The Hammock Papers: Manutius

Showing posts with label Manutius. Show all posts

23 September 2016

Punchcutter.

Manutius, De Aetna, 1496.

Francesco Griffo, son of the goldsmith and engraver Cesare, was probably born in Bologna or in the countryside surrounding the city in the mid-fifteenth century. During the nineteenth century it was established that the printer Francesco da Bologna and the goldsmith, engraver, coiner and painter Francesco Raibolini, called ‘Francia’, who had been considered the same person, were as a matter of fact two different persons.

Today few documents are left to recreate the life and the activity of one the protagonists of book history. It is highly likely that Griffo undertook the career of engraver of printing types (‘punchcutter’) and typefounder for the printers of Bologna, famous for the typographical elegance of their books.

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07 September 2016

Secured.

Those who cultivate letters must be supplied with the books necessary for their purpose; and until this supply is secured I shall not rest.

Aldus Manutius

How Aldus Manutius Saved Civilization ...

06 September 2016

Lente.

Festina Lente.

09 August 2016

Lente.

If the Renaissance had a trademark, it would be the dolphin-and-anchor device of Aldus Manutius. The famed Venetian printer and humanist scholar produced a series of elegant and convenient editions of the classics in the late-fifteenth and early-sixteenth centuries, and the Aldine press was so successful and renowned that the device was imitated by printers throughout Europe. By using an anchor device, printers could capitalize on the existing authority and prestige of the Aldine press -- an act of appropriation and allusion that would be reenacted by numerous publishing firms over the following centuries.

The emblem of the dolphin and anchor was used to illustrate the proverb festina lente, or "make haste slowly." Erasmus composed a lengthy essay on this proverb in his Adagiorum collectanea, a collection of "adages," or classical proverbs, which he kept revising throughout his career.

Erasmus seems to have this image in mind, explaining the proverb by recourse to "ancient texts relating to hieroglyphics": "the circle as having neither beginning nor end represents eternity. The anchor, which holds back and ties down the ship and binds it fast, indicates slowness. The dolphin, as the fastest and in its motions most agile of living creatures, expresses speed. If then you skilfully connect these three, they will make up some such principle as 'Ever hasten slowly.'"

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More ... here.

07 March 2016

Curious.

Curious strollers in early-16th-century Venice might have paused by the shop of the great printer Aldus Manutius only to be scared off by a stern warning posted over the door.

“Whoever you are, Aldus asks you again and again what it is you want from him,” it read. “State your business briefly, and then immediately go away.”

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BARRY HINES

"That's why it makes me mad when I take her out and I'll hear somebody say, 'Look, there's Billy Casper there wi' his pet hawk. I could shout at 'em; it's not a pet, Sir, hawks are not pets. Or when folks stop me and say, 'Is it tame?' Is it heck tame, it's trained that's all. It's fierce, and it's wild, an' it's not bothered about anybody, not even about me, right. And that's why it's great.Look, there's Billy Casper there wi' his pet hawk.' I could shout at 'em. It's not a pet, Sir. Hawks are not pets. Or when folks stop me and say, 'Is it tame?' Is it heck tame, it's trained, that's all. It's fierce, and it's wild, an' it's not bothered about anybody, not even about me right. And that's why it's great." (A Kestrel for a Knave)

WOLFGANG AMADEUS MOZART

"When I am, as it were, completely myself, entirely alone and of good cheer – say travelling in a carriage or walking after a good meal, or during the night when I cannot sleep – it is on such occasions that my ideas flow best and most abundantly. Whence, and how, they come I know not ; nor can I force them. Those ideas that please me I retain in memory and am accustomed, as I have been told, to hum them to myself. If I continue in this way, it soon occurs to me how I may turn this dainty morsel to account, so as to make a good dish of it. That is to say, agreeable to the rules of counterpoint, to the peculiarities of various instruments etc. All this fires my soul, and, provided I am not disturbed, my subject enlarges itself, becomes methodised, and defined, and the whole, though it be long, stands almost complete and finished in my mind, so that I can survey it like a fine picture or a beautiful statue at a glance. Nor do I hear in my imagination the parts successively, but I hear them, as it were, all at once. What a delight this is, I cannot tell."

WALT WHITMAN

The spotted hawk swoops by and accuses me, he complains of my gab and my loitering. I too am not a bit tamed, I too am untranslatable, I sound my barbaric yawp over the roofs of the world. The last scud of day holds back for me, It flings my likeness after the rest and true as any on the shadow’d wilds, It coaxes me to the vapor and the dusk. I depart as air, I shake my white locks at the runaway sun, I effuse my flesh in eddies, and drift it in lacy jags. I bequeath myself to the dirt to grow from the grass I love, If you want me again look for me under your boot-soles. You will hardly know who I am or what I mean, But I shall be good health to you nevertheless, And filter and fibre your blood. Failing to fetch me at first keep encouraged, Missing me one place search another, I stop somewhere waiting for you.

MARCUS AURELIUS

"Is your cucumber bitter? Throw it away. Are there briars in your path? Turn aside. That is enough. Do not go on and say, 'Why were things of this sort ever brought into this world?' neither intolerable nor everlasting - if thou bearest in mind that it has its limits, and if thou addest nothing to it in imagination. Pain is either an evil to the body (then let the body say what it thinks of it!)-or to the soul. But it is in the power of the soul to maintain its own serenity and tranquility."

VINCENT van GOGH

"What am I in the eyes of most people? A nonentity or an oddity or a disagreeable person — someone who has and will have no position in society, in short a little lower than the lowest. Very well — assuming that everything is indeed like that, then through my work I’d like to show what there is in the heart of such an oddity, such a nobody. This is my ambition, which is based less on resentment than on love in spite of everything, based more on a feeling of serenity than on passion. Even though I’m often in a mess, inside me there’s still a calm, pure harmony and music. In the poorest little house, in the filthiest corner, I see paintings or drawings. And my mind turns in that direction as if with an irresistible urge. As time passes, other things are increasingly excluded, and the more they are the faster my eyes see the picturesque. Art demands persistent work, work in spite of everything, and unceasing observation."

DAN CAMPBELL