Where now? Under such a heading as this, there would be
brief notations of those thousands of things which all of us have seen for just
a flash, a moment in our lives, which seem to be of no consequence whatever at
the moment that we see them, and which live in our minds and hearts forever,
which are somehow pregnant with all the joy and sorrow of the human destiny,
and which we know, somehow, are therefore more important than many things of
more apparent consequence. ‘Where now?’ Some quiet steps that came and passed
along a leafy night-time street in summer in a little town down South long
years ago; a woman’s voice, her sudden burst of low and tender laughter; then
the voices and the footsteps going, silence, the leafy rustle of the tree.
Where now–in these great ledger books, month after month, I wrote such things
as this, not only the concrete, material record of man’s ordered memory, but
all the things he scarcely dares to think he has remembered; all the flicks and
darts and haunting lights that flash across the mind of man that will return
unbidden at an unexpected moment: a voice once heard; a face that vanished; the
way the sunlight came and went; the rustling of a leaf upon a bough; a stone, a
leaf, a door.
Thomas Wolfe, from “The Story of A Novel,” in The Creative
Process: Reflections on Invention in the Arts and Sciences
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