The Hammock Papers: Absorb.

15 September 2015

Absorb.

It occurred to me some years ago that a poet or a writer, wherever he is, should know it biologically, botanically, historically, geographically. On my aimless aim of non-directional driving all over the United States, which I did for years to refresh myself, part of the fun was to research or really look into different places. I wrote a couple of novels based in Nebraska, for instance. It was really quite overwhelming to learn that area, where the last of the great conflicts between cultures, us and the Native American, took place, sort of ending with Wounded Knee. But understanding where you are, it’s a little more difficult now for many poets because so much of poetry I would have to say has become somewhat suburban. I’ve never cared for the suburbs. I like the country and I like the city. The in-between, it kicks your ass. But once you really look into a place, in my case it was northern Michigan, or wherever I travel. If you go to Toledo, for instance, in Spain it’s much more interesting if you know a lot about the history. If you’re in Seville walking the Guadalquivir River that’s exactly where Garcia Lorca walked a hundred years before. That adds resonance. Or if you’re in Paris, you think of Rilke walking in the Luxembourg Gardens. We absorb each other that way.

Jim Harrison

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WOLFGANG AMADEUS MOZART

"When I am, as it were, completely myself, entirely alone and of good cheer – say travelling in a carriage or walking after a good meal, or during the night when I cannot sleep – it is on such occasions that my ideas flow best and most abundantly. Whence, and how, they come I know not ; nor can I force them. Those ideas that please me I retain in memory and am accustomed, as I have been told, to hum them to myself. If I continue in this way, it soon occurs to me how I may turn this dainty morsel to account, so as to make a good dish of it. That is to say, agreeable to the rules of counterpoint, to the peculiarities of various instruments etc. All this fires my soul, and, provided I am not disturbed, my subject enlarges itself, becomes methodised, and defined, and the whole, though it be long, stands almost complete and finished in my mind, so that I can survey it like a fine picture or a beautiful statue at a glance. Nor do I hear in my imagination the parts successively, but I hear them, as it were, all at once. What a delight this is, I cannot tell."

MARCUS AURELIUS

"Is your cucumber bitter? Throw it away. Are there briars in your path? Turn aside. That is enough. Do not go on and say, 'Why were things of this sort ever brought into this world?' neither intolerable nor everlasting - if thou bearest in mind that it has its limits, and if thou addest nothing to it in imagination. Pain is either an evil to the body (then let the body say what it thinks of it!)-or to the soul. But it is in the power of the soul to maintain its own serenity and tranquility."

VINCENT van GOGH

"What am I in the eyes of most people? A nonentity or an oddity or a disagreeable person — someone who has and will have no position in society, in short a little lower than the lowest. Very well — assuming that everything is indeed like that, then through my work I’d like to show what there is in the heart of such an oddity, such a nobody. This is my ambition, which is based less on resentment than on love in spite of everything, based more on a feeling of serenity than on passion. Even though I’m often in a mess, inside me there’s still a calm, pure harmony and music. In the poorest little house, in the filthiest corner, I see paintings or drawings. And my mind turns in that direction as if with an irresistible urge. As time passes, other things are increasingly excluded, and the more they are the faster my eyes see the picturesque. Art demands persistent work, work in spite of everything, and unceasing observation."

DAN CAMPBELL