The Hammock Papers: The Oyster Months Notebook (rev. January 2022)

30 January 2022

The Oyster Months Notebook (rev. January 2022)

REVISED January 2022 ...

Scheidt: Ludi Musici

L'Acheron, Francois Joubert-Caillet

Handel: The Complete Sonatas for Recorder

Marion Verbruggen, Ton Koopman and Jaap ter Linden

Buxtehude: Complete Chamber Music

Ton Koopman

Songs of Olden Times: Estonian Folk Hymns and Runic Songs

Heinavanker

Ockeghem: Requiem; Missa Mi-Mi; Missa Prolationum

Hilliard Ensemble

THE ORIGINAL COLLECTION:

Holborne: Pavans and Galliards, 1599

The Consort of Musicke & The Guildhall Waits, Anthony Rooley & Trevor Jones

Purcell: Sonatas Of 3 Parts, 1683

Pavlo Beznosiuk, Rachel Podger, Christophe Coin, Christopher Hogwood

Telemann: Trio Sonatas

Erik Bosgraaf (recorder), Dmitry Sinkovksy (violin)

German Lute Music of the 18th Century

Alberto Crugnola

REVISED November 2021 ...

Masters of the Baroque Hurdy-Gurdy

Matthias Loibner

Weiss: Sonatas for Transverse Flute and Lute

Duo Inventio

Holborne: Pieces for Lute

Federico Marincola

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MARCUS AURELIUS

"Is your cucumber bitter? Throw it away. Are there briars in your path? Turn aside. That is enough. Do not go on and say, 'Why were things of this sort ever brought into this world?' neither intolerable nor everlasting - if thou bearest in mind that it has its limits, and if thou addest nothing to it in imagination. Pain is either an evil to the body (then let the body say what it thinks of it!)-or to the soul. But it is in the power of the soul to maintain its own serenity and tranquility."

VINCENT van GOGH

"What am I in the eyes of most people? A nonentity or an oddity or a disagreeable person — someone who has and will have no position in society, in short a little lower than the lowest. Very well — assuming that everything is indeed like that, then through my work I’d like to show what there is in the heart of such an oddity, such a nobody. This is my ambition, which is based less on resentment than on love in spite of everything, based more on a feeling of serenity than on passion. Even though I’m often in a mess, inside me there’s still a calm, pure harmony and music. In the poorest little house, in the filthiest corner, I see paintings or drawings. And my mind turns in that direction as if with an irresistible urge. As time passes, other things are increasingly excluded, and the more they are the faster my eyes see the picturesque. Art demands persistent work, work in spite of everything, and unceasing observation."

DAN CAMPBELL