The Hammock Papers: Lampman

07 January 2024

Yonder.

A JANUARY MORNING

The glittering roofs are still with frost; each worn

Black chimney builds into the quiet sky

Its curling pile to crumble silently.

Far out to the westward on the edge of morn,

The slender misty city towers up-borne

Glimmer faint rose against the pallid blue;

And yonder on those northern hills, the hue

Of amethyst, hang fleeces dull as horn.

And here behind me come the woodmen's sleighs

With shouts and clamorous squeakings; might and main

Up the steep slope the horses stamp and strain,

Urged on by hoarse-tongued drivers–cheeks ablaze,

Iced beards and frozen eyelids–team by team,

With frost-fringed flanks, and nostrils jetting steam.

Archibald Lampman

06 March 2018

Glorious.

To-night the very horses springing by

Toss gold from whitened nostrils. In a dream

The streets that narrow to the westward gleam

Like rows of golden palaces; and high

From all the crowded chimneys tower and die

A thousand aureoles. Down in the west

The brimming plains beneath the sunset rest,

One burning sea of gold. Soon, soon shall fly

The glorious vision, and the hours shall feel

A mightier master; soon from height to height,

With silence and the sharp unpitying stars,

Stern creeping frosts, and winds that touch like steel,

Out of the depth beyond the eastern bars,

Glittering and still shall come the awful night.

Archibald Lampman

WOLFGANG AMADEUS MOZART

"When I am, as it were, completely myself, entirely alone and of good cheer – say travelling in a carriage or walking after a good meal, or during the night when I cannot sleep – it is on such occasions that my ideas flow best and most abundantly. Whence, and how, they come I know not ; nor can I force them. Those ideas that please me I retain in memory and am accustomed, as I have been told, to hum them to myself. If I continue in this way, it soon occurs to me how I may turn this dainty morsel to account, so as to make a good dish of it. That is to say, agreeable to the rules of counterpoint, to the peculiarities of various instruments etc. All this fires my soul, and, provided I am not disturbed, my subject enlarges itself, becomes methodised, and defined, and the whole, though it be long, stands almost complete and finished in my mind, so that I can survey it like a fine picture or a beautiful statue at a glance. Nor do I hear in my imagination the parts successively, but I hear them, as it were, all at once. What a delight this is, I cannot tell."

MARCUS AURELIUS

"Is your cucumber bitter? Throw it away. Are there briars in your path? Turn aside. That is enough. Do not go on and say, 'Why were things of this sort ever brought into this world?' neither intolerable nor everlasting - if thou bearest in mind that it has its limits, and if thou addest nothing to it in imagination. Pain is either an evil to the body (then let the body say what it thinks of it!)-or to the soul. But it is in the power of the soul to maintain its own serenity and tranquility."

VINCENT van GOGH

"What am I in the eyes of most people? A nonentity or an oddity or a disagreeable person — someone who has and will have no position in society, in short a little lower than the lowest. Very well — assuming that everything is indeed like that, then through my work I’d like to show what there is in the heart of such an oddity, such a nobody. This is my ambition, which is based less on resentment than on love in spite of everything, based more on a feeling of serenity than on passion. Even though I’m often in a mess, inside me there’s still a calm, pure harmony and music. In the poorest little house, in the filthiest corner, I see paintings or drawings. And my mind turns in that direction as if with an irresistible urge. As time passes, other things are increasingly excluded, and the more they are the faster my eyes see the picturesque. Art demands persistent work, work in spite of everything, and unceasing observation."

DAN CAMPBELL