The Hammock Papers: Resplendent.

03 January 2011

Resplendent.

J.M.W. Turner, Norham Castle, 1840

Foundling

At the feet of love a foundling in the reeds
At the feet of love yeah
At the feet of love a foundling in the reeds
At the feet of love yeah

Take me to the limit of
Every minute
Dancer in the senate of needing and wanting
Throw me in cold yeah
All that my heart can hold
Until finally confronting
Strictly on a need to know
Gonna have to let it go
Baby, till the time is right

At the feet of love a foundling in the reeds
At the feet of love yeah
At the feet of love a foundling in the reeds
At the feet of love yeah
Take me home

Every apparition and
Every dream that
Threatened to but never was
Actual, solid
Every high cause yeah
Every phoney Santa Claus
Who wrote his name on it
Strictly on a need to know
Letting it go now
Baby, till the time is right

At the feet of love a foundling in the reeds
At the feet of love yeah
At the feet of love a foundling in the reeds
At the feet of love yeah
Take me home

The sugar and the bile
You try your best to reconcile
Your heart with its shadow
There she blows
All bones and stones
And blooming pale as Death in the meadow
Gonna have to let it go now baby
Till the time is right

At the feet of love oh yeah
Sweet transcendent love yeah
At the feet of love sweet love
Luminescent love yeah
Sweet resplendent love oh yeah
Exponential love yeah

- David Gray

Poetry.

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WOLFGANG AMADEUS MOZART

"When I am, as it were, completely myself, entirely alone and of good cheer – say travelling in a carriage or walking after a good meal, or during the night when I cannot sleep – it is on such occasions that my ideas flow best and most abundantly. Whence, and how, they come I know not ; nor can I force them. Those ideas that please me I retain in memory and am accustomed, as I have been told, to hum them to myself. If I continue in this way, it soon occurs to me how I may turn this dainty morsel to account, so as to make a good dish of it. That is to say, agreeable to the rules of counterpoint, to the peculiarities of various instruments etc. All this fires my soul, and, provided I am not disturbed, my subject enlarges itself, becomes methodised, and defined, and the whole, though it be long, stands almost complete and finished in my mind, so that I can survey it like a fine picture or a beautiful statue at a glance. Nor do I hear in my imagination the parts successively, but I hear them, as it were, all at once. What a delight this is, I cannot tell."

MARCUS AURELIUS

"Is your cucumber bitter? Throw it away. Are there briars in your path? Turn aside. That is enough. Do not go on and say, 'Why were things of this sort ever brought into this world?' neither intolerable nor everlasting - if thou bearest in mind that it has its limits, and if thou addest nothing to it in imagination. Pain is either an evil to the body (then let the body say what it thinks of it!)-or to the soul. But it is in the power of the soul to maintain its own serenity and tranquility."

VINCENT van GOGH

"What am I in the eyes of most people? A nonentity or an oddity or a disagreeable person — someone who has and will have no position in society, in short a little lower than the lowest. Very well — assuming that everything is indeed like that, then through my work I’d like to show what there is in the heart of such an oddity, such a nobody. This is my ambition, which is based less on resentment than on love in spite of everything, based more on a feeling of serenity than on passion. Even though I’m often in a mess, inside me there’s still a calm, pure harmony and music. In the poorest little house, in the filthiest corner, I see paintings or drawings. And my mind turns in that direction as if with an irresistible urge. As time passes, other things are increasingly excluded, and the more they are the faster my eyes see the picturesque. Art demands persistent work, work in spite of everything, and unceasing observation."

DAN CAMPBELL