our faces.

Rainer Maria Rilke

Read.

Through.


HOW I OFTEN IMAGINE EARTH

Often I imagine the earth
through the eyes of the atoms we’re made of—
atoms, peculiar
atoms everywhere—
no me, no you, no opinions,
no beginning, no middle, no end,
soaring together like those
ancient Chinese birds
hatched miraculously with only one wing,
helping each other fly home.

Dan Gerber

04 August 2018

Brahms, Ein Deutsches Requiem, Op.45

Claudio Abbado conducts the Berlin Philharmonic, Swedish Radio Choir, and Eric Ericson Chamber Choir with soloists Barbara Bonney and Bryn Terfel ...

Become.

Celmins, Night Shy #2, 1985


FACING NORTH

Ninety billion galaxies in this one tiny universe—
a billion seconds make thirty-two years.

No matter how many ways we conceive it,
this generous wedge called Ursa Major
more than fills my sight.

But now, as I turn to put out the lights
and give my dog her bedtime cookie,
my eyes become the handle of the great Milky Way,
and carry it into the house.

Dan Gerber

Return.


Much earlier in this century an Austrian journalist, Karl Kraus, pointed out that if you actually perceived the true reality behind the news you would run, screaming, into the streets. I have run screaming into the streets dozens of times but have always managed to return home in time for dinner-and usually an hour early so that I can help in the preparation.

Jim Harrison

Live-long.

Botticelli, The Birth of Venus (detail), 1480


LOVE & LIFE: A SONG

All my past life is mine no more,
The flying hours are gone,
Like transitory dreams giv’n o’er,
Whose images are kept in store
By memory alone.

The time that is to come is not;
How can it then be mine?
The present moment’s all my lot;
And that, as fast as it is got,
Phyllis, is only thine.

Then talk not of inconstancy,
False hearts, and broken vows;
If I, by miracle, can be
This live-long minute true to thee,
’Tis all that Heav'n allows.

John Wilmot

Old Blind Dogs, "Room with a View"

Jonny Hardie, fiddle ...

03 August 2018

Scala.

Billy Joe Shaver, "Ride Me Down Easy"

HAPPY FRIDAY!

Journey, "Dixie Highway"

Universes.


Don't be amazed if you see my eyes always wandering. In fact, this is my way of reading, and it is only in this way that reading proves fruitful to me. If a book truly interests me, I cannot follow it for more than a few lines before my mind, having seized on a thought that the text suggests to it, or a feeling, or a question, or an image, goes off on a tangent and springs from thought to thought, from image to image, in an itinerary of reasonings and fantasies that I feel the need to pursue to the end, moving away from the book until I have lost sight of it. The stimulus of reading is indispensable to me, and of meaty reading, even if, of every book, I manage to read no more than a few pages. But those few pages already enclose for me whole universes, which I can never exhaust.

Italo Calvino

Merry.


In an honest service there is thin commons, low wages, and hard labor; in this, plenty and satiety, pleasure and ease, liberty and power; and who would not balance creditor on this side, when all the hazard that is run for it, at worst, is only a sour look or two at choking. No, a merry life and a short one, shall be my motto.

"Black Bart" Roberts

Billy Joe Shaver, "You Jus' Cain't Beat Jesus Christ"

'Scuse my slanguage ...

Technique.


Technique is the proof of your seriousness.

Wallace Stevens

Remember.

Greensky Bluegrass, "Into the Mystic"

Happy birthday, Bennett.


Tony Bennett was born on this day in 1926.

"If I Ruled the World"

Vacuous.


Sometimes the intention is to shock. But what is shocking first time round is boring and vacuous when repeated. This makes art into an elaborate joke, one that has ceased to be funny. Yet the critics go on endorsing it, afraid to say that the emperor has no clothes.

Roger Scruton

Thank you, Durham WASP.

02 August 2018

Robert Plant, "For What It's Worth"

Character.


True loyalty is that quality of service that grows under adversity and expands in defeat. Any street urchin can shout applause in victory, but it takes character to stand fast in defeat. One is noise – the other, loyalty.

Fielding H. Yost, University of Michigan football coach, 1901-1923

Excellent.

An excellent album ...

01 August 2018

David Gilmour, "Coming Back to Life"

Excellent.

An excellent book ...


Thank you, Jessica.

August.

Attention.

Pissarro, The Crystal Palace (verso), 1871


Conservators have been paying attention to the backs of artworks since at least the late 18th century, if not earlier. Painting versos are conserved to maintain their original appearances, treated with almost the same reverence as the rectos. Modestini explained that in her own experience, “even when paintings were relined and the stretchers replaced, usually the labels, stamps, seals, et cetera on the reverse were removed, if possible, and reattached to the new stretcher.” Albertson recalled seeing a few paintings by Dutch artist in which the stretchers needed to be replaced; the tops of the original bars where the artist had inscribed titles were carefully pared down and reattached to the new ones.

Great attention is devoted to these rarely reproduced B-sides that only a select few are privileged to see. Those who get the opportunity revel in seemingly mundane strips of masking tape, stamps with mysterious numbers, and crossed-out titles, knowing that they are privy to an art history uncharted in textbooks. When pressed, they might even tell you that their second-favorite side is the front.

Jenny Sturgeon and Jonny Hardie, "The Selkie Song"

Happy birthday, Melville.


Herman Melville was born on this day in 1819.

Take almost any path you please, and ten to one it carries you down in a dale, and leaves you there by a pool in the stream. There is magic in it. Let the most absent-minded of men be plunged in his deepest reveries--stand that man on his legs, set his feet a-going, and he will infallibly lead you to water, if water there be in all that region. Should you ever be athirst in the great American desert, try this experiment, if your caravan happen to be supplied with a metaphysical professor. Yes, as every one knows, meditation and water are wedded for ever.

Herman Melville


Your hymnal is HERE.