Michelangelo Merisi da Caravaggio, the father of Baroque painting, shocked the upper class aesthetes of his day by drafting prostitutes and proletariats as models for his primarily Biblical subjects.
Ten years ago, under the direction of founder Ludovica Rambelli, eight members of the Italian company, Malatheatre, discovered first hand the insanely rigorous poses Caravaggio demanded of his models, creating 23 tableaux vivants inspired by the master’s oeuvre.
The company sought less to reproduce the paintings than the scene Caravaggio would have gazed on from behind his easel.
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