27 June 2024

Everywhere.


RUMINATION

I sit up late dumb as a cow,
which is to say
somewhat conscious with thirst
and hunger, an eye for the new moon
and the morning’s long walk
to the water tank. Everywhere
around me the birds are waiting
for the light. In this world of dreams
don’t let the clock cut up
your life in pieces.

Jim Harrison

Holds.


I like to watch an old man cutting a sandwich in half,
maybe an ordinary cold roast beef on whole wheat bread,
no pickles or onion, keeping his shaky hands steady
by placing his forearms firm on the edge of the table
and using both hands, the left to hold the sandwich in place,
and the right to cut it surely, corner to corner,
observing his progress through glasses that moments before
he wiped with his napkin, and then to see him lift half
onto the extra plate that he asked the server to bring,
and then to wait, offering the plate to his wife
while she slowly unrolls her napkin and places her spoon,
her knife, and her fork in their proper places,
then smooths the starched white napkin over her knees
and meets his eyes and holds out both old hands to him.

Ted Kooser

26 June 2024

Imagination.


It's later on a Wednesday, the sun is going down
I'm standing naked by a swimming pool, there's no one around
My imagination wanders back, red dust is always there
We lay together in the jungle, and love was in the air

As I dive into the water, both time and motion freeze
I'm hanging there suspended like a feather in the breeze
Below is your reflection, like an image from the past
But I can't be sure if it's really you, because you're wearing a tribal mask ...

Roger Glover, from "The Mask"

Take.


BILBO'S WALKING SONG

Upon the hearth the fire is red,
Beneath the roof there is a bed;
But not yet weary are our feet,
Still round the corner we may meet
A sudden tree or standing stone
That none have seen but we alone.
  Tree and flower and leaf and grass,
  Let them pass! Let them pass!
  Hill and water under sky,
  Pass them by! Pass them by!

Still round the corner there may wait
A new road or a secret gate,
And though we pass them by today,
Tomorrow we may come this way
And take the hidden paths that run
Towards the Moon or to the Sun.
  Apple, thorn, and nut and sloe,
  Let them go! Let them go!
  Sand and stone and pool and dell,
  Fare you well! Fare you well!

Home is behind, the world ahead,
And there are many paths to tread
Through shadows to the edge of night,
Until the stars are all alight.
Then world behind and home ahead,
We'll wander back to home and bed.
  Mist and twilight, cloud and shade,
  Away shall fade! Away shall fade!
  Fire and lamp, and meat and bread,
  And then to bed! And then to bed!

J.R.R. Tolkien, from The Road Goes Ever On

Good.


For years we’ve been making wonderful things. We make your iPods. We make phones. We make them better than anybody else, but we don’t come up with any of these ideas. You bring us things and then we make them. So we went on a tour of America talking to people at Microsoft, at Google, at Apple, and we asked them a lot of questions about themselves, just the people working there. And we discovered that they all read science fiction when they were teenagers. So we think maybe it’s a good thing.

Corrosions.


And thus began an empire of self-help, classroom curricula, conventions and coaches, podcasts, nutritional supplements, books, gadgets, organizers, and stickers with cute little motivational mottoes to paste on your mirror, all designed to help you unleash your creativity.

Shape.

Chatham, Headwaters of the Colorado River, 2000


The rivers of my life:
moving looms of light,
anchored beneath the log
at night I can see the moon
up through the water
as shattered milk, the nudge
of fishes, belly and back
in turn grating against log
and bottom; and letting go, the current
lifts me up and out
into the dark, gathering motion,
drifting into an eddy
with a sideways swirl,
the sandbar cooler than the air:
go speak it clearly,
how the water goes
is how the earth is shaped.

It is not so much that I got
there from here, which is everyone's
story: but the shape
of the voyage, how it is pushed
outward in every direction
until it stopped:
roots of plants and trees,
certain coral heads,
photos of splintered lightning,
blood vessels,
the shape of creeks and rivers.


Jim Harrison, from "The Theory & Practice of Rivers"

Poet.


His music is timeless, season-less, enduring.

Sure, margaritas and cheeseburgers are on everyone's musical menu for that first warm day in the Spring, during family cookouts, and surely those Friday-afternoons-at-five when the windows are rolled down and the volume turned up.  But, as he penned in "Death of an Unpopular Poet," his best work was largely unknown and unappreciated.

Jimmy didn't have a great singing voice and his guitar-playing serviced his busking well enough.  Make no mistake, his true craft went well beyond the inspiration for middle-aged men getting chaffed by wearing coconut brassieres in public.  

First and foremost, Jimmy Buffett was a poet, "A priest of the invisible," as Wallace Stephens called them.  The Beach-Head Bookworm, he was a disciple of the imaginations of Mark Twain, Antoine Saint-Exupery, and Robert Louis Stevenson.  

The gumbo is expansive.  Stuck on "Boat Drinks"? Take a sip of "Tryin' to Reason with Hurricane Season."  Need a mental change in latitude?  Try "Far Side of the World."

Spooner's owner set him up with steak and bacon for life.  Jimmy did the same for you if comb the tide pool.  Here are a few courses to steer ...

A WHITE SPORT COAT and a PINK CRUSTACEAN
  • He Went to Paris: Warm Summer breezes, French wines and cheeses, put his ambition at bay ... 
  • I Have Found Me a Home: My old red bike gets me around to the bars and the beaches of my town ...
  • My Lovely Lady: She can eat her own weight up in crab meat ...
  • Death of an Unpopular Poet: Growing old on steak and bacon in his doghouse ten feet 'round ...
  • Cuban Crime of Passion: Anejo and knives a slashin' ...
LIVING & DYING in 3/4 TIME
  • The Wino and I Know: The wino and I know the joys of the ocean, like a boy knows the joys of his milkshake in motion ...
A1A
  • Presents to Send You: Thought I might sail down to Bridgetown ...
  • Stories We Could Tell: I bet you it still rings like a bell ...
  • A Pirate Looks at Forty: Yes, I am a pirate, two hundred years too late ...
  • Migration: I'm gonna teach him how to fuss, teach him how to cuss, and pull the cork out of a bottle of wine ...
  • Trying to Reason With Hurricane Season: Well, the wind is blowin' harder now, fifty knots or there abouts, there's white caps on the ocean and I'm watching for water spouts ...
  • Nautical Wheelers: Everyone here is just more than contented to be living and dying in three quarter time ...
  • Tin Cup Chalice: Give me oysters and beer for dinner every day of the year and I'll feel fine ...
HAVANA DAYDREAMIN'
  • The Captain and the Kid: He's somewhere on the ocean now, the place he ought to be; one hand on the starboard rail, he's waving back at me ...
  • Defying Gravity: I don't even know where we are, they tell me were circling a star ...
  • Havana Daydreamin':  He'll be dreamin' his life away ...
CHANGES in LATITUDES, CHANGES in ATTITUDES
  • Wonder Why We Ever Go Home: River gets deeper not shallow, the further you move down the stream ...
  • Banana Republics: Spending those renegade pesos on a bottle of rum and a lime, singing give me some words I can dance to or a melody that rhymes ...
  • Lovely Cruise: These moments we're left with, may you always remember, these moments are shared by few ...
  • Biloxi: Stars can find their faces in the sea ...
SON of a SON of a SAILOR
  • Son Of A Son Of A Sailor: Read dozens of books about heroes and crooks, and I've learned much from both of their styles ...
  • Coast Of Marseilles: My thoughts came by like wind through my hand ...
  • Cowboy In The Jungle: Forget that blind ambition and learn to trust your intuition ...
  • Manana: Don't try to describe the scenery if you've never seen it ...
  • African Friend: It was a pleasure and a hell of an evening, truly was our night to win ...
VOLCANO
  • Treat Her Like A Lady: We're on a similar course, it's just a different source, but I'm in danger of extinction, too ...
  • Chanson Pour Les Petits Enfants: The sun was rising, they'd be home by noon, humming the words to this magical tune ...
  • Sending The Old Man Home: We'll only have the picture books of land and sea and foam ...
  • Stranded on a Sandbar: Haven't found the answers like some that I know, I'm just stuck in fairly nice maze ...
COCONUT TELEGRAPH
  • Incommunicado: You're never wastin' time, findin' the right way home ...
  • Growing Older But Not Up: Let the winds of change blow over my head, I'd rather die while I'm living than live while I'm dead ...
  • Island: Island, I see you in the moonlight, silhouettes of ships in the night, just make me long that much more to be like you ...
  • It's My Job: That makes the day for me ...
SOMEWHERE OVER CHINA
  • Somewhere Over China: 'Twas no use to talk it over, he'd be home when he got back ...
  • When Salome Plays the Drum: Tomorrow may be wronga ...
  • If I Could Just Get It on Paper: Life and ink they run out at the same time, or so said my old friend the squid ...
ONE PARTICULAR HARBOR
  • One Particular Harbour: Like oils applied to canvas, they permeate through me ...
  • Twelve Volt Man: I never got a grip in penmanship, could never make those small l's flow. Seldom found the trick to arithmetic, three plus two be faux pas ...
  • Distantly in Love: I can't help but be ruled by my antiquity ...
RIDDLES in the SAND
  • Knees of My Heart: We'll find a desert island on an ancient chart ...
  • La Vie Dansante: Feel it all with a willing heart, every stop is a place to start if you know how to play the part with feeling ...
LAST MANGO in PARIS
  • Desperation Samba (Halloween in Tijuana): Halloween in Tijuana, full moon in my eyes ...
  • Last Mango in Paris: Why don't we wander and follow la vie dansante ...
  • Jolly Mon Sing: They swam into the heavens - they stayed up in the sky ...
FLORIDAYS
  • Creola: All the happiness and smiles, flowed around my grandma's Sunday table ...
  • First Look: Now it's time for siestas and a belly full of rice and beans ...
  • Nobody Speaks to the Captain No More: He was a fugitive with a pseudo name, lost his mind in a hurricane ...
  • Floridays: Blue skies and ultra-violet rays, lookin' for better days ...
  • If It All Falls Down: I can juggle verbs, adverbs, and nouns, I can make them dance till they all fall down ...
  • No Plane on Sunday: Now we're runnin' strictly on island time ...
  • When the Coast Is Clear: I come down and talk to me when the coast is clear ...
HOT WATER
  • Prince of Tides: How can you tell how it used to be when there's nothing left to see ...
  • Pre-You: Another time, another place ...
  • King of Somewhere Hot: My personal utopia, a place to run to, where I can hide away ...
  • L'Air de la Louisiane: Les ombres lougnes nos pas silents ...
  • That's What Living Is to Me: The stories from my favorite books still take on many different looks ...
OFF to SEE the LIZARD
  • Take Another Road: Follow the equator, like that old articulator ...
  • That's My Story and I'm Stickin' to It: Wizards and lizards, I choose and I pick ...
  • Why the Things We Do: Truth is stranger that fishin' it seems ...
  • Off to See the Lizard: Heard it from the parrot verbalizing in the tree,heard it in the songlines of the Aborigine ...
  • I Wish Lunch Could Last Forever: Make the whole day one big afternoon ...
  • Mermaid in the Night: She's got a set of gills like no fish I've ever seen ...
  • Changing Channels: Waitin' for their sails to fill ...
BOATS, BEACHES, BARS, & BALLADS
  • Take It Back: Open season on the open seas and the captain says no prisoners, please ...
  • Love and Luck: A little gris-gris keeps you safe from harm ...
  • Everlasting Moon: Come outside with me, there's this moon you've got to see ...
FRUITCAKES
  • Lone Palm: My garden is filled with papayas and mangos, my life is a mixture of reggaes and tangos ...
  • Six String Music: You can get into Beethoven or you can groove on Jimmy Reed ...
  • Love in the Library: Near Civil War History my heart skipped a beat ...
  • Quietly Making Noise: Pissin' off the old kill-joys ...
  • Frenchman for the Night: From a driftwood castle comes a song I've heard before ...
  • Apocalypso: They say this universe is bound to blow, but I say we crank up the calypso control ...
BAROMETER SOUP
  • Barometer Soup: I travel the songlines that only dreamers see, not known for predictability ...
  • Barefoot Children In The Rain: Keep your raft from the riverboat, fiction over fact always has my vote ...
  • Blue Heaven Rendezvous: We're weird Roman candles burning bright at both ends ...
  • Jimmy Dreams: Count all your blessings, remember your dreams ...
  • Lage Nom Ai: (Containing a cameo from Harrison's Nordstrom) It all depends on if you're meant to understand ...
  • The Night I Painted the Sky: A bombardier, a nighttime magician ...
  • Don't Chu-Know: It's the outcast in each of us ...
BANANA WIND
  • Only Time Will Tell: Scales and clocks just can't be trusted, keys and locks are destined to be busted ...
  • Jamaica Mistaica: We had only come for chicken, we were not a ganja plane ...
  • School Boy Heart: Something like a Swiss Army knife, that's my life ...
  • Cultural Infidel: Free thinkin', hoodwinkin', unblinkin' man ...
  • Happily Ever After (Now and Then): Some people never find it, some only pretend ...
  • False Echoes [Havana 1921]: The life of a sailor steers a wanderin' course ...
BEACH HOUSE on the MOON
  • Beach House On The Moon: Like the song says, "teach your children" to go fishing with their minds ...
  • I Will Play For Gumbo: Don't eat beignets, too much sugar and dough, but I will play for gumbo ...
  • Spending Money: Can't have a turkey without oyster dressing ...
  • Lucky Stars: Just remember there's no rewind and no replay ...
  • I Don't Know And I Don't Care: I got a PBS mind in a MTV world ...
  • Oysters and Pearls: Some people love to lead, some refuse to dance, some play it safely, others take a chance ...
FAR SIDE of the WORLD
  • Altered Boy: Peter Pan would understand his schemes and dreams and ploys  ...
  • Someday I Will: It's just sometimes I know that's the way I'm supposed to go ...
  • Far Side Of The World: We have rum from the Caribbean and Burgundy from France ...
  • Tonight I Just Need My Guitar: With my history of wrecks I think it's time to check the crab trap of life once more ...
A SALTY PIECE of LAND
  • A Salty Piece of Land: I saddled up my seahorse with a fly-rod in my hand ...
LICENSE to CHILL
  • Coast Of Carolina: These days I'm up about the time I used to go to bed, living large was once the deal, now I watch the stars instead
  • Coastal Confessions: Just an altar boy coverin' his ass
TAKE the WEATHER with YOU
  • Nothin' But A Breeze: I suggest we have a little cool conch salad in the shade down in old Nassau ...
  • Hula Girl At Heart: Like a gecko behind a painting with hidden wisdom to impart ...
  • Breathe In, Breathe Out, Move On: Now you may be thinking that I was had, but this watch is never wrong ...
  • Duke's On Sunday: Dancing in the sunshine, sippin' on that rose' wine ...
BUFFET HOTEL
  • Turn Up The Heat And Chill The Rosé: You need some imagination to deal with temperature fluctuation ...
  • Buffet Hotel: We were welcomed out of history by the wind, sand, and the stars ...
  • A Lot To Drink About: I wanna flog ‘em with a buggy whip ...
SONGS from ST. SOMEWHERE
  • Einstein Was A Surfer: The universe was his home break and we're still all paddlin' out ...
  • I Want To Go Back To Cartagena: The importance of elsewhere is still so important to me ...
  • Rue De La Guitare: Windows filled with long lost dreams, unfinished songs on rusty strings
  • Tides: Seasoned with a lot of laughter, here and in the ever after with poetry and painters from my past ...
  • The Rocket That Grandpa Rode: Sounds like braggin' but it's true, I'm not tryin' to big time you ...
  • I Wave Bye Bye: We only sail in circles, so there's no need to cry ...
  • Colour Of The Sun: For all your worldly treasures, for your battles lost and won, nothing left to measure, just you and me, and the colour of the sun ...
  • Oldest Surfer On The Beach: I'll go on out beyond the breakers, sit alone, and rest awhile ...
LIFE on the FLIP SIDE
  • Down at the Lah De Dah: The Pirate King buys another round and the rumors fly, mermaids are in town ...
  • Who Gets to Live Like This: Just knowing what is possible is the ring you don't want to miss ...
  • The Slow Lane: Volume's up and the windows down ...
  • Oceans of Time: Whatever we need, we have it ...
  • Hey, That's My Wave: Leave the clowns and crowds behind me ...
  • The World Is What You Make It: Don't start to hit me with your "no can do", bluesin', losin', workin' up an attitude, clean up them windows, let the sun shine through ...
  • Half Drunk: Like Mona Lisa gave old da Vinci that half smile, I'll paint a picture that will half convince you I'm fine ...
  • Slack Tide: Find an empty hammock, take a nap in the shade ..
  • Live, Like It's Your Last Day: No acts of contrition or asking for permission ...
  • 15 Cuban Minutes: A sea dog nursery rhyme ...
  • Book on the Shelf: So pour me another, it's good for my health ...
EQUAL STRAIN on ALL PARTS
  • Bubbles Up: Pop a cork to the rough and the right, to the bright blazing days, and the sweet starry nights ...
  • Audience Of One: My motivation is a standing ovation from a waggin' tail ...
  • Equal Strain On All Parts: It’s worth a little time and space to understand ...
  • Ti Punch Café: Beneath my telescope galaxies and nautilus shells look the same to me, so ask yourself this question, “How couldn’t it be?”...
  • Portugal or PEI: Life is always better when you add a little island, a lot of oysters, love, and wine
  • Columbus: With my maps and my beautiful charts ...
Wander on, tidal pool explorer!

Difference.


I haven’t mentioned the sheer relentlessness of modern life, the crowdedness, the incessant thumping music and braying voices, the near impossibility of finding solitude and silence and time to reflect. I haven’t mentioned the commercial pressures, the forces urging us to buy and discard and buy again. When everything in public life has a logo attached to it, when every public space is disfigured with advertisements, when nothing of public value and importance can take place without commercial sponsorship, when schools and hospitals have to act as if their guiding principle were market forces rather than human need, when adults and children alike are tempted to wear t-shirts with obscene words on them by the smirking little devices spelling the words wrongly, when citizens become consumers and clients; patients and guests, students and passengers are all flattened into customers, what price the school of morals? The answer is: what it would fetch in the market. And not a penny more. I haven’t mentioned the obsession with targets, and testing and tables; the management-driven and politics corrupted and all the clotted rubbish that so deforms the true work of schools. I haven’t mentioned something that might seem trivial but I think its importance is profound and rarely understood: that’s the difference between reading a story in a book and watching a story on a screen. It’s a psychological difference, not just a technical one. We need to take account of it and I fear we are not doing it, and the school of morals is suffering in result.

Canteloube, Chants d'Auvergne

Marianne Crebassa performs with ORF Vienna Radio-Symphonieorchester, Sascha Götzel conducting ...

Quixotically.


Dr. Ryan Prendergast suggests we behave more quixotically ...
[I]f we allow ourselves to conceive of Quixote as both an inspirational and aspirational character, then maybe there are lessons to be learned from a 17th century book that has intrigued, challenged, and inspired authors and artists for centuries.  

TILT ON! 

Published.


You can’t be a good writer without being a devoted reader. Reading is the best way of analysing what makes a good book. Notice what works and what doesn’t, what you enjoyed and why. At first you’ll probably imitate your favourite writers, but that’s a good way to learn. After a while, you’ll find your own distinctive voice.

J.K. Rowling, whose book, Harry Potter and the Sorcerer's Stone, was published on this day in 1997.

Time.


The zipper displaces the button and a man lacks just that much time to think while dressing at dawn, a philosophical hour, and thus a melancholy hour.

Ray Bradbury, from Fahrenheit 451

24 June 2024

Step.


If a man does not keep pace with his companions, perhaps it is because he hears a different drummer. Let him step to the music which he hears, however measured or far away.  It is not important that he should mature as soon as an apple-tree or an oak. Shall he turn his spring into summer?

Henry David Thoreau, from Walden

A primary mistake that public education continues to make is in permanently grouping students by age (but doing anything else doesn't fit their industrial model ... "It's important that we keep to schedule/There must be no delay").  As we say in our classroom, popcorn pops at different rates.  Be relentless in the pursuit of learning, but be patient with the progress of the process. Uncle Teddy also reminded us that comparison is the thief of joy.

RUSH, "Analog Kid"

The boy lies in the grass with one blade
Stuck between his teeth
A vague sensation quickens
In his young and restless heart
And a bright and nameless vision
Has him longing to depart ...

Judge.


All rational beings laugh--and maybe only rational beings laugh. And all rational beings benefit from laughing. As a result there has emerged a peculiar human institution--that of the joke, the repeatable performance in words or gestures that is designed as an object of laughter. Now there is a great difficulty in saying exactly what laughter is. It is not just a sound--not even a sound, since it can be silent. Nor is it just a thought, like the thought of some object as incongruous. It is a response to something, which also involves a judgment of that thing. Moreover, it is not an individual peculiarity, like a nervous tic or a sneeze. Laughter is an expression of amusement, and amusement is an outwardly directly, socially pregnant state of mind. Laughter begins as a collective condition, as when children giggle together over some absurdity. And in adulthood amusements remains one of the ways in which human beings enjoy each other's company, become reconciled to their differences, and accept their common lot. Laughter helps us to overcome out isolation and fortifies us against despair.

That does not mean that laughter is subjective in the sense that "anything goes," or that it is uncritical of its object. On the contrary, jokes are the object of fierce disputes, and many are dismissed as "not funny," "in bad taste," "offensive," and so on. The habit of laughing at things is not detachable from the habit of judging things to be worthy of laughter. Indeed, amusement, although a spontaneous outflow of social emotion, is also the most frequently practiced form of judgment. To laugh at something is already to judge it.


Later.

Smell ya later, Monday.  Nice try ...

Memory.

The one thing about kids is that you never really know exactly what they're thinking or how they're seeing. After writing about kids, which is a little bit like putting the experience under a magnifying glass, you realize you have no idea how you thought as a kid. I've come to the conclusion that most of the things that we remember about our childhood are lies. We all have memories that stand out from when we were kids, but they're really just snapshots. You can't remember how you reacted because your whole head is different when you stand aside.

Stephen King

From Dreamcatcher ...


The whole world's living in a digital dream
It's not really there
It's all on the screen
Makes me forget who I am
I'm an analog man

Joe Walsh

Released.


Jackson Browne released the Chicken Nachos classic, Hold Out, on this day in 1980.  First-pressings came with an extra side of ranch.

Here's "Boulevard," where, sadly, Lindley makes his only appearance on a t-shirt ...

Exception.


There never has been an artistic age, or an artistic people, since the beginning of the world. The artist has always been, and will always be, an exquisite exception.

Oscar Wilde, from "Lecture to Art Students"

Purcell, The Abdelazar Suite

Isabel Bergerette performs "The Hole in the Wall"...

Wonders.


When Marco Polo came at last to Cathay, seven hundred years ago, did he not feel--and did his heart not falter as he realized--that this great and splendid capital of an empire had had its being all the years of his life and far longer, and that he had been ignorant of it? That it was in need of nothing from him, from Venice, from Europe? That it was full of wonders beyond his understanding? That his arrival was a matter of no importance whatever? We know that he felt these things, and so has many a traveler in foreign parts who did not know what he was going to find. There is nothing that cuts you down to size like coming to some strange and marvelous place where no one even stops to notice that you stare about you.

Richard Adams, from Watership Down

Smell.


Smell is important. It reminds a person of all the things he’s been through; it is a sheath of memories and security. 

Tove Jansson, from The Summer Book

Strategy.

Homer, Eight Bells, 1886


Strategy will compensate the talent. The talent will never compensate the strategy.

Marco Pierre White

Culture eats strategy for breakfast.

Peter F. Drucker

It may be odd that, in such a strategic game, what you know can be truly inconsequential.

Nassim Nicholas Taleb

23 June 2024

Nielsen, Pan & Syrinx

The Danish National Symphony Orchestra performs under the direction of Fabio Luisi ...



Things.


A very long time ago, Grandmother had wanted to tell about all the things they did, but no one had bothered to ask. And now she had lost the urge ...

Sometimes people never saw things clearly until it was too late and they no longer had the strength to start again. Or else they forgot their idea along the way and didn't even realize that they had forgotten.

Tove Jansson, from The Summer Book

Excellent.

An excellent documentary ...

Outside.


Wouldn't it be nice, for a change, if there were another way out of our difficulties! A short cut. A method requiring no greater personal effort than recording a vote or ordering some "enemy of society" to be shot. A salvation from outside, like a dose of calomel.

Aldous Huxley, from Eyeless in Gaza

22 June 2024

Simply Red, "Heaven"


I love it when a cover is better than the original.

Necessary.


The most dangerous person on earth is the arrogant intellectual who lacks the humility necessary to see that society needs no masters and cannot be planned from the top down.

Traditional.


The benefits of a solemn cheesemonger ...
Traditional customs meet modern technology and an obsessive attention to detail with regards to the offering. “We like our Montgomery’s cheddar to have been made on a Tuesday,” says Hirsh of the Somerset maker that uses a different starter culture each day of the week.

Proofs.


I've been quite happy. Look, here are my proofs. Remember that I am indifferent to discomforts which would harass other folk. What do the circumstances of life matter if your dreams make you lord paramount of time and space?

W. Somerset Maugham


All true romance is an attempt to simplify it, to cut it down to plainer and more pictorial proportions. What dullness there is in our life arises mostly from its rapidity; people pass us too quickly to show us their interesting side. 

G.K. Chesterton


I ask myself: is every story that has ever been written in this world, a story of suffering and affliction?

Clarice Lispector

Movement.

Capturing movement in the documentary, John McEnroe: In the Realm of Perfection ...

Galuppi, Piano Sonata No. 9 in F Minor

 Víkingur Ólafsson performs the Andante spiritoso ...

Insight.

Karr, Self-Portrait with Emmy-G, 2024


Dogs are mute and obedient, but they have watched us and know us and can smell how pitiful we are. It should astonish us, move us, overwhelm us that our dogs continue, incredibly, to follow us and obey us. Maybe they despise us. Maybe they forgive us. Or maybe they like having no responsibility. We’ll never know. Maybe they see us as some sort of unfortunate race of overgrown, misshapen beings, like huge sluggish beetles. Not gods. Dogs must have seen through us, they must possess a crushing insight that thousands of years of obedience holds in check.

Tove Jansson,

Think.


Just think, never to be glad or disappointed. Never to like anyone and get cross at him and forgive him. Never to sleep or feel cold, never to make a mistake and have a stomach-ache and be cured from it, never to have a birthday party, drink beer, and have a bad conscience ... how terrible.

Tove Jansson

21 June 2024

Should.


When life itself seems lunatic, who knows where madness lies? Perhaps to be too practical is madness. To surrender dreams — this may be madness. Too much sanity may be madness — and maddest of all: to see life as it is, and not as it should be!

Miguel de Cervantes, from Don Quixote

Escape.


If you were trapped in an impossible situation, in an unpleasant place, with people who meant you ill, and someone offered you a temporary escape, why wouldn't you take it? And escapist fiction is just that: fiction that opens a door, shows the sunlight outside, gives you a place to go where you are in control, are with people you want to be with(and books are real places, make no mistake about that); and more importantly, during your escape, books can also give you knowledge about the world and your predicament, give you weapons, give you armour: real things you can take back into your prison. Skills and knowledge and tools you can use to escape for real.

As C.S. Lewis reminded us, the only people who inveigh against escape are jailers.

Ashore.


No well-bred person goes ashore on someone else's island when there's no one home. But if they put up a sign, then you do it anyway, because it's a slap in the face.

Tove Jansson, from The Summer Book

Carried.

Dawson, The Clipper Ship Midnight, 1924


SEA DOGS

Over seas and far away
Heave away boys
Sea dogs sail their lives away
Heave away boys

Ghosts of sea dogs at break of day
Crusty beards and coats of grey
Weigh the anchor let’s be away
From this day on we’re carried by the wind

Over seas and far away
Heave away boys
Sea dogs sail their lives away
Heave away boys

Creaky decks and ruthless men
Ruled by the lash where some met their end
The old world was new in all directions then
Conquered by a few at the loss of so many

Over seas and far away
Heave away boys
Sea dogs sail their lives away
Heave away boys

Crusty beards and bloodshot eyes
Squint up at the sun
Horizons hold fast and seduce the sea dogs over
Some live to tell tall tales
And some never returned
Leaving only their dreams
Carried by the sea

Colin Hay

Happy Birthday, Kent

Kent, Frontispiece from the Lakeside Press publication on Moby-Dick, 1930


All things look good from far away and it is man's eternally persistent childlike faith in the reality of that illusion that has made him the triumphant restless being he is.

Rockwell Kent, born on this day in 1882, from Voyaging: Southward from the Strait of Magellan

20 June 2024

Hang.

"Hang care!" exclaimed he. "This is a delicious evening; the wine has a finer relish here than in the house, and the song is more exciting and melodious under the tranquil sky than in the close room, where the sound is stifled. Come, let us have a bacchanalian chant—let us, with old Sir Toby, make the welkin dance and rouse the night-owl with a catch! I am right merry. Pass the bottle, and tune your voices—a catch, a catch! The lights will be here anon."

Charles Ollier, from "The Haunted Manor-House of Paddington" 

For best results, listen to this ... Rose Tattoo, "Rock & Roll is King"


The euphony transformed me and inundated my soul in a roguish countenance, the likes of which I had know well in younger days. Such impishness soon drove out the complaints of the day. 

Umberto Limongiello

Summer.


The introduction to Dandelion Wine, by Ray Bradbury

JUST THIS SIDE OF BYZANTIUM: an introduction

This book, like most of my books and stories, was a surprise. I began to learn the nature of such surprises, thank God, when I was fairly young as a writer. Before that, like every beginner, I thought you could beat, pummel, and thrash an idea into existence. Under such treatment, of course, any decent idea folds up its paws, turns on its back, fixes its eyes on eternity, and dies.

It was with great relief, then, that in my early twenties I floundered into a word-association process in which I simply got out of bed each morning, walked to my desk, and put down any word or series of words that happened along in my head.

I would then take arms against the word, or for it, and bring on an assortment of characters to weigh the word and show me its meaning in my own life. An hour or two hours later, to my amazement, a new story would be finished and done. The surprise was total and lovely. I soon found that I would have to work this way for the rest of my life.

First I rummaged my mind for words that could describe my personal nightmares, fears of night and time from my childhood, and shaped stories from these.

Then I took a long look at the green apple trees and the old house I was born in and the house next door where lived my grandparents, and all the lawns of the summers I grew up in, and I began to try words for all that.

What you have here in this book then is a gathering of dandelions from all those years. The wine metaphor which appears again and again in these pages is wonderfully apt. I was gathering images all of my life, storing them away, and forgetting them. Somehow I had to send myself back, with words as catalysts, to open the memories out and see what they had to offer.

So from the age of twenty-four to thirty-six hardly a day passed when I didn’t stroll myself across a recollection of my grandparents’ northern Illinois grass, hoping to come across some old half-burnt firecracker, a rusted toy, or a fragment of letter written to myself in some young year hoping to contact the older person I became to remind him of his past, his life, his people, his joys, and his drenching sorrows.

It became a game that I took to with immense gusto: to see how much I could remember about dandelions themselves, or picking wild grapes with my father and brother, rediscovering the mosquito-breeding ground rain barrel by the side bay window, or searching out the smell of the gold-fuzzed bees that hung around our back porch grape arbor. Bees do have a smell, you know, and if they don’t they should, for their feet are dusted with spices from a million flowers.

An then I wanted to call back what the ravine was like, especially on those nights when walking home late across town, after seeing Lon Chaney’s delicious fright The Phantom of the Opera, my brother Skip would run ahead and hide under the ravine-creek bridge like the Lonely One and leap out and grab me, shrieking, so I ran, fell, and ran again, gibbering all the way home. That was great stuff.

Along the way I came upon and collided, through word-association, with old and true friendships. I borrowed my friend John Huff from my childhood in Arizona and shipped him East to Green Town so that I could say good-bye to him properly.

Along the way I sat me down to breakfasts, lunches, and dinners with the long dead and much loved. For I was a boy who did indeed love his parents and grandparents and his brother, even when that brother “ditched” him.

Along the way, I found myself in the basement working the wine-press for my father, or on the front porch Independence night helping my Uncle Bion load and fire his home-made brass cannon.

Thus I fell into surprise. No one told me to surprise myself, I might add. I came on the old and best ways of writing through ignorance and experiment and was startled when truths leaped out of bushes like quail before gunshot. I blunwas somehow true.

So I turned myself into a boy running to bring a dipper of clear rainwater out of that barrel by the side of the house. And, of course, the more water you dip out the more flows in. The flow has never ceased. Once I learned to keep going back and back again to those times, I had plenty of memories and sense impressions to play with, not work with, no, play with. Dandelion Wine is nothing if it is not the boy-hid-in-the-man playing in the fields of the Lord on the green grass of other Augusts in the midst of starting to grow up, grow old, and sense darkness waiting under the trees to seed the blood.

I was amused and somewhat astonished at a critic a few years back who wrote an article analyzing Dandelion Wine plus the more realistic work of Sinclair Lewis, wondering how I could have been born and raised in Waukegan, which I renamed Green Town for my novel, and not noticed how ugly the harbor was and how depressing the coal docks and railyards down below the town.

But, of course, I had noticed them and, genetic enchanter that I was, was fascinated by their beauty. Trains and boxcars and the smell of coal and fire are not ugly to children. Ugliness is a concept that we happen on later and become self-conscious about. Counting boxcars is a prime activity of boys. Their elders fret and fume and jeer at the train that holds them up, but boys happily count and cry the names of the cars as they pass from far places.

And again, that supposedly ugly railyard was where carnivals and circuses arrived with elephants who washed the brick pavements with mighty streaming acid waters at five in the dark morning.

As for the coal from the docks, I went down in my basement every autumn to await the arrival of the truck and its metal chute, which clanged down and released a ton of beauteous meteors that fell out of far space into my cellar and threatened to bury me beneath dark treasures.

In other words, if your boy is a poet, horse manure can only mean flowers to him; which is, of course, what horse manure has always been about.

Perhaps a new poem of mine will explain more than this introduction about the germination of all the summers of my life into one book.

Here’s the start of the poem:
Byzantium, I come not from,
But from another time and place
Whose race was simple, tried and true;
As boy
I dropped me forth in Illinois.
A name with neither love nor grace
Was Waukegan, there I came from
And not, good friends, Byzantium.
The poem continues, describing my lifelong relationship to my birthplace:
And yet in looking back I see
From topmost part of farthest tree
A land as bright, beloved and blue
As any Yeats found to be true.
Waukegan, visited by me often since, is neither homelier nor more beautiful than any other small Midwestern town. Much of it is green. The trees do touch in the middle of streets. The street in front of my old home is still paved with red bricks. In what way then was the town special? Why, I was born there. It was my life. I had to write of it as I saw fit:
So we grew up with mythic dead
To spoon upon midwestern bread
And spread old gods’ bright marmalade
To slake in peanut-butter shade,
Pretending there beneath our sky
That it was Aphrodite’s thigh…
While by the porch-rail calm and bold
His words pure wisdom, stare pure gold
My grandfather, a myth indeed,
Did all of Plato supercede
While Grandmama in rockingchair
Sewed up the raveled sleeve of care
Crocheted cool snowflakes rare and bright
To winter us on summer night.
And uncles, gathered with their smokes
Emitted wisdoms masked as jokes,
And aunts as wise as Delphic maids
Dispensed prophetic lemonades
To boys knelt there as acolytes
To Grecian porch on summer nights;
Then went to bed, there to repent
The evils of the innocent;
The gnat-sins sizzling in their ears
Said, through the nights and through the years
Not Illinois nor Waukegan
But blither sky and blither sun.
Though mediocre all our Fates
And Mayor not as bright as Yeats
Yet still we knew ourselves. The sum?
Byzantium.
Byzantuim.
Waukegan/ Green Town/ Byzantium.
Green Town did exist, then?
Yes, and again, yes.

Was there a real boy named John Huff? There was. And that was truly his name. But he didn’t go away from me, I went away from him. But, happy ending, he is still alive, forty-two years later, and remembers our love.

Was there a Lonely One? There was, and that was his name. And he moved around at night in my home town when I was six years old and he frightened everyone and was never captured.

Most importantly, did the big house itself, with Grandpa and Grandma and the boarders and uncles and aunts in it exist? I have answered that.

Is the ravine real and deep and dark at night? It was, it is. I took my daughters there a few years back, fearful that the ravine might have gone shallow with time. I am relieved and happy to report that the ravine is deeper, darker, and more mysterious than ever. I would not, even now, go home through there after seeing The Phantom of the Opera.

So there you have it. Waukegan was Green Town was Byzantium, with all the happiness that that means, with all the sadness that these names imply. The people there were gods and midgets and knew themselves mortal and so the midgets walked tall so as not to embarrass the gods and the gods crouched so as to make the small ones feel at home. And, after all, isn’t that what life is all about, the ability to go around back and come up inside other people’s heads to look out at the damned fool miracle and say: oh, so that’s how you see it!? Well, now, I must remember that.

Here is my celebration, then, of death as well as life, dark as well as light, old as well as young, smart and dumb combined, sheer joy as well as complete terror written by a boy who once hung upside down in trees, dressed in his bat costume with candy fangs in his mouth, who finally fell out of the trees when he was twelve and went and found a toy-dial typewriter and wrote his first “novel.”

A final memory.

Fire balloons.

You rarely see them these days, though in some countries, I hear, they are still filled with warm breath from a small straw fire hung beneath.

But in 1925 Illinois, we still had them, and one of the last memories I have of my grandfather is the last hour of a Fourth of July night forty-eight years ago when Grandpa and I walked out on the lawn and lit a small fire and filled the pear-shaped red-white-and-blue-striped paper balloon with hot air, and held the flickering bright-angel presence in our hands a final moment in front of a porch lined with uncles and aunts and cousins and mothers and fathers, and then, very softly, let the thing that was life and light and mystery go out of our fingers up on the summer night air and away over the beginning-to-sleep houses, among the stars, as fragile, as wondrous, as vulnerable, as lovely as life itself.

I see my grandfather there looking up at that strange drifting light, thinking his own still thoughts. I see me, my eyes filled with tears, because it was all over, the night was done, I knew there would never be another night like this.

No one said anything. We all just looked up at the sky and we breathed out and in and we all thought the same things, but nobody said. Someone finally had to say, though, didn’t they? And that one is me.

The wine still waits in the cellars below.

My beloved family still sits on the porch in the dark.

The fire balloon still drifts and burns in the night sky of an as yet unburied summer.

Why and how?

Because I say it is so.


Ray Bradbury
Summer, 1974

Your hymnal is here.

Fire balloons afloft in Thailand.



Basic fire balloon how-to is here.

Nurture.


Passion. As you can see, I've lived quite a long time, which is to say I've been working for quite a long time, which is the same thing. And you know what? In the whole silly business, the only thing that really matters is passion. It comes and it goes. At first it just comes to you free of charge, and you don't understand, and you waste it. And then it becomes a thing to nurture.

Tove Jansson, from The Woman Who Borrowed Memories: Selected Stories

Now.

Courbet, Girl in a Hammock, 1844


NOW THAT the SUMMER's HERE

In slow motion, I'm reborn
I need a week to mow the lawn
I eat dinner with my flip-flops on
Now that the summer's here

With my chores, I only flirt
Hung in my hammock reading Kurt
Struggling to remain inert
Now that the summer's here

Now that the summer is here
I laze all day, my work can wait
And I behave like a firefly
And oscillate with my mate

I can spare some wherewithal
Listening to Ahmad Jamal
"Poinciana" says it all
Now that the summer's here

One thing is crystal clear
I won't be going anywhere
Except my Adirondack chair
Now that the summer's here

Michael Franks

19 June 2024

DEVO, "Gates of Steel"

Give in to ancient noise
Take a chance, a brand new dance ...

Delightful.


It has always been one of my main endeavours as a teacher to persuade the young that firsthand knowledge is not only more worth acquiring than secondhand knowledge, but is usually much easier and more delightful to acquire.

C.S. Lewis, from The Reading Life: The Joy of Seeing New Worlds Through Others' Eyes

Attach.

Sully, The Student, Rosalie Kemble Sully, 1848


We are accustomed to understand art to be only what we hear and see in theaters, concerts, and exhibitions, together with buildings, statues, poems, novels.  But all this is but the smallest part of the art by which we communicate with each other in life. All human life is filled with works of art of every kind — from cradlesong, jest, mimicry, the ornamentation of houses, dress, and utensils, up to church services, buildings, monuments, and triumphal processions. It is all artistic activity. So that by art, in the limited sense of the word, we do not mean all human activity transmitting feelings, but only that part which we for some reason select from it and to which we attach special importance.

Leo Tolstoy, from What Is Art?

Rewards.


Can you win anything better than the useless rewards of a fantastical imagination?

Tove Jansson, from Moominpappa's Memoirs

Happy Birthday, Sully

Sully, Self-Portrait, 66 Years-Old, 1850


Thomas Sully was born on this day in 1783.