The Hammock Papers: Egg-Bearing.

16 April 2022

Egg-Bearing.

The first known mention of the Easter bunny or Easter hare in print was in a 1682 doctoral dissertation in Latin, the language of academia at the time. Georg Franck von Franckenau (1644-1704), a German medical doctor and botanist, taught anatomy, chemistry and botany at Jena and became Professor of Medicine at the University of Heidelberg in 1679. Following a French invasion in the War of the Palatinate Succession he left Heidelberg for Frankfurt and then the University of Wittenberg. Franckenau later moved to Denmark as the personal physician to Christian V in Copenhagen, where he died on June 17, 1704.

In 1682, while still at Heidelberg, under the name of Johannes Richier, one of his doctoral candidates, Professor Franck published a 16-page dissertation titled “De Ovis Paschalibus. Von Oster-Eyern.” (“On Easter Eggs”), which mentions for the first time the existence of the folk belief in an egg-bearing Easter bunny found in Protestant regions of Alsace and the Palatinate (Elsass und die Pfalz). In some other German-speaking regions the bringer of Easter eggs was a fox, a rooster, or the cuckoo bird. In English translation, part of the dissertation reads: “In Alsace, and neighboring regions, these eggs are called rabbit eggs because of the myth told to fool simple people and children that the Easter Bunny is going around laying eggs and hiding them in the herb gardens."

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WOLFGANG AMADEUS MOZART

"When I am, as it were, completely myself, entirely alone and of good cheer – say travelling in a carriage or walking after a good meal, or during the night when I cannot sleep – it is on such occasions that my ideas flow best and most abundantly. Whence, and how, they come I know not ; nor can I force them. Those ideas that please me I retain in memory and am accustomed, as I have been told, to hum them to myself. If I continue in this way, it soon occurs to me how I may turn this dainty morsel to account, so as to make a good dish of it. That is to say, agreeable to the rules of counterpoint, to the peculiarities of various instruments etc. All this fires my soul, and, provided I am not disturbed, my subject enlarges itself, becomes methodised, and defined, and the whole, though it be long, stands almost complete and finished in my mind, so that I can survey it like a fine picture or a beautiful statue at a glance. Nor do I hear in my imagination the parts successively, but I hear them, as it were, all at once. What a delight this is, I cannot tell."

MARCUS AURELIUS

"Is your cucumber bitter? Throw it away. Are there briars in your path? Turn aside. That is enough. Do not go on and say, 'Why were things of this sort ever brought into this world?' neither intolerable nor everlasting - if thou bearest in mind that it has its limits, and if thou addest nothing to it in imagination. Pain is either an evil to the body (then let the body say what it thinks of it!)-or to the soul. But it is in the power of the soul to maintain its own serenity and tranquility."

VINCENT van GOGH

"What am I in the eyes of most people? A nonentity or an oddity or a disagreeable person — someone who has and will have no position in society, in short a little lower than the lowest. Very well — assuming that everything is indeed like that, then through my work I’d like to show what there is in the heart of such an oddity, such a nobody. This is my ambition, which is based less on resentment than on love in spite of everything, based more on a feeling of serenity than on passion. Even though I’m often in a mess, inside me there’s still a calm, pure harmony and music. In the poorest little house, in the filthiest corner, I see paintings or drawings. And my mind turns in that direction as if with an irresistible urge. As time passes, other things are increasingly excluded, and the more they are the faster my eyes see the picturesque. Art demands persistent work, work in spite of everything, and unceasing observation."

DAN CAMPBELL