The Hammock Papers: Shadowy.

28 July 2019

Shadowy.

Moffitt, Approaching Dusk, 1940

dusk (n.)

"partial darkness, state between light and darkness, twilight," 1620s, from an earlier adjective dusk, from Middle English dosc (c. 1200) "obscure, not bright; tending to darkness, shadowy," having more to do with color than light, which is of uncertain origin, not found in Old English. Middle English also had it as a verb, dusken "to become dark." The Middle English noun was dusknesse "darkness" (late 14c.).

Perhaps it is from a Northumbrian variant of Old English dox "dark-haired, dark from the absence of light," with transposition of -k- and -s-, (compare colloquial ax for ask). But OED notes that "few of our words in -sk are of OE origin." Old English dox is from PIE *dus-ko- "dark-colored" (source also of Swedish duska "be misty," Latin fuscus "dark," Sanskrit dhusarah "dust-colored;" also compare Old English dosan "chestnut-brown," Old Saxon dosan, Old High German tusin "pale yellow").

Scientific Definition

As with dawn, scientists define dusk as specific moments in time based on the solar elevation angle, which is the position of the Sun in relation to the horizon. There are 3 stages of dusk, each marking the end of 1 of the 3 phases of evening twilight:

Civil dusk – the geometric center of the Sun's disk is 6 degrees below the horizon.

Nautical dusk – the geometric center of the Sun's disk is 12 degrees below the horizon.

Astronomical dusk – the geometric center of the Sun's disk is 18 degrees below the horizon.

CONNECT

Sun Graph is HERE.

No comments:

Post a Comment

WOLFGANG AMADEUS MOZART

"When I am, as it were, completely myself, entirely alone and of good cheer – say travelling in a carriage or walking after a good meal, or during the night when I cannot sleep – it is on such occasions that my ideas flow best and most abundantly. Whence, and how, they come I know not ; nor can I force them. Those ideas that please me I retain in memory and am accustomed, as I have been told, to hum them to myself. If I continue in this way, it soon occurs to me how I may turn this dainty morsel to account, so as to make a good dish of it. That is to say, agreeable to the rules of counterpoint, to the peculiarities of various instruments etc. All this fires my soul, and, provided I am not disturbed, my subject enlarges itself, becomes methodised, and defined, and the whole, though it be long, stands almost complete and finished in my mind, so that I can survey it like a fine picture or a beautiful statue at a glance. Nor do I hear in my imagination the parts successively, but I hear them, as it were, all at once. What a delight this is, I cannot tell."

MARCUS AURELIUS

"Is your cucumber bitter? Throw it away. Are there briars in your path? Turn aside. That is enough. Do not go on and say, 'Why were things of this sort ever brought into this world?' neither intolerable nor everlasting - if thou bearest in mind that it has its limits, and if thou addest nothing to it in imagination. Pain is either an evil to the body (then let the body say what it thinks of it!)-or to the soul. But it is in the power of the soul to maintain its own serenity and tranquility."

VINCENT van GOGH

"What am I in the eyes of most people? A nonentity or an oddity or a disagreeable person — someone who has and will have no position in society, in short a little lower than the lowest. Very well — assuming that everything is indeed like that, then through my work I’d like to show what there is in the heart of such an oddity, such a nobody. This is my ambition, which is based less on resentment than on love in spite of everything, based more on a feeling of serenity than on passion. Even though I’m often in a mess, inside me there’s still a calm, pure harmony and music. In the poorest little house, in the filthiest corner, I see paintings or drawings. And my mind turns in that direction as if with an irresistible urge. As time passes, other things are increasingly excluded, and the more they are the faster my eyes see the picturesque. Art demands persistent work, work in spite of everything, and unceasing observation."

DAN CAMPBELL