The Hammock Papers: Changing.

07 October 2012

Changing.

Leonardo, Study of the Brain, 1506

Neuroscience offers an exciting glimpse into how the human brain develops and changes over time. And while theories on the brain and its development abound, brain research can help to clear up a handful of myths about how students learn and develop.

The human brain—a biological organ that weighs about 3 pounds—develops as a result of a combination of the genetic program children inherit from both of their parents. Out of about 70 watts of power, the human brain uses only about 15—similar to what an idling laptop or the light inside a refrigerator use.

The typical 8-year-old child uses about half of his or her body’s energy to run the brain. It is an efficient device, but one that uses a lot of energy, said Sam Wang, an associate professor of neuroscience in Princeton University’s Department of Molecular Biology. Wang, also of the Princeton Neuroscience Institute, has co-authored two books about the human brain.

“The brain is always changing,” Wang said during a Sept. 12 webinar. For instance, a 6-year-old child who is reading initially uses regions that are distributed across both sides of the brain. As the child grows older, those brain regions cluster over to the left side of the brain in most people.

Wang addressed five myths about learning, using brain research to refute commonly-held but incorrect assumptions.

Read the rest at The 21st Century Fluency Project.

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WOLFGANG AMADEUS MOZART

"When I am, as it were, completely myself, entirely alone and of good cheer – say travelling in a carriage or walking after a good meal, or during the night when I cannot sleep – it is on such occasions that my ideas flow best and most abundantly. Whence, and how, they come I know not ; nor can I force them. Those ideas that please me I retain in memory and am accustomed, as I have been told, to hum them to myself. If I continue in this way, it soon occurs to me how I may turn this dainty morsel to account, so as to make a good dish of it. That is to say, agreeable to the rules of counterpoint, to the peculiarities of various instruments etc. All this fires my soul, and, provided I am not disturbed, my subject enlarges itself, becomes methodised, and defined, and the whole, though it be long, stands almost complete and finished in my mind, so that I can survey it like a fine picture or a beautiful statue at a glance. Nor do I hear in my imagination the parts successively, but I hear them, as it were, all at once. What a delight this is, I cannot tell."

MARCUS AURELIUS

"Is your cucumber bitter? Throw it away. Are there briars in your path? Turn aside. That is enough. Do not go on and say, 'Why were things of this sort ever brought into this world?' neither intolerable nor everlasting - if thou bearest in mind that it has its limits, and if thou addest nothing to it in imagination. Pain is either an evil to the body (then let the body say what it thinks of it!)-or to the soul. But it is in the power of the soul to maintain its own serenity and tranquility."

VINCENT van GOGH

"What am I in the eyes of most people? A nonentity or an oddity or a disagreeable person — someone who has and will have no position in society, in short a little lower than the lowest. Very well — assuming that everything is indeed like that, then through my work I’d like to show what there is in the heart of such an oddity, such a nobody. This is my ambition, which is based less on resentment than on love in spite of everything, based more on a feeling of serenity than on passion. Even though I’m often in a mess, inside me there’s still a calm, pure harmony and music. In the poorest little house, in the filthiest corner, I see paintings or drawings. And my mind turns in that direction as if with an irresistible urge. As time passes, other things are increasingly excluded, and the more they are the faster my eyes see the picturesque. Art demands persistent work, work in spite of everything, and unceasing observation."

DAN CAMPBELL