The Hammock Papers: Sustenance.

18 December 2025

Sustenance.

Sustenance from a seventh-grade student (who has decided to name his Chromebook "Charles Clickens") ...

From Stephen Leacock's "Merry Christmas"...

I was silent. Father Time had moved across the room and stood beside the fireplace, leaning on the mantelpiece. The little wreaths of smoke from the fading fire seemed to mingle with his shadowy outline.

"Well," he said presently, "what is it that is wrong with Christmas?"

"Why," I answered, "all the romance, the joy, the beauty of it has gone, crushed and killed by the greed of commerce and the horrors of war. I am not, as you thought I was, a hundred years old, but I can conjure up, as anybody can, a picture of Christmas in the good old days of a hundred years ago: the quaint old-fashioned houses, standing deep among the evergreens, with the light twinkling from the windows on the snow; the warmth and comfort within; the great fire roaring on the hearth; the merry guests grouped about its blaze and the little children with their eyes dancing in the Christmas fire- light, waiting for Father Christmas in his fine mummery of red and white and cotton wool to hand the presents from the yule-tide tree. I can see it," I added, "as if it were yesterday."

"It was but yesterday," said Father Time, and his voice seemed to soften with the memory of bygone years. "I remember it well."

"Ah," I continued, "that was Christmas indeed. Give me back such days as those, with the old good cheer, the old stage coaches and the gabled inns and the warm red wine, the snapdragon and the Christmas-tree, and I'll believe again in Christmas, yes, in Father Christmas himself."

Thank you, Eli. Merry Christmas!

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WOLFGANG AMADEUS MOZART

"When I am, as it were, completely myself, entirely alone and of good cheer – say travelling in a carriage or walking after a good meal, or during the night when I cannot sleep – it is on such occasions that my ideas flow best and most abundantly. Whence, and how, they come I know not ; nor can I force them. Those ideas that please me I retain in memory and am accustomed, as I have been told, to hum them to myself. If I continue in this way, it soon occurs to me how I may turn this dainty morsel to account, so as to make a good dish of it. That is to say, agreeable to the rules of counterpoint, to the peculiarities of various instruments etc. All this fires my soul, and, provided I am not disturbed, my subject enlarges itself, becomes methodised, and defined, and the whole, though it be long, stands almost complete and finished in my mind, so that I can survey it like a fine picture or a beautiful statue at a glance. Nor do I hear in my imagination the parts successively, but I hear them, as it were, all at once. What a delight this is, I cannot tell."

MARCUS AURELIUS

"Is your cucumber bitter? Throw it away. Are there briars in your path? Turn aside. That is enough. Do not go on and say, 'Why were things of this sort ever brought into this world?' neither intolerable nor everlasting - if thou bearest in mind that it has its limits, and if thou addest nothing to it in imagination. Pain is either an evil to the body (then let the body say what it thinks of it!)-or to the soul. But it is in the power of the soul to maintain its own serenity and tranquility."

VINCENT van GOGH

"What am I in the eyes of most people? A nonentity or an oddity or a disagreeable person — someone who has and will have no position in society, in short a little lower than the lowest. Very well — assuming that everything is indeed like that, then through my work I’d like to show what there is in the heart of such an oddity, such a nobody. This is my ambition, which is based less on resentment than on love in spite of everything, based more on a feeling of serenity than on passion. Even though I’m often in a mess, inside me there’s still a calm, pure harmony and music. In the poorest little house, in the filthiest corner, I see paintings or drawings. And my mind turns in that direction as if with an irresistible urge. As time passes, other things are increasingly excluded, and the more they are the faster my eyes see the picturesque. Art demands persistent work, work in spite of everything, and unceasing observation."

DAN CAMPBELL