Aspect.

Listen interviews Jordi Savall ...

Listen:
There must be an enormous amount of research and scholarship you have to undertake every time you dive in to one of your musical projects. How does that process work? And are you concerned — when you’re investigating a new music — about authenticity? Is there such a thing as ‘authenticity’?

Savall:
Authenticity can be used for different aspects — for an instrument, for playing, for style — but it is, in a certain way, quite relative. For example, take an orchestra playing Bach with original instruments. How can we know if this is authentic or not? Art is not a science. You don’t have a machine that can tell you: ‘This is one hundred percent authentic; this is fifty percent authentic.’ In this context, I think authenticity is important in the process of learning about the music. What is important for a musician is to know. If the enemy is ignorance, the best friend is knowledge. Freedom depends on knowledge.

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