Ruskin, Hôtel de Ville, Aix-la-Chapelle, 1900
Nowhere was this process more successful than in the field of architecture. All the busy treatises of the Beaux-Arts, of the Gothic, Greek and Classical revivalists, of the critics and disciplinarians of the syncretic styles, had one overriding and urgent concern: to ensure that a precious body of knowledge is not lost, that meaning is handed down and perpetuated by generations who have been severed from the inner impulse of a justifying faith. And, looking at the nineteenth-century architecture of Europe and America, who can doubt the success of their endeavour?
Sir Roger Scruton
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