Happy Birthday, Erasmus

Holbein, the Younger, Portrait of Desiderius Erasmus, 1533

But to speak of arts, what set men's wits on work to invent and transmit to posterity so many famous, as they conceive, pieces of learning but the thirst of glory? With so much loss of sleep, such pains and travail, have the most foolish of men thought to purchase themselves a kind of I know not what fame, than which nothing can be more vain. And yet notwithstanding, you owe this advantage to folly, and which is the most delectable of all other, that you reap the benefit of other men's madness.

And now, having vindicated to myself the praise of fortitude and industry, what think you if I do the same by that of prudence? But some will say, you may as well join fire and water. It may be so. But yet I doubt not but to succeed even in this also, if, as you have done hitherto, you will but favor me with your attention. And first, if prudence depends upon experience, to whom is the honor of that name more proper? To the wise man, who partly out of modesty and partly distrust of himself, attempts nothing; or the fool, whom neither modesty which he never had, nor danger which he never considers, can discourage from anything? The wise man has recourse to the books of the ancients, and from thence picks nothing but subtleties of words. The fool, in undertaking and venturing on the business of the world, gathers, if I mistake not, the true prudence, such as Homer though blind may be said to have seen when he said, "The burnt child dreads the fire." For there are two main obstacles to the knowledge of things, modesty that casts a mist before the understanding, and fear that, having fancied a danger, dissuades us from the attempt. But from these folly sufficiently frees us, and few there are that rightly understand of what great advantage it is to blush at nothing and attempt everything.

But if you had rather take prudence for that that consists in the judgment of things, hear me, I beseech you, how far they are from it that yet crack of the name. For first 'tis evident that all human things, like Alcibiades' Sileni or rural gods, carry a double face, but not the least alike; so that what at first sight seems to be death, if you view it narrowly may prove to be life; and so the contrary. What appears beautiful may chance to be deformed; what wealthy, a very beggar; what infamous, praiseworthy; what learned, a dunce; what lusty, feeble; what jocund, sad; what noble, base; what lucky, unfortunate; what friendly, an enemy; and what healthful, noisome. In short, view the inside of these Sileni, and you'll find them quite other than what they appear; which, if perhaps it shall not seem so philosophically spoken, I'll make it plain to you "after my blunt way." Who would not conceive a prince a great lord and abundant in everything? But yet being so ill-furnished with the gifts of the mind, and ever thinking he shall never have enough, he's the poorest of all men. And then for his mind so given up to vice, 'tis a shame how it enslaves him. I might in like manner philosophize of the rest; but let this one, for example's sake, be enough.

Yet why this? will someone say. Have patience, and I'll show you what I drive at. If anyone seeing a player acting his part on a stage should go about to strip him of his disguise and show him to the people in his true native form, would he not, think you, not only spoil the whole design of the play, but deserve himself to be pelted off with stones as a phantastical fool and one out of his wits? But nothing is more common with them than such changes; the same person one while impersonating a woman, and another while a man; now a youngster, and by and by a grim seignior; now a king, and presently a peasant; now a god, and in a trice again an ordinary fellow. But to discover this were to spoil all, it being the only thing that entertains the eyes of the spectators. And what is all this life but a kind of comedy, wherein men walk up and down in one another's disguises and act their respective parts, till the property-man brings them back to the attiring house. And yet he often orders a different dress, and makes him that came but just now off in the robes of a king put on the rags of a beggar. Thus are all things represented by counterfeit, and yet without this there was no living.

And here if any wise man, as it were dropped from heaven, should start up and cry, this great thing whom the world looks upon for a god and I know not what is not so much as a man, for that like a beast he is led by his passions, but the worst of slaves, inasmuch as he gives himself up willingly to so many and such detestable masters. Again if he should bid a man that were bewailing the death of his father to laugh, for that he now began to live by having got an estate, without which life is but a kind of death; or call another that were boasting of his family ill begotten or base, because he is so far removed from virtue that is the only fountain of nobility; and so of the rest: what else would he get by it but be thought himself mad and frantic? For as nothing is more foolish than preposterous wisdom, so nothing is more unadvised than a forward unseasonable prudence. And such is his that does not comply with the present time "and order himself as the market goes," but forgetting that law of feasts, "either drink or begone," undertakes to disprove a common received opinion. Whereas on the contrary 'tis the part of a truly prudent man not to be wise beyond his condition, but either to take no notice of what the world does, or run with it for company. But this is foolish, you'll say; nor shall I deny it, provided always you be so civil on the other side as to confess that this is to act a part in that world.

Erasmus, born on this day in 1466, from In Praise of Folly