Covenant.

Jense-Klint, Grundtvig's Church, 1926

If I am right, then enjoying music involves a kind of outward-going sympathetic movement. In music, as in sex and architecture, the relation between subjects can be uprooted and replaced by an arrangement of objects. And in a hundred ways the result of this is a culture of idolatry, in which freedom and personality are obliterated by intrusive images, clamoring for an addictive response. There is every reason to see this result as a “fall,” and the great story told in Genesis reaches forward to incorporate these new and troubling facts. The Fall did not occur at a particular moment in time; it is a permanent feature of the human condition. We stand poised between freedom and mechanism, subject and object, end and means, beauty and ugliness, sanctity and desecration. And all those distinctions derive from the same ultimate fact, which is that we can live in openness to others, accounting for our actions and demanding an account from them, or alternatively close ourselves off from others, learn to look on them as objects, so as to retreat from the order of the covenant to the order of nature.

Sir Roger Scruton, from The Soul of the World