Michelangelo, David, 1504
- Dietrich Bonhoeffer
Yo La Tengo, "Ohm"
... Resisting the flow
31 July 2013
Optimism.
- Dietrich Bonhoeffer
Yo La Tengo, "Ohm"
... Resisting the flow
Steady.
The
Moon, how definite its orb!
Yet
gaze again, and with a steady gaze--
'Tis
there indeed,--but where is it not?--
It
is suffused o'er all the sapphire Heaven,
Trees,
herbage, snake-like stream, unwrinkled Lake,
Whose
very murmur does of it partake
And
low and close the broad smooth mountain
Is
more a thing of Heaven than when
Distinct
by one dim shade and yet undivided from the universal cloud
In
which it towers, finite in height.
- Samuel Taylor Coleridge
Hungry.
Chardin, The Preparations for a Lunch, 1727
They were hungry for lunch and the bottle of white wine was cold and they drank it as they ate the celery remoulade and the small radishes and the home pickled mushrooms from the big glass jar. The bass was grilled and the grill marks showed on the silver skin and the butter melted on the hot plate. There was sliced lemon to press on the bass and fresh bread from the bakery and the wine cooled their tongues from the heat of the fried potatoes.
- Ernest Hemingway, from The Garden of Eden
Beyond.
Shishkin, Oaks in Old Peterhof, 1891
Out of the cradle endlessly rocking,
Out of the mocking-bird’s throat, the musical shuttle,
Out of the Ninth-month midnight,
Over the sterile sands, and the fields beyond, where the child, leaving his
bed, wander’d
alone, bare-headed, barefoot,
Down from the shower’d halo,
Up from the mystic play of shadows, twining and twisting as if they were alive,
Out from the patches of briers and blackberries,
From the memories of the bird that chanted to me,
From your memories, sad brother—from the fitful risings and fallings I heard,
From under that yellow half-moon, late-risen, and swollen as if with tears,
From those beginning notes of sickness and love, there in the transparent mist,
From the thousand responses of my heart, never to cease,
From the myriad thence-arous’d words,
From the word stronger and more delicious than any,
From such, as now they start, the scene revisiting,
As a flock, twittering, rising, or overhead passing,
Borne hither—ere all eludes me, hurriedly,
A man—yet by these tears a little boy again,
Throwing myself on the sand, confronting the waves,
I, chanter of pains and joys, uniter of here and hereafter,
Taking all hints to use them—but swiftly leaping beyond them,
A reminiscence sing.
- Walt Whitman
30 July 2013
Sauntering.
There’s no replacement for experience.
I remember when I first saw a wolf in the Upper Peninsula the sighting was doubted by a professor. I didn’t mind in the least. He sat in an office and I sat in my cabin in a forest on the river. I’d seen things from my window that were astonishing—male and female loons taking turns on the nest, each going crazy waiting for relief, making all kinds of noise, responding to coyotes and whippoorwills, calling back and forth. I think our sense of fieldwork can best be approached through what Thoreau called “sauntering.”
Measured.
Monet, Path in the Forest, 1865
- John Betjeman
Childhood is measured out by sounds and smells and sights, before the dark hour of reason grows.
- John Betjeman
29 July 2013
Made.
Chagall, Jacob's Ladder, 1973
Wanderer, your footsteps are the road, and nothing more; wanderer, there is no road, the road is made by walking. By walking one makes the road, and upon glancing behind one sees the path that never will be trod again. Wanderer, there is no road -- only wakes upon the sea.
- Antonio Machado
Grasp.
Innes, The Lonely Pine, 1893
Rem tene, verba sequentur: grasp the subject, and the words will follow. This, I believe, is the opposite of what happens with poetry, which is more a case of verba tene, res sequenter: grasp the words, and the subject will follow.
Rem tene, verba sequentur: grasp the subject, and the words will follow. This, I believe, is the opposite of what happens with poetry, which is more a case of verba tene, res sequenter: grasp the words, and the subject will follow.
- Umberto Eco
Mullova.
[Viktoria Mullova] has just released her latest disc of the music of Bach, recorded with Ottavio Dantone and Accademia Bizantina, and released on the Onyx label. It features four concertos, including those written specifically for violin as well as two transcriptions of concertos written for other instruments.
26 July 2013
Discovery.
There will always be those who feel more comfortable not venturing from the warmth of the hearth, but there are those who prefer to look out the window and wonder what is beyond the horizon. Down the road of life, I made the discovery that water was also good for the mental abrasions one inevitably acquires on land.
- Jimmy Buffett
Persist.
- Ralph Waldo Emerson
Circle.
Providing opportunities for meaningful dialogue and creating an atmosphere of trust in discussions are critical steps to helping students deepen their understanding of what they read. The Talking Circle is an excellent teaching strategy that is consistent with Aboriginal values and perspectives. In a Talking Circle,each participant is equal, and each one belongs. Students in a Talking Circle learn to listen and respect the views of others.
CONNECT
CONNECT
Personalized.
Sir Ken Robinson addresses the fundamental economic, cultural, social and personal purposes of education. He argues that education should be personalised to every student's talent, passion, and learning styles, and that creativity should be embedded in the culture of every single school.
24 July 2013
Warren Zevon, "Mutineer"
I was born to rock the boat
Some may sink but we will float
Grab your coat - let's get out of here
You're my witness
I'm your mutineer
Sorry about the dope at the beginning.
Some may sink but we will float
Grab your coat - let's get out of here
You're my witness
I'm your mutineer
Sorry about the dope at the beginning.
Drink.
It was during this term that I began to realize that
Sebastian was a drunkard in quite a different sense from myself. I got
drunk often, but through an excess of high spirits, in the love of the moment,
and the wish to prolong and enhance it; Sebastian drank to escape.
- Evelyn Waugh, Brideshead Revisited
Does it help writers to drink? Certainly Jack Kerouac, Dylan
Thomas, John Cheever, Ernest Hemingway and F. Scott Fitzgerald thought so. But
are the words on the page there despite and not because of alcohol?
Apart.
- Norman Maclean
Live.
Many years ago there went wandering through Japan, sometimes on
the back of a horse, sometimes afoot, in poor pilgrim's clothes, the
kindest, most simple hearted of men ... Basho, friend of moon and winds.
Though Basho was born of one of the noblest classes in Japan, and might
have been welcome in palaces, he chose to wander, and to be comrade
and teacher of men and women, boys and girls in all different stations of
life, from the lowest to the highest. Basho bathed in the running brooks,
rested in shady valleys, sought shelter from sudden rains under some tree
on the moor, and sighed with the country folk as he watched the cherry
blossoms in their last pink shower, fluttering down from the trees. Now
he slept at some country inn, stumbling in at its door at nightfall,
wearied from long hours of travelling, yet never too tired to note the
lovely wisteria vine, drooping its delicate lavender blossoms over the
veranda. Sometimes he slept in the poor hut of a peasant, but most often
his bed was out-of-doors, and his pillow a stone.
When Basho came upon a little violet hiding shyly in the grass on a mountain pathway, it whispered its secret to him. "Modesty, gentleness, and simplicity!" it said. "These are the truly beautiful things." Glistening drops of dew on the petal of a flower had voice and a song for him likewise. "Purity," they sang, "is the loveliest thing in life. The pine tree, fresh and ever-green amid winter's harshest storms, spoke staunchly of hardy manhood; the mountains had their message of patience, the moon its song of glory! Rivers, forests, waterfalls, all told their secrets to Basho, and these secrets that Nature revealed to him, he loved to show to others, for the whole of living of life was to him one great poem, as of some holy service in the shadow of a temple.
"Real poetry," said Basho, "is to lead a beautiful life. To live poetry is better than to write it."
- Olive Beaupré Miller, from Little Pictures of Japan
Happy birthday to my friend, Jess.
22 July 2013
Full.
Chagall, The Enchanted Forest, 1945
- Basho
From time to time
The clouds give rest
To the moon beholders.
- Basho
Noticed.
It was a quick walk to Lipp’s and every place I passed that my stomach noticed as quickly as my eyes made the walk an added pleasure. There were few people in the brasserie and when I sat down on a bench against the wall with the mirror in the back and a table in front and the waiter asked if I wanted beer I asked for a distingue, the big glass mug that held a liter, and potato salad.
The beer was very cold and wonderful to drink. The pommes a l’huile were firm and marinated and the olive oil delicious. I ground black pepper over the potatoes and moistened the bread with the olive oil. After the first heavy draft of beer I drank and ate very slowly.
- Ernest Hemingway, A Moveable Feast
Happy.
I think it's best to be happy.
- Fergus Henderson
Posted before, but worth the reminder (the last eight seconds of this provide a good model) ...
- Fergus Henderson
Posted before, but worth the reminder (the last eight seconds of this provide a good model) ...
Practice.
Monet, Morning on the Seine near Giverny, 1897
After you have practiced for a while, you will realize that it is not possible to make rapid, extraordinary progress. Even though you try very hard, the progress you make is always little by little. It is not like going out in a shower in which you know when you get wet. In a fog, you do not know you are getting wet, but as you keep walking you get wet little by little. If your mind has ideas of progress, you may say, "Oh, this pace is terrible!" But actually it is not. When you get wet in a fog it is very difficult to dry yourself. So there is no need to worry about progress.
- Shunryu Suzuki
21 July 2013
Happy birthday, Hemingway.
Ernest Hemingway was born on this date in 1899.
Nick looked at the burned-over stretch of hillside, where he had expected to find the scattered houses of the town and then walked down the railroad track to the bridge over the river. The river was there. It swirled against the log spires of the bridge. Nick looked down into the clear, brown water, colored from the pebbly bottom, and watched the trout keeping themselves steady in the current with wavering fins. As he watched them they changed their again by quick angles, only to hold steady in the fast water again. Nick watched them a long time.
He watched them holding themselves with their noses into the current, many trout in deep, fast moving water, slightly distorted as he watched far down through the glassy convex surface of the pool its surface pushing and swelling smooth against the resistance of the log-driven piles of the bridge. At the bottom of the pool were the big trout. Nick did not see them at first. Then he saw them at the bottom of the pool, big trout looking to hold themselves on the gravel bottom in a varying mist of gravel and sand, raised in spurts by the current.
Nick looked down into the pool from the bridge. It was a hot day. A kingfisher flew up the stream. It was a long time since Nick had looked into a stream and seen trout. They were very satisfactory. As the shadow of the kingfisher moved up the stream, a big trout shot upstream in along angle, only his shadow marking the angle, then lost his shadow as he came through the surface of the water, caught the sun, and then, as he went back into the stream under the surface, his shadow seemed to float down the stream with the current unresisting, to his post under thebridge where he tightened facing up into the current.
Nick's heart tightened as the trout moved. He felt all the old feeling. He turned and looked down the stream. It stretched away, pebbly-bottomed with shallows and big boulders and a deep pool as it curved away around the foot of a bluff.
Nick walked back up the ties to where his pack lay in the cinders beside the railway track. He was happy. He adjusted the pack harness around the bundle, pulling straps tight, slung the pack on his back got his arms through the shoulder straps and took some of the pull off his shoulders by leaning his forehead against the wide band of the tump-line Still, it was too heavy. It was much too heavy. He had his leather rod-case in his hand and leaning forward to keep the weight of the pack high on his shoulders he walked along the road that paralleled the railway track, leaving the burned town behind in the heat, and shell turned off around a hill with a high, fire-scarred hill on either side onto a road that went back into the country. He walked along the road feeling, the ache from the pull of the heavy pack. The road climbed steadily. It was hard work walking up-hill. His muscles ached and the day was hot, but Nick felt happy. He felt he had left everything behind, the need for thinking, the need to write, other needs. It was all back of him.
CONNECT
20 July 2013
Smiled.
[Yesterday] may go down in history as The Day the Earth Smiled. Or, at least, that is what TED speaker Carolyn Porco is hoping. Today from 9:27 to 9:42 pm GMT, the Cassini spaceship — an unmanned ship studying Saturn — will be taking a photograph of Saturn and its ring system. And because of the angle of the photo, Earth will be photobombing it.
CONNECT
Drew and I were playing baseball ...
Andy Dufresne's friends just stood there.
CONNECT
Drew and I were playing baseball ...
Andy Dufresne's friends just stood there.
19 July 2013
Happy birthday, Leadon.
The highest-flying Eagle, Bernie Leadon, was born on this date in 1947.
"Silver Dagger/Take It Easy"
"Silver Dagger/Take It Easy"
Kaleidoscopic
Mirror City is the latest video from photographer and filmmaker Michael Shainblum that takes time-lapse footage of Chicago, San Francisco, San Diego, Las Vegas and Los Angeles and runs it through a constantly shifting kaleidoscopic pattern of mirrors.
Up.
Mackintosh, Larkspur, 1914
An Hymn of Heavenly Beauty
Rapt with the rage of mine own ravish'd thought,
Through contemplation of those goodly sights,
And glorious images in heaven wrought,
Whose wondrous beauty, breathing sweet delights
Do kindle love in high-conceited sprights;
I fain to tell the things that I behold,
But feel my wits to fail, and tongue to fold.
Vouchsafe then, O thou most Almighty Spright,
From whom all gifts of wit and knowledge flow,
To shed into my breast some sparkling light
Of thine eternal truth, that I may show
Some little beams to mortal eyes below
Of that immortal beauty, there with thee,
Which in my weak distraughted mind I see;
That with the glory of so goodly sight
The hearts of men, which fondly here admire
Fair seeming shews, and feed on vain delight,
Transported with celestial desire
Of those fair forms, may lift themselves up higher,
And learn to love, with zealous humble duty,
Th' eternal fountain of that heavenly beauty.
Beginning then below, with th' easy view
Of this base world, subject to fleshly eye,
From thence to mount aloft, by order due,
To contemplation of th' immortal sky;
Of the soare falcon so I learn to fly,
That flags awhile her fluttering wings beneath,
Till she herself for stronger flight can breathe.
Then look, who list thy gazeful eyes to feed
With sight of that is fair, look on the frame
Of this wide universe, and therein reed
The endless kinds of creatures which by name
Thou canst not count, much less their natures aim;
All which are made with wondrous wise respect,
And all with admirable beauty deckt.
First th' earth, on adamantine pillars founded,
Amid the sea engirt with brazen bands;
Then th' air still flitting, but yet firmly bounded
On every side, with piles of flaming brands,
Never consum'd, nor quench'd with mortal hands;
And last, that mighty shining crystal wall,
Wherewith he hath encompassed this All.
By view whereof it plainly may appear,
That still as every thing doth upward tend,
And further is from earth, so still more clear
And fair it grows, till to his perfect end
Of purest beauty it at last ascend;
Air more than water, fire much more than air,
And heaven than fire, appears more pure and fair.
Look thou no further, but affix thine eye
On that bright, shiny, round, still moving mass,
The house of blessed gods, which men call sky,
All sow'd with glist'ring stars more thick than grass,
Whereof each other doth in brightness pass,
But those two most, which ruling night and day,
As king and queen, the heavens' empire sway;
And tell me then, what hast thou ever seen
That to their beauty may compared be,
Or can the sight that is most sharp and keen
Endure their captain's flaming head to see?
How much less those, much higher in degree,
And so much fairer, and much more than these,
As these are fairer than the land and seas?
For far above these heavens, which here we see,
Be others far exceeding these in light,
Not bounded, not corrupt, as these same be,
But infinite in largeness and in height,
Unmoving, uncorrupt, and spotless bright,
That need no sun t' illuminate their spheres,
But their own native light far passing theirs.
And as these heavens still by degrees arise,
Until they come to their first Mover's bound,
That in his mighty compass doth comprise,
And carry all the rest with him around;
So those likewise do by degrees redound,
And rise more fair; till they at last arrive
To the most fair, whereto they all do strive.
Fair is the heaven where happy souls have place,
In full enjoyment of felicity,
Whence they do still behold the glorious face
Of the divine eternal Majesty;
More fair is that, where those Ideas on high
Enranged be, which Plato so admired,
And pure Intelligences from God inspired.
Yet fairer is that heaven, in which do reign
The sovereign Powers and mighty Potentates,
Which in their high protections do contain
All mortal princes and imperial states;
And fairer yet, whereas the royal Seats
And heavenly Dominations are set,
From whom all earthly governance is fet.
Yet far more fair be those bright Cherubins,
Which all with golden wings are overdight,
And those eternal burning Seraphins,
Which from their faces dart out fiery light;
Yet fairer than they both, and much more bright,
Be th' Angels and Archangels, which attend
On God's own person, without rest or end.
These thus in fair each other far excelling,
As to the highest they approach more near,
Yet is that highest far beyond all telling,
Fairer than all the rest which there appear,
Though all their beauties join'd together were;
How then can mortal tongue hope to express
The image of such endless perfectness?
Cease then, my tongue, and lend unto my mind
Leave to bethink how great that beauty is,
Whose utmost parts so beautiful I find;
How much more those essential parts of his,
His truth, his love, his wisdom, and his bliss,
His grace, his doom, his mercy, and his might,
By which he lends us of himself a sight.
Those unto all he daily doth display,
And shew himself in th' image of his grace,
As in a looking-glass, through which he may
Be seen of all his creatures vile and base,
That are unable else to see his face,
His glorious face which glistereth else so bright,
That th' Angels selves cannot endure his sight.
But we, frail wights, whose sight cannot sustain
The sun's bright beams when he on us doth shine,
But that their points rebutted back again
Are dull'd, how can we see with feeble eyne
The glory of that Majesty Divine,
In sight of whom both sun and moon are dark,
Compared to his least resplendent spark?
The means, therefore, which unto us is lent
Him to behold, is on his works to look,
Which he hath made in beauty excellent,
And in the same, as in a brazen book,
To read enregister'd in every nook
His goodness, which his beauty doth declare;
For all that's good is beautiful and fair.
Thence gathering plumes of perfect speculation,
To imp the wings of thy high-flying mind,
Mount up aloft through heavenly contemplation,
From this dark world, whose damps the soul so blind,
And, like the native brood of eagles' kind,
On that bright Sun of Glory fix thine eyes,
Clear'd from gross mists of frail infirmities.
Humbled with fear and awful reverence,
Before the footstool of his majesty
Throw thyself down, with trembling innocence,
Ne dare look up with corruptible eye
On the dread face of that great Deity,
For fear, lest if he chance to look on thee,
Thou turn to nought, and quite confounded be.
But lowly fall before his mercy seat,
Close covered with the Lamb's integrity
From the just wrath of his avengeful threat
That sits upon the righteous throne on high;
His throne is built upon eternity,
More firm and durable than steel or brass,
Or the hard diamond, which them both doth pass.
His sceptre is the rod of righteousness,
With which he bruiseth all his foes to dust,
And the great Dragon strongly doth repress,
Under the rigour of his judgement just;
His seat is truth, to which the faithful trust,
From whence proceed her beams so pure and bright
That all about him sheddeth glorious light:
Light far exceeding that bright blazing spark
Which darted is from Titan's flaming head,
That with his beams enlumineth the dark
And dampish air, whereby all things are read;
Whose nature yet so much is marvelled
Of mortal wits, that it doth much amaze
The greatest wizards which thereon do gaze.
But that immortal light, which there doth shine,
Is many thousand times more bright, more clear,
More excellent, more glorious, more divine,
Through which to God all mortal actions here,
And even the thoughts of men, do plain appear;
For from th' eternal truth it doth proceed,
Through heavenly virtue which her beams do breed.
With the great glory of that wondrous light
His throne is all encompassed around,
And hid in his own brightness from the sight
Of all that look thereon with eyes unsound;
And underneath his feet are to be found
Thunder and lightning and tempestuous fire,
The instruments of his avenging ire.
There in his bosom Sapience doth sit,
The sovereign darling of the Deity,
Clad like a queen in royal robes, most fit
For so great power and peerless majesty,
And all with gems and jewels gorgeously
Adorn'd, that brighter than the stars appear,
And make her native brightness seem more clear.
And on her head a crown of purest gold
Is set, in sign of highest sovereignty;
And in her hand a sceptre she doth hold,
With which she rules the house of God on high,
And manageth the ever-moving sky,
And in the same these lower creatures all
Subjected to her power imperial.
Both heaven and earth obey unto her will,
And all the creatures which they both contain;
For of her fullness which the world doth fill
They all partake, and do in state remain
As their great Maker did at first ordain,
Through observation of her high behest,
By which they first were made, and still increast.
The fairness of her face no tongue can tell;
For she the daughters of all women's race,
And angels eke, in beauty doth excel,
Sparkled on her from God's own glorious face,
And more increas'd by her own goodly grace,
That it doth far exceed all human thought,
Ne can on earth compared be to aught.
Ne could that painter (had he lived yet)
Which pictured Venus with so curious quill,
That all posterity admired it,
Have portray'd this, for all his mast'ring skill;
Ne she herself, had she remained still,
And were as fair as fabling wits do feign,
Could once come near this beauty sovereign.
But had those wits, the wonders of their days,
Or that sweet Teian poet, which did spend
His plenteous vein in setting forth her praise,
Seen but a glimpse of this which I pretend,
How wondrously would he her face commend,
Above that idol of his feigning thought,
That all the world should with his rhymes be fraught.
How then dare I, the novice of his art,
Presume to picture so divine a wight,
Or hope t' express her least perfection's part,
Whose beauty fills the heavens with her light,
And darks the earth with shadow of her sight?
Ah, gentle Muse, thou art too weak and faint
The portrait of so heavenly hue to paint.
Let angels, which her goodly face behold
And see at will, her sovereign praises sing,
And those most sacred mysteries unfold
Of that fair love of mighty heaven's King;
Enough is me t' admire so heavenly thing,
And being thus with her huge love possest,
In th' only wonder of herself to rest.
But whoso may, thrice happy man him hold,
Of all on earth whom God so much doth grace
And lets his own beloved to behold;
For in the view of her celestial face
All joy, all bliss, all happiness, have place;
Ne aught on earth can want unto the wight
Who of herself can win the wishful sight.
For she, out of her secret treasury,
Plenty of riches forth on him will pour,
Even heavenly riches, which there hidden lie
Within the closet of her chastest bower,
Th' eternal portion of her precious dower,
Which mighty God hath given to her free,
And to all those which thereof worthy be.
None thereof worthy be, but those whom she
Vouchsafeth to her presence to receive,
And letteth them her lovely face to see,
Whereof such wondrous pleasures they conceive,
And sweet contentment, that it doth bereave
Their soul of sense, through infinite delight,
And them transport from flesh into the spright.
In which they see such admirable things,
As carries them into an ecstasy,
And hear such heavenly notes, and carollings
Of God's high praise, that fills the brazen sky;
And feel such joy and pleasure inwardly,
That maketh them all worldly cares forget,
And only think on that before them set.
Ne from thenceforth doth any fleshly sense,
Or idle thought of earthly things, remain;
But all that erst seem'd sweet seems now offence,
And all that pleased erst now seems to pain;
Their joy, their comfort, their desire, their gain,
Is fixed all on that which now they see;
All other sights but feigned shadows be.
And that fair lamp, which useth to inflame
The hearts of men with self-consuming fire
Thenceforth seems foul, and full of sinful blame;
And all that pomp to which proud minds aspire
By name of honour, and so much desire,
Seems to them baseness, and all riches dross,
And all mirth sadness, and all lucre loss.
So full their eyes are of that glorious sight,
And senses fraught with such satiety,
That in nought else on earth they can delight,
But in th' aspect of that felicity,
Which they have written in their inward eye;
On which they feed, and in their fastened mind
All happy joy and full contentment find.
Ah, then, my hungry soul, which long hast fed
On idle fancies of thy foolish thought,
And, with false beauty's flatt'ring bait misled,
Hast after vain deceitful shadows sought,
Which all are fled, and now have left thee nought
But late repentance through thy follies prief;
Ah cease to gaze on matter of thy grief:
And look at last up to that sovereign light,
From whose pure beams all perfect beauty springs,
That kindleth love in every godly sprite,
Even the love of God, which loathing brings
Of this vile world and these gay-seeming things;
With whose sweet pleasures being so possest,
Thy straying thoughts henceforth for ever rest.
- Edmund Spenser