The Hammock Papers: Acting.

09 March 2024

Acting.

WWHD?

Kathleen Stock explains how flamboyant brilliance has been wrung out of academics ...

Back then, there was a general understanding that it was the role of listeners to identify any weak point in an argument, and then to pounce mercilessly in the hour-long question period with no quarter given. Back-and-forths with the speaker could be grippingly dramatic. Philosophy as I first knew it was full of rude weirdos, heedless of social norms and unable to tell one end of an email inbox from the other, but whose brilliant performances at the lectern or in a discussion period would make up for any lapses in efficiency or personal hygiene.

Continuing ...

And yet we need such characters more than ever. Or at least, we need to adopt their magnificently scathing contempt for daft claims, sloppy thinking, and fallacious reasoning. Not all ideas are created equal, and academics must stop acting as if they are: nit-picking endlessly over small intellectual differences but going quiet about the big ones. It is admirable that there are legislators and organisations now talking about the value of academic freedom in the abstract, and attempting to create a space for it. But unless thinkers fill that space with arguments that take deliberate aim at the stupidity of colleagues and managers, it will remain a vacuum.

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WOLFGANG AMADEUS MOZART

"When I am, as it were, completely myself, entirely alone and of good cheer – say travelling in a carriage or walking after a good meal, or during the night when I cannot sleep – it is on such occasions that my ideas flow best and most abundantly. Whence, and how, they come I know not ; nor can I force them. Those ideas that please me I retain in memory and am accustomed, as I have been told, to hum them to myself. If I continue in this way, it soon occurs to me how I may turn this dainty morsel to account, so as to make a good dish of it. That is to say, agreeable to the rules of counterpoint, to the peculiarities of various instruments etc. All this fires my soul, and, provided I am not disturbed, my subject enlarges itself, becomes methodised, and defined, and the whole, though it be long, stands almost complete and finished in my mind, so that I can survey it like a fine picture or a beautiful statue at a glance. Nor do I hear in my imagination the parts successively, but I hear them, as it were, all at once. What a delight this is, I cannot tell."

MARCUS AURELIUS

"Is your cucumber bitter? Throw it away. Are there briars in your path? Turn aside. That is enough. Do not go on and say, 'Why were things of this sort ever brought into this world?' neither intolerable nor everlasting - if thou bearest in mind that it has its limits, and if thou addest nothing to it in imagination. Pain is either an evil to the body (then let the body say what it thinks of it!)-or to the soul. But it is in the power of the soul to maintain its own serenity and tranquility."

VINCENT van GOGH

"What am I in the eyes of most people? A nonentity or an oddity or a disagreeable person — someone who has and will have no position in society, in short a little lower than the lowest. Very well — assuming that everything is indeed like that, then through my work I’d like to show what there is in the heart of such an oddity, such a nobody. This is my ambition, which is based less on resentment than on love in spite of everything, based more on a feeling of serenity than on passion. Even though I’m often in a mess, inside me there’s still a calm, pure harmony and music. In the poorest little house, in the filthiest corner, I see paintings or drawings. And my mind turns in that direction as if with an irresistible urge. As time passes, other things are increasingly excluded, and the more they are the faster my eyes see the picturesque. Art demands persistent work, work in spite of everything, and unceasing observation."

DAN CAMPBELL