The Hammock Papers: cage

Showing posts with label cage. Show all posts

01 August 2023

Work.

Preparation ...

The only rule is work. If you work it will lead to something. It’s the people who do all of the work all of the time who eventually catch on to things.

04 September 2022

27 July 2021

Experiment.

TEN RULES FOR STUDENTS AND TEACHERS FROM JOHN CAGE

Find a place you trust, and then try trusting it for a while.
General duties of a student: Pull everything out of your teacher; pull everything out of your fellow students.
General duties of a teacher: Pull everything out of your students.
Consider everything an experiment.
Be self-disciplined: this means finding someone wise or smart and choosing to follow them. To be disciplined is to follow in a good way. To be self-disciplined is to follow in a better way.
Nothing is a mistake. There’s no win and no fail, there’s only make.
The only rule is work. If you work it will lead to something. It’s the people who do all of the work all of the time who eventually catch on to things.
Don’t try to create and analyze at the same time. They’re different processes.
Be happy whenever you can manage it. Enjoy yourself. It’s lighter than you think.
We’re breaking all the rules. Even our own rules. And how do we do that? By leaving plenty of room for X quantities.

HELPFUL HINTS:

Always be around.
Come or go to everything.
Always go to classes.
Read anything you can get your hands on.
Look at movies carefully, often.
Save everything. It might come in handy later.

07 September 2020

Hundreds of fans have attended a special kind of musical happening at a church in Germany: a chord change in an organ piece that is supposed to last for an entirety of 639 years.

The performance of the Organ/ASLSP (As Slow As Possible) composition began in September 2001 at the St Burchardi church in the eastern town of Halberstadt and is supposed to end in 2640 — if all goes well.

CONNECT

The Longest Piece of Music ...

Subscribe to: Posts (Atom)

BARRY HINES

"That's why it makes me mad when I take her out and I'll hear somebody say, 'Look, there's Billy Casper there wi' his pet hawk. I could shout at 'em; it's not a pet, Sir, hawks are not pets. Or when folks stop me and say, 'Is it tame?' Is it heck tame, it's trained that's all. It's fierce, and it's wild, an' it's not bothered about anybody, not even about me, right. And that's why it's great.Look, there's Billy Casper there wi' his pet hawk.' I could shout at 'em. It's not a pet, Sir. Hawks are not pets. Or when folks stop me and say, 'Is it tame?' Is it heck tame, it's trained, that's all. It's fierce, and it's wild, an' it's not bothered about anybody, not even about me right. And that's why it's great." (A Kestrel for a Knave)

WOLFGANG AMADEUS MOZART

"When I am, as it were, completely myself, entirely alone and of good cheer – say travelling in a carriage or walking after a good meal, or during the night when I cannot sleep – it is on such occasions that my ideas flow best and most abundantly. Whence, and how, they come I know not ; nor can I force them. Those ideas that please me I retain in memory and am accustomed, as I have been told, to hum them to myself. If I continue in this way, it soon occurs to me how I may turn this dainty morsel to account, so as to make a good dish of it. That is to say, agreeable to the rules of counterpoint, to the peculiarities of various instruments etc. All this fires my soul, and, provided I am not disturbed, my subject enlarges itself, becomes methodised, and defined, and the whole, though it be long, stands almost complete and finished in my mind, so that I can survey it like a fine picture or a beautiful statue at a glance. Nor do I hear in my imagination the parts successively, but I hear them, as it were, all at once. What a delight this is, I cannot tell."

WALT WHITMAN

The spotted hawk swoops by and accuses me, he complains of my gab and my loitering. I too am not a bit tamed, I too am untranslatable, I sound my barbaric yawp over the roofs of the world. The last scud of day holds back for me, It flings my likeness after the rest and true as any on the shadow’d wilds, It coaxes me to the vapor and the dusk. I depart as air, I shake my white locks at the runaway sun, I effuse my flesh in eddies, and drift it in lacy jags. I bequeath myself to the dirt to grow from the grass I love, If you want me again look for me under your boot-soles. You will hardly know who I am or what I mean, But I shall be good health to you nevertheless, And filter and fibre your blood. Failing to fetch me at first keep encouraged, Missing me one place search another, I stop somewhere waiting for you.

MARCUS AURELIUS

"Is your cucumber bitter? Throw it away. Are there briars in your path? Turn aside. That is enough. Do not go on and say, 'Why were things of this sort ever brought into this world?' neither intolerable nor everlasting - if thou bearest in mind that it has its limits, and if thou addest nothing to it in imagination. Pain is either an evil to the body (then let the body say what it thinks of it!)-or to the soul. But it is in the power of the soul to maintain its own serenity and tranquility."

VINCENT van GOGH

"What am I in the eyes of most people? A nonentity or an oddity or a disagreeable person — someone who has and will have no position in society, in short a little lower than the lowest. Very well — assuming that everything is indeed like that, then through my work I’d like to show what there is in the heart of such an oddity, such a nobody. This is my ambition, which is based less on resentment than on love in spite of everything, based more on a feeling of serenity than on passion. Even though I’m often in a mess, inside me there’s still a calm, pure harmony and music. In the poorest little house, in the filthiest corner, I see paintings or drawings. And my mind turns in that direction as if with an irresistible urge. As time passes, other things are increasingly excluded, and the more they are the faster my eyes see the picturesque. Art demands persistent work, work in spite of everything, and unceasing observation."