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The inspiration behind the work has always been the same: the challenge of translating and externalizing an interior mental environment. Starting with abstract shapes and areas of color, and eventually incorporating information from memory and observation as I see things emerge, I'm able to develop a sense of that environment in ways that allow me to discover new things within it. It's a slow process - I spend many months to as much as a few years on a single painting, though I work on many pieces at once.
I don't strive to convey a particular message to the viewer - I'm looking for the message myself, and don't know what it is until I've had a chance to look at the finished work for a while. Even then it's seldom truly clear...or it may have implications I'd rather not go into. Writing about and/or trying to interpret the work has never been all that helpful to me.
Read the rest of an interview with artist Dozier Bell here.
Her site is here.
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