04 November 2024

Oldest.

PBS' presentation of The Innocent Obsessions of Russell Chatham ...
The people who are, to me, have always done the best work are the people who never forget what went before and who always in all their work take into full account the entire history of everything they know about the art that they're involved in.
And they rely on it very heavily for form and for stability, but they don't imitate it.
In that sense, those people in my mind become the real avant-garde, people who rely on the oldest information they have.

Caught.


We all create an outward self with which to face the world, and some people come to believe that is what they truly are. So they people the world with doctors who are nothing outside of the consulting-room, and judges who are nothing when they are not in court, and businessmen who wither with boredom when they have to retire from business, and teachers who are forever teaching. That is why they are such poor specimens when they are caught without their masks on.

Robertson Davies

03 November 2024

Nowhere.


In spite of how things came to be
There was still a boy inside of me
So hear ol' friend for this I know
There's nowhere else I'd rather go
Than back to my old stomping grounds

Vinny Christensen, from "Stomping Grounds"

Provisions.

Wyeth, Bird in the House, 1984


Procuring the proper provisions for the Oyster Months ...

Followed.


In the Upper Peninsula of Michigan
and mountains of the Mexican border
I’ve followed the calls of birds
that don’t exist into thickets
and up canyons. I’m unsure
if all of me returned.

Jim Harrison

Ideal.

Thomson, Wild Geese, Study for Chilly November, 1917


ON the BEACH in NOVEMBER

My heart's Ideal, that somewhere out of sight
Art beautiful and gracious and alone,—
Haply, where blue Saronic waves are blown
On shores that keep some touch of old delight,—
How welcome is thy memory, and how bright,
To one who watches over leagues of stone
These chilly northern waters creep and moan
From weary morning unto weary night.
O Shade-form, lovelier than the living crowd,
So kind to votaries, yet thyself unvowed,
So free to human fancies, fancy-free,
My vagrant thought goes out to thee, to thee,
As wandering lonelier than the Poet's cloud,
I listen to the wash of this dull sea.

Edward Cracroft LeFroy

Vanished.

The sound of a vanished voice ...


Woof, woof, Champ!

Unmoving.


So in Japan the monks can be seen raking energetically, sometimes stirring up a cloud of dust, while in Southeast Asia, the monks sometimes stand unmoving with a rake in their hands.

Finest.

Jasper Hill Farms, Harbison, n/d
...[A] rustic, bloomy rind. Young cheeses are wrapped in strips of spruce cambium, the tree's inner bark layer, harvested from the woodlands of Jasper Hill. 

Jasper Hill Farm makes the finest cheeses in the United States.

Aware.


No poet, no artist of any art, has his complete meaning alone. His significance, his appreciation is the appreciation of his relation to the dead poets and artists. You cannot value him alone; you must set him, for contrast and comparison, among the dead. I mean this as a principle of æsthetic, not merely historical, criticism. The necessity that he shall conform, that he shall cohere, is not one-sided; what happens when a new work of art is created is something that happens simultaneously to all the works of art which preceded it. The existing monuments form an ideal order among themselves, which is modified by the introduction of the new (the really new) work of art among them. The existing order is complete before the new work arrives; for order to persist after the supervention of novelty, the whole existing order must be, if ever so slightly, altered; and so the relations, proportions, values of each work of art toward the whole are readjusted; and this is conformity between the old and the new. Whoever has approved this idea of order, of the form of European, of English literature, will not find it preposterous that the past should be altered by the present as much as the present is directed by the past. And the poet who is aware of this will be aware of great difficulties and responsibilities.

Think.

Wyeth, Apple Orchard, 1963


THE WOOD so WILD

I must go walke the woed so wild
And wander here and there
In dred and dedly fere,
For where I trusted I am begild,
And all for one.

Thus am I banished from my blis
By craft and false pretens,
Fautless, without offens,
As of return no certen is,
And all for fer of one.

My bed shall be under the grenwod tree,
A tuft of brakes under my hed,
As one from joye were fled.
Thus from my lif day by day I flee,
And all for one.

The ronning stremes shall be my drinke,
Acorns shall be my fode:
Nothing may do me good,
But when of your bewty I do think,
And all for love of one.

Sir Thomas Wyatt

Happy Birthday, Carracci

Carracci, The Triumph of Bacchus and Ariadne, 1597


Annibale Carracci was born on this day in 1560.

02 November 2024

Introduced.


The world was introduced to The Police on this day in 1978.

Side One, Track One ...

Unflinching.

Jamie Wyeth: The Unflinching Eye ...

Clinton.

This truck is coming to my school next week ...

Glimpses.


The WORLD is TOO MUCH WITH US

The world is too much with us; late and soon,
Getting and spending, we lay waste our powers;—
Little we see in Nature that is ours;
We have given our hearts away, a sordid boon!
This Sea that bares her bosom to the moon;
The winds that will be howling at all hours,
And are up-gathered now like sleeping flowers;
For this, for everything, we are out of tune;
It moves us not. Great God! I’d rather be
A Pagan suckled in a creed outworn;
So might I, standing on this pleasant lea,
Have glimpses that would make me less forlorn;
Have sight of Proteus rising from the sea;
Or hear old Triton blow his wreathèd horn.

William Wordsworth

Little.

Dürer, Piece of Great Turf, 1503


IN HEAVEN

In Heaven,
Some little blades of grass
Stood before God.
“What did you do?”
Then all save one of the little blades
Began eagerly to relate
The merits of their lives.

This one stayed a small way behind
Ashamed.
Presently God said:
“And what did you do?”
The little blade answered: “Oh, my lord,
“Memory is bitter to me
“For if I did good deeds
“I know not of them.”
Then God in all His splendor
Arose from His throne.
“Oh, best little blade of grass,” He said.

Stephen Crane

Happy Birthday, Chardin

Chardin, Duck, Hung on a Wall, and a Seville Orange, 1730


Jean-Baptiste Siméon Chardin was born on this day in 1699.

01 November 2024

Plan.

Marco Pierre White has a plan for all of your weekend dinners.

Venison Tartare: You don't have to be a cook to do this ...


Soused Herring: There's no real skill to this job ...


Fish Pie: If it burns, don't blame me ...

Johann Sebastian Bach: The Oyster Months

Harden, The Homestead, 2024


'Tis Autumn --
    Arrives the dusty dirges' drone  ...
When thistle-blows do lightly float
About the pasture-height,
And shrills the hawk a parting note,
And creeps the frost at night,
Then hilly ho! though singing so,
And whistle as I may,
There comes again the old heart pain
Through all the livelong day.

In high wind creaks the leafless tree
And nods the fading fern;
The knolls are dun as snow-clouds be,
And cold the sun does burn.
Then ho, hollo! though calling so,
I cannot keep it down;
The tears arise unto my eyes,
And thoughts are chill and brown.

Far in the cedars' dusky stoles,
Where the sere ground-vine weaves,
The partridge drums funereal rolls
Above the fallen leaves.
And hip, hip, ho! though cheering so,
It stills no whit the pain;
For drip, drip, drip, from bare-branch tip,
I hear the year's last rain.

So drive the cold cows from the hill,
And call the wet sheep in;
And let their stamping clatter fill
The barn with warming din.
And ho, folk, ho! though it be so
That we no more may roam,
We still will find a cheerful mind
Around the fire at home!

C.L. Cleaveland
Bach: The Art of Fugue
Pierre-Laurent Aimard 


Johann Sebastian Bach: Complete Lute Works
Evangelina Mascardi


Bach: The Six Unaccompanied Cello Suites
Yo-Yo Ma


Even though it's burned in my memory, thanks for the view, Kurt.

Sustain.


As it has been written, so it shall be.  Here are ten stouts and porters to sustain you through the gales of November ...
Thanks for the inspiration, Kurtastrophe.

Whistling.

Wyeth, November First, 1950


NOVEMBER

The landscape sleeps in mist from morn till noon;
And, if the sun looks through, tis with a face
Beamless and pale and round, as if the moon,
When done the journey of her nightly race,
Had found him sleeping, and supplied his place.
For days the shepherds in the fields may be,
Nor mark a patch of sky – blindfold they trace,
The plains, that seem without a bush or tree,
Whistling aloud by guess, to flocks they cannot see.

The timid hare seems half its fears to lose,
Crouching and sleeping ‘neath its grassy lair,
And scarcely startles, though the shepherd goes
Close by its home, and dogs are barking there;
The wild colt only turns around to stare
At passer by, then knaps his hide again;
And moody crows beside the road forbear
To fly, tho’ pelted by the passing swain;
Thus day seems turn’d to night, and tries to wake in vain.

The owlet leaves her hiding-place at noon,
And flaps her grey wings in the doubling light;
The hoarse jay screams to see her out so soon,
And small birds chirp and startle with affright;
Much doth it scare the superstitious wight,
Who dreams of sorry luck, and sore dismay;
While cow-boys think the day a dream of night,
And oft grow fearful on their lonely way,
Fancying that ghosts may wake, and leave their graves by day.

Yet but awhile the slumbering weather flings
Its murky prison round – then winds wake loud;
With sudden stir the startled forest sings
Winter’s returning song – cloud races cloud,
And the horizon throws away its shroud,
Sweeping a stretching circle from the eye;
Storms upon storms in quick succession crowd,
And o’er the sameness of the purple sky
Heaven paints, with hurried hand, wild hues of every dye.

At length it comes among the forest oaks,
With sobbing ebbs, and uproar gathering high;
The scared, hoarse raven on its cradle croaks,
And stockdove-flocks in hurried terrors fly,
While the blue hawk hangs o’er them in the sky.
The hedger hastens from the storm begun,
To seek a shelter that may keep him dry;
And foresters low bent, the wind to shun,
Scarce hear amid the strife the poacher’s muttering gun.

The ploughman hears its humming rage begin,
And hies for shelter from his naked toil;
Buttoning his doublet closer to his chin,
He bends and scampers o’er the elting soil,
While clouds above him in wild fury boil,
And winds drive heavily the beating rain;
He turns his back to catch his breath awhile,
Then ekes his speed and faces it again,
To seek the shepherd’s hut beside the rushy plain.

The boy, that scareth from the spiry wheat
The melancholy crow – in hurry weaves,
Beneath an ivied tree, his sheltering seat,
Of rushy flags and sedges tied in sheaves,
Or from the field a shock of stubble thieves.
There he doth dithering sit, and entertain
His eyes with marking the storm-driven leaves;
Oft spying nests where he spring eggs had ta’en,
And wishing in his heart twas summer-time again.

Thus wears the month along, in checker’d moods,
Sunshine and shadows, tempests loud, and calms;
One hour dies silent o’er the sleepy woods,
The next wakes loud with unexpected storms;
A dreary nakedness the field deforms –
Yet many a rural sound, and rural sight,
Lives in the village still about the farms,
Where toil’s rude uproar hums from morn till night
Noises, in which the ears of Industry delight.

At length the stir of rural labour’s still,
And Industry her care awhile foregoes;
When Winter comes in earnest to fulfil
His yearly task, at bleak November’s close,
And stops the plough, and hides the field in snows;
When frost locks up the stream in chill delay,
And mellows on the hedge the jetty sloes,
For little birds – then Toil hath time for play,
And nought but threshers’ flails awake the dreary day.

John Clare

Spattered.

Kelley, The Schoolhouse, Being Deserted, Soon Fell to Decay, and Was Reported to be Haunted by the Ghost of the Unfortunate Pedagogue, 1991


The next morning the old horse was found, without his saddle and with the bridle under his feet, soberly cropping the grass at his master’s gate. Ichabod did not make his appearance at breakfast; dinner-hour came, but no Ichabod. The boys assembled at the school-house and strolled idly about the banks of the brook but no schoolmaster. Hans Van Ripper now began to feel some uneasiness about the fate of poor Ichabod and his saddle. An inquiry was set on foot, and after diligent investigation they came upon his traces. In one part of the road leading to the church was found the saddle trampled in the dirt; the tracks of horses’ hoofs, deeply dented in the road and evidently at furious speed, were traced to the bridge, beyond which, on the bank of a broad part of the brook, where the water ran deep and black, was found the hat of the unfortunate Ichabod, and close beside it a spattered pumpkin.

Washington Irving, from "The Legend of Sleepy Hollow"

More.


And they ran and each came back carrying a lit pumpkin and lined them up on Pipkin’s porch rail where they smiled outrageous smiles to wait for Pipkin to come home.

And they stood on the lawn and looked at the lovely sight of all those smiles, their costumes tattered upon their arms and shoulders and legs, and the greasepaint dripped and running on their faces, and a great wondrous happy tiredness gathering in their eyelids and arms and feet, but not wanting to go yet.

And the town clock struck midnight—GUNNNG!

And gunnng again, to a full count of twelve.

And Halloween was over.

And all about the town, doors were slamming and lights going out.

The boys began to drift saying Night and Night and again Night and some Good Night but most Night, yes, Night. And the lawn was empty, but Pipkin’s porch was just full of candle illumination and warmth and baked pumpkin smell.

And Ghost and Mummy and Skeleton and Witch and all the rest were back at their own homes, on their own porches, and each turned to look at the town and remember this special night they would never in all their lives ever forget and they looked across the town at one another’s porches but especially on and over across the ravine to that great House where at the very top Mr. Moundshroud stood on his spike-railinged roof.

The boys waved, each from his own porch.

The smoke curling out of the high Moundshroud gothic chimney fluttered, motioned, waved back.

And still more doors were slamming to lock all around town.

And with each slam, one more pumpkin and then another and another and another on the huge Halloween Tree snuffed out. By the dozens, by the hundreds, by the thousands, doors banged, pumpkins went blind, snuffed candles smoked delicious smokes.

The Witch hesitated, went in, shut the door.

A Witch-faced pumpkin on the Tree went dark.

The Mummy stepped into his house and shut his door.

A pumpkin with the face of a mummy extinguished its light.

And finally, the last boy in all the town remaining alone on his veranda, Tom Skelton in his skull and bones hating to go in, wanting to wring the last dear drop from his favorite holiday in all the year, sent his thoughts on the night air toward the strange house beyond the ravine: Mr. Moundshroud, who are YOU?

And Mr. Moundshroud, way up there on the roof, sent his thoughts back: I think you know, boy, I think you know.

Will we meet again, Mr. Moundshroud?

Many years from now, yes, I’ll come for you.

And a last thought from Tom: O Mr. Moundshroud, will we EVER stop being afraid of nights and death?

And the thought returned: When you reach the stars, boy, yes, and live there forever, all the fears will go, and Death himself will die.

Tom listened, heard, and waved quietly.

Mr. Moundshroud, far off, lifted his hand.

Click. Tom’s front door went shut.

His pumpkin-like-a-skull, on the vast Tree, sneezed and went dark.

The wind stirred the great Halloween Tree which was now empty of all light save one pumpkin at the very top.

A pumpkin with Mr. Moundshroud’s eyes and face.

At the top of the house, Mr. Moundshroud leaned out, took a breath, blew.  His candle in his pumpkin head on the Tree fluttered, died.

Miraculously, smoke curled out of his own mouth, his nose, his ears, his eyes, as if his soul had been extinguished within his lungs at the very moment the sweet pumpkin gave up its incensed ghost.

He sank down into his house. The roof trapdoor closed.

The wind came by. It rocked all the dark smoking pumpkins on the vast and beautiful Halloween Tree. The wind seized a thousand dark leaves and blew them away up over the sky and down over the earth toward the sun that must surely rise.

Like the town, the Tree turned off its embered smiles and slept.

At two in the morning, the wind came back for more leaves.

Ray Bradbury, from The Halloween Tree