The Hammock Papers: Seeing.

09 April 2019

Seeing.

Great masses of people these days live out their lives in a dull and loveless stupor. Sensitive persons find our inartistic manner of existence oppressive and painful, and they withdraw from sight. I believe what we lack is joy. The ardor that a heightened awareness imparts to life, the conception of life as a happy thing, as a festival. But the high value put upon every minute of time, the idea of hurry-hurry as the most important objective of living, is unquestionably the most dangerous enemy of joy.

Our ways of enjoying ourselves are hardly less irritating and nerve-racking than the pressure of our work. “As much as possible, as fast as possible” is the motto. And so there is more and more entertainment and less and less joy. This morbid pursuit of enjoyment is purred on by constant dissatisfaction and yet perpetually satiated.

The ability to cherish the “little joy” is intimately connected with the habit of moderation. For this ability, originally natural to every man, presupposes certain things which in modern daily life have largely become obscured or lost, mainly a measure of cheerfulness, of love, and of poesy. These little joys are so inconspicuous and scattered so liberally throughout our daily lives that the dull minds of countless workers hardly notice them. They are not outstanding, they are not advertised, they cost no money!

Just try it once — a tree, or at least a considerable section of sky, is to be seen anywhere. It does not even have to be blue sky; in some way or another the light of the sun always makes itself felt. Accustom yourself every morning to look for a moment at the sky and suddenly you will be aware of the air around you, the scent of morning freshness that is bestowed on you between sleep and labor. You will find every day that the gable of every house has its own particular look, its own special lighting. Pay it some heed if you will have for the rest of the day a remnant of satisfaction and a touch of coexistence with nature. Gradually and without effort the eye trains itself to transmit many small delights, to contemplate nature and the city streets, to appreciate the inexhaustible fun of daily life. From there on to the fully trained artistic eye is the smaller half of the journey; the principal thing is the beginning, the opening of the eyes.

A stretch of sky, a garden wall overhung by green branches, a strong horse, a handsome dog, a group of children, a beautiful face — why should we be willing to be robbed of all this? Whoever has acquired the knack can in the space of a block see precious things without losing a minute’s time. All things have their vivid aspects, even the uninteresting or ugly; one must only want to see.

And with seeing come cheerfulness and love and poesy. The man who for the first time picks a small flower so that he can have it near him while he works has taken a step toward joy in life.

My advice to the person suffering from lack of time and from apathy is this: Seek out each day as many as possible of the small joys, and thriftily save up the larger, more demanding pleasures for holidays and appropriate hours. It is the small joys first of all that are granted us for recreation, for daily relief and disburdenment, not the great ones.

Hermann Hesse

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WOLFGANG AMADEUS MOZART

"When I am, as it were, completely myself, entirely alone and of good cheer – say travelling in a carriage or walking after a good meal, or during the night when I cannot sleep – it is on such occasions that my ideas flow best and most abundantly. Whence, and how, they come I know not ; nor can I force them. Those ideas that please me I retain in memory and am accustomed, as I have been told, to hum them to myself. If I continue in this way, it soon occurs to me how I may turn this dainty morsel to account, so as to make a good dish of it. That is to say, agreeable to the rules of counterpoint, to the peculiarities of various instruments etc. All this fires my soul, and, provided I am not disturbed, my subject enlarges itself, becomes methodised, and defined, and the whole, though it be long, stands almost complete and finished in my mind, so that I can survey it like a fine picture or a beautiful statue at a glance. Nor do I hear in my imagination the parts successively, but I hear them, as it were, all at once. What a delight this is, I cannot tell."

MARCUS AURELIUS

"Is your cucumber bitter? Throw it away. Are there briars in your path? Turn aside. That is enough. Do not go on and say, 'Why were things of this sort ever brought into this world?' neither intolerable nor everlasting - if thou bearest in mind that it has its limits, and if thou addest nothing to it in imagination. Pain is either an evil to the body (then let the body say what it thinks of it!)-or to the soul. But it is in the power of the soul to maintain its own serenity and tranquility."

VINCENT van GOGH

"What am I in the eyes of most people? A nonentity or an oddity or a disagreeable person — someone who has and will have no position in society, in short a little lower than the lowest. Very well — assuming that everything is indeed like that, then through my work I’d like to show what there is in the heart of such an oddity, such a nobody. This is my ambition, which is based less on resentment than on love in spite of everything, based more on a feeling of serenity than on passion. Even though I’m often in a mess, inside me there’s still a calm, pure harmony and music. In the poorest little house, in the filthiest corner, I see paintings or drawings. And my mind turns in that direction as if with an irresistible urge. As time passes, other things are increasingly excluded, and the more they are the faster my eyes see the picturesque. Art demands persistent work, work in spite of everything, and unceasing observation."

DAN CAMPBELL