"I am not one who was born in the custody of wisdom. I am one who is fond of olden times and intense in quest of the sacred knowing of the ancients." Gustave Courbet

23 September 2018

Thinking.


LANDSCAPE with FRUIT ROT and MILLIPEDE

I cut off my head and threw it in the sky. It turned
into birds. I called it thinking. The view from above—
untethered scrutiny. It helps to have an anchor
but your head is going somewhere anyway. It's a matter
of willpower. O little birds, you flap around and

make a mess of the milk-blue sky—all these ghosts
come streaming down and sometimes I wish I had
something else. A redemptive imagination, for
example. The life of the mind is a disappointment,
but remember what stands for what. We deduce

backward into first causes—stone in the pond of things,
splash splash—or we throw ourselves into the future.
We all move forward anyway. Ripples in all directions.
What is a ghost? Something dead that seems to be
alive. Something dead that doesn't know it's dead.

A painting, for instance. An abstraction. Cut off your
head, kid. For all the good it'll do ya. I glued my head back
on. All thoughts finish themselves eventually. I wish
it were true. Paint all the men you want but sooner or
later they go to ground and rot. The mind fights the

body and the body fights the land. It wants our bodies,
the landscape does, and everyone runs the risk of
being swallowed up. Can we love nature for what it
really is: predatory? We do not walk through a passive
landscape. The paint dries eventually. The bodies

decompose eventually. We collide with place, which
is another name for God, and limp away with a
permanent injury. Ask for a blessing? You can try,
but we will not remain unscathed. Flex your will
or abandon your will and let the world have its way

with you, or disappear and save everyone the bother
of a dark suit. Why live a life? Well, why are you
asking? I put on my best shirt because the painting
looked so bad. Color bleeds, so make it work for you.
Gravity pulls, so make it work for you. Rubbing

your feet at night or clutching your stomach in the
morning. It was illegible—no single line of sight,
too many angles of approach, smoke in the distance.
It made no sense. When you have nothing to say,
set something on fire. A blurry landscape is useless.

Richard Siken

Thank You, Jessica.

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